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The purpose of this volume is to help make the major figures of the contemporary generation of writers in Austria accessible to an English-speaking audience. The fifteen essays cover the life and works of fifteen authors-Aichinger, Artmann, Bauer, Bernhard, Canetti, Ebner, Fried, Frischmuth, Handke, Innerhofer, Jandl, Jonke, Mayrocker, Roth, and Turrini-with each essay written by a specialist. The contributions are designed to be clear and informative for readers with no background in Austrian or German literature, while at the same time sufficiently analytical to make them useful even to specialists in the field. The book should appeal to general readers as well as to students and scholars working in the area of Austrian and German literature or in English and Comparative Literature."
New essays examine 20th-c. Austrian literature in relation to history, politics, and popular culture. 20th-century Austrian literature boasts many outstanding writers: Schnitzler, Musil, Rilke, Kraus, Celan, Canetti, Bernhard, Jelinek. These and others feature in broader accounts of German literature, but it is desirable to see how the Austrian literary scene -- and Austrian society itself -- shaped their writing. This volume thus surveys Austrian writers of drama, prose fiction, and lyric poetry; relates them to the distinctive history of modern Austria, a democratic republic that was overtaken by civil war and authoritarian rule, absorbed into Nazi Germany, and re-established as a neutral state; and examines their response to controversial events such as the collusion with Nazism, the Waldheim affair, and the rise of Haider and the extreme right. In addition to confronting controversy in the relations between literature, history, and politics, the volume examines popular culture in line with current trends. Contributors: Judith Beniston, Janet Stewart, Andrew Barker, Murray Hall, Anthony Bushell, Dagmar Lorenz, Juliane Vogel, Jonathan Long, Joseph McVeigh, Allyson Fiddler. Katrin Kohl is Lecturer in German and a Fellow of Jesus College, and Ritchie Robertson is Taylor Professor of German Language and Literature and a Fellow of The Queen's College, both at the University of Oxford.
For decades postwar Austrian literature has been measured against and moulded into a series of generic categories and grand cultural narratives, from nostalgic ‘restoration’ literature of the 1950s through the socially critical ‘anti-Heimat’ novel to recent literary reckonings with Austria’s Nazi past. Peering through the lens of film adaptation, this book rattles the generic shackles imposed by literary history and provides an entirely new critical perspective on Austrian literature. Its original methodological approach challenges the primacy of written sources in existing scholarship and uses the distortions generated by the shift in medium as a productive starting point for literary analysis. Five case studies approach canonical texts in post-war Austrian literature by Gerhard Fritsch, Franz Innerhofer, Gerhard Roth, Elfriede Jelinek, and Robert Schindel, through close readings of their cinematic adaptations, concentrating on key areas of narratological concern: plot, narrative perspective, authorship, and post-modern ontologies. Setting the texts within the historical, cultural and political discourses that define the ‘Alpine Republic’, this study investigates fundamental aspects of Austrian national identity, such as its Habsburg and National Socialist legacies.
This volume covers the turbulent period between the two world wars. Despite the hardships endured by a country recovering from a severe war, and despite the prominence of politics, literature flourished to a degree that, surprisingly perhaps, makes this era one of the richest periods in Austrian literary history.
For centuries, Vienna had been the imperial residence and capital of the great multi-lingual, multi-national Habsburg Empire, and thus a magnet for the accumulation of power, prestige, wealth, and beauty. However, it is self-evident that not everyone could or should reside in the capital, that many talented authors, whether by choice or by chance, lived outside that glamorous city, in Kafka's words, far from the Imperial sun. At the outset of the twenty-first century, with technological advancements in transportation and communication with international publishing houses and chain bookstores, with e-mail and the Internet, for example is there any social, political, economic, or professional advantage to residing in Vienna, or has it become irrelevant today where artists live? Are their life experiences notably different, whether they reside in the capital or in any other city, large or small? Are authors choices of language or themes influenced by their provincial backgrounds? Thus the idea of "Beyond Vienna" is a compelling and timely topic. This volume will attempt to address these questions, while serving as an introduction to nine authors poets, novelists, and dramatists and their relationships to the capital: Xaver Bayer, Alois Brandstetter, Gloria Kaiser, Christine Lavant, Anna Mitgutsch, Felix Mitterer, Elisabeth Reichart, Vladimir Vertlib, and Friedrich Ch. Zauner. The contributors are respected scholars who were personally invited to join this project and who ultimately determined which authors would be included.
Includes the index to the Journal of the International Arthur Schnitzler Research Association, 1961-67.
A fresh look at Austrian economists and the dynamic intellectual and political context in which they lived and worked.
Visions and Visionaries is an apt title for this volume of essays on contemporary Austrian literature and film, because this collection offers insightful discussions of a gallery of significant authors and cultural figures. It also investigates important issues of style and genre, and portrays questions of Austrian identity and culture in rich contexts of recent literary and multi-media developments, cross-cultural interactions, and historical forces. This book encompasses relevant trends and notions from the past - especially the complexities of lingering effects of the Nazi era - along with issues of the future - in particular the present and anticipated interactions of culture and cyberspace. The essays are enhanced by poems by Evelyn Schlag and Gerhard Kofler.
Tracing Austrian intellectual life from Maria Theresa to Hitler's annexation of Austria and Czechoslovakia, this innovative book offers a precise and engaging account of Austrian intellectual history since the Enlightenment. Here, David S. Luft begins by locating his narrative in the region known as Cisleithanian Austria, the area to the west of the Leitha River that was the basis for the modern Austrian state after 1740. Chapter 2 provides a history of the German-speaking intellectual life of these central lands of the Habsburg Monarchy (Austria and Bohemia) from the Enlightenment to annexation by Nazi Germany. Chapters 3 to 5 identify the most important philosophers, writers, and social thinkers who contributed to Austrian intellectual life in the period between 1740 and 1938/1939 and address the intellectual significance of their work. Elegantly written and meticulously researched, Luft's book brings out the contributions of major figures such as Wittgenstein, Hofmannsthal, Musil, Kafka, Rilke, and Freud, but also draws attention to less well-known figures such as Bolzano, Brentano, Grillparzer, Stifter, Broch, and Hayek.