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The Congressional Record is the official record of the proceedings and debates of the United States Congress. It is published daily when Congress is in session. The Congressional Record began publication in 1873. Debates for sessions prior to 1873 are recorded in The Debates and Proceedings in the Congress of the United States (1789-1824), the Register of Debates in Congress (1824-1837), and the Congressional Globe (1833-1873)
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This is a history of the famous old post erected deep within Apache country in Arizona where anyone stepping into the territory met with vicious, horrendous attack. The post served courageously to protect an ever-increasing influx of settlers into a wild and fearsome territory. With the Spanish reach for empire, colonization, and usurpation of Indian lands, the Apaches retaliated in the only way they knew how, by vicious and sustained attack upon anyone violating Apache territory. Emigrants, lone travelers, overland-mail riders and itinerant merchants were gunned down, slaughtered, mutilated and roasted alive.If the white man wanted the gold and silver hiding in the hills the he would have to win access to the precious metals the hard way. This is the reason of Fort Huachuca's existence. One of the most savage contests of arms between dedicated and able frontier army soldiers and implacable Indian braves. This confrontation culminated in the inevitable reduction of the primitive by the technologically advanced. This was not brought on so much by the introduction of equipment and machines, however, as by persistence and the sheer weight of numbers.Fort Huachuca saw it all. It began in a primitive setting from cavalry charge and marathon infantrymen to being equipped with the most modern equipment of real bugles and crackling loud-speakers. That shows how long the ugly battle continued.
A WWII combat artist shares his recollections—and his arresting artwork—from the frontlines of the Italian campaign in this military memoir. Many artists have fought in wars and later recorded heroic scenes of great battles. Yet few artists have created their work on the frontlines as they fought alongside their comrades. Edward Reep, as an official combat artist in World War II, painted and sketched while the battles of the Italian campaign raged around him. At Monte Cassino, the earth trembled as he attempted to paint the historic bombing of that magnificent abbey. Later, racing into Milan with armed partisans on the fenders of his Jeep, he saw the bodies of Mussolini and his beautiful mistress cut down from the gas station where they had been hanged by their heels. That same day he witnessed the spectacle of a large German army force holed up in a high-rise office tower, waiting for the chance to surrender to the proper American brass for fear of falling into the hands of the vengeful partisans. Reep’s recollections of such desperate days are captured in Combat Artist, both in the text and in the many painfully vivid paintings and drawings that accompany it. Reep’s battlefield drawings show us, with unrelenting honesty, the horrors and griefs?and the bitter comedy?of battle.