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Gendered Frames, Embodied Cameras: Varda, Akerman, Cabrera, Calle, and Maïwenn is the first book to link these five filmmakers together through an analysis of the relationship between filming one’s own body and the creative body. Through engaged artistic practices, these female filmmakers turn the camera to their bodies as a way to show the process of artistic creation and to produce themselves as filmmakers and artists in their work from 1987–2009. By making visible their bodies, they offer a wider range of representation of women in French film. Through avant-garde form, in which tangible corporeal elements are made image, they transform representational content and produce new cinematic bodies with the power to influence signifying practices in contemporary French culture. By rendering visible their artistic practice and praxis and their camera in their work—reflexive practices that also unite these filmmakers—these women also visually claim the role of filmmaker and creative subject. Thus they establish their authority in a film industry in which women’s participation and recognition of their achievements have historically been lower than that of their male counterparts.
Greatly expanded and updated from the 1977 original, this new edition explores the evolution of the modern horror film, particularly as it reflects anxieties associated with the atomic bomb, the Cold War, 1960s violence, sexual liberation, the Reagan revolution, 9/11 and the Iraq War. It divides modern horror into three varieties (psychological, demonic and apocalyptic) and demonstrates how horror cinema represents the popular expression of everyday fears while revealing the forces that influence American ideological and political values. Directors given a close reading include Alfred Hitchcock, Brian De Palma, David Cronenberg, Guillermo Del Toro, Michael Haneke, Robert Aldrich, Mel Gibson and George A. Romero. Additional material discusses postmodern remakes, horror franchises and Asian millennial horror. This book also contains more than 950 frame grabs and a very extensive filmography.
A Companion to Contemporary French Cinema presents a comprehensive collection of original essays addressing all aspects of French cinema from 1990 to the present day. Features original contributions from top film scholars relating to all aspects of contemporary French cinema Includes new research on matters relating to the political economy of contemporary French cinema, developments in cinema policy, audience attendance, and the types, building, and renovation of theaters Utilizes groundbreaking research on cinema beyond the fiction film and the cinema-theater such as documentary, amateur, and digital filmmaking Contains an unusually large range of methodological approaches and perspectives, including those of genre, gender, auteur, industry, economic, star, postcolonial and psychoanalytic studies Includes essays by important French cinema scholars from France, the U.S., and New Zealand, many of whose work is here presented in English for the first time
Like many national cinemas, the French cinema has a rich tradition of film musicals beginning with the advent of sound to the present. This is the first book to chart the development of the French film musical. The French film musical is remarkable for its breadth and variety since the 1930s; although it flirts with the Hollywood musical in the 1930s and again in the 1950s, it has very distinctive forms rooted in the traditions of French chanson. Defining it broadly as films attracting audiences principally because of musical performances, often by well-known singers, Phil Powrie and Marie Cadalanu show how the genre absorbs two very different traditions with the advent of sound: European operetta and French chanson inflected by American jazz (1930-1950). As the genre matures, operetta develops into big-budget spectaculars with popular tenors, and revue films also showcase major singers in this period (1940-1960). Both sub-genres collapse with the advent of rock n roll, leading to a period of experimentation during the New Wave (1960-1990). The contemporary period since 1995 renews the genre, returning nostalgically both to the genre's origins in the 1930s, and to the musicals of Jacques Demy, but also hybridising with other genres, such as the biopic and the documentary.
In this dark fairy tale adaptation of a medieval French legend, Issylte must flee the wicked queen, finding shelter with a fairy witch who teaches her the verdant magic of the forest. Fate leads her to the otherworldly realm of the Lady of the Lake and the Elves of Avalon, where she must choose between her life as a healer or fight to save her ravaged kingdom. Tristan of Lyonesse is a Knight of the Round Table who must overcome the horrors of his past and defend his king or lose everything. When he becomes a warrior of the Tribe of Dana, a gift of Druidic magic might hold the key he seeks. Haunted and hunted. Entwined by fate. Can their passion and power prevail?
A spirit hunter is the target of deadly danger and Otherworldly lust in a paranormal thriller by the New York Times bestselling author of Vampire Academy. Eugenie Markham is a powerful shaman who does a brisk trade banishing spirits and fey who cross into the mortal world. Call her a mercenary if you want, but it’s just business to her. Until now. Hired to find a teenager who’s been taken to the Otherworld, Eugenie encounters a startling prophecy—one that uncovers dark secrets about her past and claims that her first-born will threaten the future of the world. Now Eugenie is a hot target for every ambitious demon in the Otherworld, and the ones who don't want to knock her up want her dead. Eugenie handles a Glock as smoothly as she wields a wand, but she needs some formidable allies for a job like this. She finds them in Dorian, a seductive fairy king with a taste for bondage, and Kiyo, a gorgeous shape-shifter who redefines animal attraction. But with enemies growing bolder and time running out, the greatest danger is yet to come, and it lies in the dark powers that are stirring to life within Eugenie herself. "Storm Born is my kind of book -- great characters, dark worlds, and just the right touch of humor. A great read." --Patricia Briggs
This volume examines contemporary reformulations of the ‘Final Girl’ in film, TV, literature and comic, expanding the discussion of the trope beyond the slasher subgenre. Focusing specifically on popular texts that emerged in the 21st century, the volume asks: What is the sociocultural context that facilitated the remarkable proliferation of the Final Girls? What kinds of stories are told in these narratives and can they help us make sense of feminism? What are the roles of literature and media in the reconsiderations of Carol J. Clover’s term of thirty years ago and how does this term continue to inform our understanding of popular culture? The contributors to this collection take up these concerns from diverse perspectives and with different answers, notably spanning theories of genre, posthumanism, gender, sexuality and race, as well as audience reception and spectatorship.
The Dark Swan series by #1 New York Times bestselling author Richelle Mead is together at last in this complete bundle! Just typical. No love life to speak of for months, then all at once, every horny creature in the Otherworld wants to get in your pants... Storm Born--Book One Eugenie Markham is a powerful shaman who does a brisk trade banishing spirits and fey who cross into the mortal world. Mercenary, yes, but a girl's got to eat. Her most recent case, however, is enough to ruin her appetite. Hired to find a teenager who has been taken to the Otherworld, Eugenie comes face to face with a startling prophecy--one that uncovers dark secrets about her past and claims that Eugenie's first-born will threaten the future of the world as she knows it. Now Eugenie is a hot target for every ambitious demon and Otherworldy ne'er-do-well, and the ones who don't want to knock her up want her dead. She finds formidable allies in Dorian, a seductive fairy king with a taste for bondage, and Kiyo, a gorgeous shape-shifter who redefines animal attraction. But with enemies growing bolder and time running out, Eugenie realizes that the greatest danger is yet to come, and it lies in the dark powers that are stirring to life within her... Thorn Queen--Book Two Eugenie Markham is paid to bind and banish creatures from the Otherworld. But after her last battle, she's also become queen of the Thorn Land. It's hardly an envious life, not with her kingdom in tatters, her love life in chaos, and Eugenie eager to avoid the prophecy about her firstborn destroying mankind. And now young girls are disappearing from the Otherworld, and no one--except Eugenie--seems willing to find out why. Eugenie has spilled plenty of fey blood in her time, but this enemy is shrewd, subtle, and nursing a very personal grudge. And the men in her life aren't making things any easier. Her boyfriend Kiyo is preoccupied with his pregnant ex, and sexy fey king Dorian always poses a dangerous distraction. With or without their help, Eugenie must venture deep into the Otherworld and trust in an unpredictable power she can barely control. Reluctant queen or not, Eugenie has sworn to do her duty--even if it means facing the darkest--and deadliest--side of her nature... Iron Crowned--Book Three Eugenie Markham is the best at banishing entities trespassing in the mortal realm. But as the Thorn Land's queen, she's fast running out of ways to end the brutal war devastating her kingdom. Her only hope: the Iron Crown, a legendary object even the most powerful gentry fear... Who Eugenie can trust is the hardest part. Fairy king Dorian has his own agenda for aiding her search. And Kiyo, her shape-shifter ex-boyfriend, has every reason to betray her along the way. To control the Crown's ever-consuming powers, Eugenie will have to confront an unimaginable temptation--one that will put her soul and the fate of two worlds in mortal peril... Shadow Heir--Book Four Eugenie Markham strives to keep the mortal realm safe from trespassing entities. But as the Thorn Land's prophecy-haunted queen, there's no refuge for her and her soon-to-be-born-children when a mysterious blight begins to devastate the Otherworld... The spell-driven source of the blight isn't the only challenge to Eugenie's instincts. Fairy king Dorian is sacrificing everything to help, but Eugenie can't trust the synergy drawing them back together. The uneasy truce between her and her shape shifter ex-lover Kiyo is endangered by secrets he can't--or won't--reveal. And as a formidable force rises to also threaten the human world, Eugenie must use her own cursed fate as a weapon--and risk the ultimate sacrifice...
The former Rolling Stone writer and MTV host takes off from classic Roger Ebert and sails boldly into the new millennium. Millions grew up reading the author's record reviews and watching him on MTV's "The Week in Rock." In this collection of more than 200 movie reviews from MTV.com and, more recently, the Reason magazine Website, plus sidebars exclusive to this volume, Loder demonstrates his characteristic wry voice and finely honed observations. The author shines when writing on the best that Hollywood and indie filmmakers have to offer, and his negative reviews are sometimes more fun than his raves. This freewheeling survey of the wild, the wonderful and the altogether otherwise is an indispensable book for any film buff.
A magical mercenary is crowned a queen of the Otherworld—an honor could cost her life—in the New York Times bestselling author’s paranormal thriller. Eugenie Markham is a shaman for hire, paid to bind and banish creatures from the Otherworld. But after her last battle, she's also become queen of the Thorn Land. It may sound nice, but her kingdom is in tatters, her love life is in chaos, and Eugenie is eager to avoid a prophecy about her firstborn destroying mankind. Now young girls are disappearing from the Otherworld, and no one—except Eugenie—is willing to find out why. Eugenie has spilled plenty of fey blood in her time, but this enemy is shrewd, subtle, and nursing a very personal grudge. And the men in her life aren't making things any easier. Her boyfriend Kiyo is preoccupied with his pregnant ex, and sexy fey king Dorian always poses a dangerous distraction. With or without their help, the reluctant queen has a sworn duty to uphold, even if it means facing the darkest and deadliest side of her nature.