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Edgar Award-winning and New York Times bestselling author C.J. Box delivers a thriller in Back of Beyond about a troubled cop trying to save his son from a killer in Yellowstone, now reissued with additional bonus content including an introduction from the author. Cody Hoyt, although a brilliant cop, is an alcoholic struggling with two months of sobriety when his friend Hank Winters is found burned to death in a remote mountain cabin. At first it looks like the suicide of a man who’s fallen off the wagon, but Cody knows Hank better than that. As Cody digs deeper into the case, all roads lead to foul play. After years of bad behavior with his department, Cody is in no position to be investigating a homicide, but he will stop at nothing to find Hank’s killer. When clues found at the scene link the murderer to an outfitter leading tourists on a multiday wilderness horseback trip into the remote corners of Yellowstone National Park—a pack trip that includes his son Justin—Cody is desperate to get on their trail and stop the killer before the group heads into the wild. In a fatal cat-and-mouse game, where it becomes apparent the murderer is somehow aware of Cody’s every move, Cody treks into the wilderness to stop a killer hell-bent on destroying the only important thing left in his life. *BONUS CONTENT: This edition of Back of Beyond includes a new introduction from the author and a discussion guide
This is the story of the motor truck pioneers who contributed as much to Australia's transport history as the mail coaches, riverboats and railways. Maddock relates the experiences, the courage and the ingenuity of the men who, in the 1930s, took their vehicles over unmarked tracks to some of the loneliest places in Australia.
Man Booker Prize nominee Peter Stamm explores in his sixth novel what it means to be in the middle of nowhere, in mind and in body. Happily married with two children and a comfortable home in a Swiss town, Thomas and Astrid enjoy a glass of wine in their garden on a night like any other. Called back to the house by their son's cries, Astrid goes inside, expecting her husband to join her in a bit. But Thomas gets up and, after a brief moment of hesitation, opens the gate and walks out. No longer bound by the ties of his everyday life--family, friends, work--Thomas begins a winding trek across the countryside, exposed as never before to the Alpine winter. At home, Astrid wonders where he's gone, when he'll come back, whether he's still alive. Following Thomas and Astrid on their separate paths, To the Back of Beyond becomes ultimately a meditation on the limits of freedom and on the craving to be wanted.
James Charles Roy, a noted authority on Irish history and travel, escorts a disparate group of Americans through the lonely backwaters of ancient Ireland. Visions of a glorious enterprise evaporate as he sees a dejected and weary handful of aged American tourists disembark at Shannon Airport. Fortified by Guinness, Roy hurls himself into sharing with them the joys and wonders of Ireland's twisted byways. Determined to avoid clichéRoy leads his group to obscure Celtic coronation sites, monasteries, and remote abbeys as he spins a narrative that pulls Ireland's chaotic story into coherence. His unsuspecting charges begin to shed their hesitancies, relishing their guide's idiosyncratic approach to Ireland. Black comedy aside, Roy touches an emotional chord: how the economic phenomenon known as the Celtic Tiger has transformed Old Ireland into a high-tech power. At the tour's end, Roy embarks alone for the inaccessible Ardoilean, a seventh-century Celtic hermitage in County Galway. His vision of an Ireland lost forever is an emotional tour de force.
“Kiwi”—a small, flightless, nocturnal bird which is native to, and the national symbol of, New Zealand. We travelled around the United States and Canada for twelve months towing a camper, touching on all forty-eight contiguous states and eight Canadian Provinces. As we tried to support the American economy the only way we knew how—by sticking to the secondary roads, stopping at all the small towns, and buying beer at all the backwoods bars—we were continually asked the same questions: “What are you?”—“We’re Kiwis.” “Where are you from?”—“New Zealand, but we live in Australia.” “What are you doing here?”—“We want to see every State, learn all the history, and experience what it is like to live as an American.” “Why?”—“Because America gets such a bad rap around the world, we want to find out for ourselves if it is justified . . . and if you really are as good as you think you are . . .”
Martin Vopěnka’s novel, The Back of Beyond—Travels with Benjamin, is the story of a middle-aged man, who—despite his professional success and affluence—lacks fulfillment. After the tragic death of his wife, he is left alone with his eight-year-old son and quickly realizes that if he wants to succeed in the role of single parent that has suddenly been thrust upon him, he has to change fundamentally. So, he takes his son and sets out on a journey to what he dubs the Back of Beyond. Without telling anyone of their plans—in fact, without any plans to speak of—father and son travel from city to city, from country to country, assembling a travelogue that includes not only depictions of exotic places and colorful encounters, but also an inner journey, deep into the human experience and the complexities of living in a post-communist world. With its unique blend of sensitive and suggestive language, The Back of Beyond - Travels with Benjamin is a stylistic gem, rendered in seamless translation and appearing here for the first time in English.
Bill is sustained by his deep sense of a wider culture and an improving world. The only thing the human race needs to do is learn. When he meets a person who embodies this idea, he naturally likes them. Especially if his wife doesn't. Set at the end of the 1950s, Scenes from the Back of Beyond, explores the comfort, hopes and fragility of family life in a new Sydney suburb. Scenes from the Back of Beyond opened at the Royal Court Theatre in November 2006.
Fishing guide and award-winning author Randy Spencer weaves a spell with quirky, colorful residents, fish-out-of-water tourists, native traditions, and a large helping of absolute wonder. Written On Water is an extraordinary collection of tales about the part of Maine that truly is, as those who reside there call it, the “back of the beyond.” With its assemblage of quirky characters who live far off the beaten path, and consider fishing to be a sacred art, the beautiful, watery, down-east Grand Lake Stream (population 132) has been hallowed ground since the 1800s. Written On Water takes us to a place where very old ways of life have persisted and, against all odds, the velocity of modern life has not yet invaded its shores and lakes, pines and canoes, and most importantly, its citizens. The unlikely survival of such a place in the twenty-first century is remarkable, as is the oral history that has survived with it. Award-winning author and master Maine guide, Randy Spencer, shares this insightful collection of colorful oral histories, teeming with drama, mysteries, and laugh-out-loud moments about eccentric and lovable individuals. In poignant and frequently hilarious prose, Spencer brings us “fish stories”—tales of the author’s experience guiding “sports” on fishing excursions—as well as stories about the quirky local residents, passed downs through generations.
Documentary productions encompass remarkable representations of surprising realities. How do documentaries achieve their ends? What types of documentaries are there? What factors are implicated in their production? Such questions animate this engaging study. Documentary Screens is a comprehensive and critical study of the formal features and histories of central categories of documentary film and television. Among the categories examined are autobiographical, indigenous and ethnographic documentary, compilation films, direct cinema and cinema verite and television documentary journalism. The book also considers recent so-called popular factual entertainment and the future of documentary film, television and new media. This provocative and accessible analysis situates wide-ranging examples from each category within the larger material forces which impact on documentary form and content. The important connection between form, content and context explored in the book constitutes a new and lively 'documentary studies' approach to documentary representation.