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The Inspector has fallen into disfavor with his Paris superiors and has been shunted to a district supervisor's job on the northern French coast. Here, among mussel-gatherers and lobstermen, Maigret suffers depression and boredom. He is an outsider. Even the local police inspector is dull and predictable, as everything in the coastal villages appears to be. But the discovery of a corpse in the house of a retired judge returns a sense of purpose to Maigret. The Boston Globe called this "one of Simenon's best Maigrets . . . replete with his customary irony and deft characterization".
“A writer as comfortable with reality as with fiction, with passion as with reason.” —John Le Carré Exiled from Paris, Maigret discovers some disturbing secrets in a sleepy coastal town “A short, sprightly man appeared in the doorway, looked left and right, and went back into the passage. A moment later, the improbable happened. The little man reappeared, bent over, clinging to a long mass that he now started dragging through the mud. It must have been heavy. After four meters, he stopped to catch his breath. The front door of the house had been left open. The sea was still twenty or thirty meters away.” Maigret has been exiled from Paris to a remote province, having offended his superiors. Out of his element, he finds himself utterly bored—until a murder case arrives.
Maigret is a registered trademark of the Estate of Georges Simenon.
"Longer--but lesser--Simenon: a gloomy, picaresque tale of doomed love (originally published in France in 1936), featuring yet another Simenon quasi-hero who is led astray by an unworthy woman. Joseph ("Jef") Mittel, young second-generation anarchist (he has reluctantly followed in his legendary father's footsteps), finds himself on the run with lover/comrade Charlotte. . .who has murdered her former employer/lover for supposedly "political" reasons. At Dieppe they sneak aboard a freighter operated by Capt. Mopps, an amoral Dutch gun-runner headed for Panama: Joseph numbly stands by--working as a stoker--while Charlotte promptly becomes Mopps' bedmate. But, after a miserable South American cruise (Mopps' gun-deal falls through), the lovers are back together again: Mopps, disturbed by his obsession with Charlotte, dumps her--and Joseph--in Colombia; they find wretched work in a jungle mining-camp; Charlotte is pregnant (but is the baby Joseph's or Mopps'?); they become fearfully involved in the case of a mad Belgian miner who has been murdered (a suicide verdict is sought by the powers-that-be); Charlotte barely survives an attack of typhoid; they dream of somehow getting back to relative civilization in the town of Buenaventura. And finally that dream comes true (along with the birth of Charlotte's baby). . . just when a letter arrives from Capt. Mopps: he's now in Tahiti, running a pleasure boat, and he invites the couple to join him. Will Joseph remember what happened before and decline this offer? Not at all. Ever rootless, he now yearns for Tahiti, managing to get his fam-of-three aboard a yacht headed there, And, inevitably, more misery awaits: Charlotte's infidelities, questions of the baby's paternity, and (despite a native girl's love) Joseph's descent into madness and illness. Despite the Conrad landscape and the Manon Lescaut outline: familiar Simenon themes--in a sturdy, atmospheric melodrama that lacks the lean, ironic shapeliness of Simenon at his best."--Kirkus
'The father of contemporary European detective fiction' Ann Cleeves An omnibus edition containing four titles featuring Inspector Maigret: The Saint-Fiacre Affair (where Maigret goes back to the place of his birth), The Misty Harbour (where Maigret is left tied up on a rainy quayside all night), Maigret (where Maigret comes back from retirement) and The Judge's House (where Maigret is exiled to a mussel farming community). Penguin is publishing the entire series of Maigret novels. 'Compelling, remorseless, brilliant' John Gray 'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' Guardian 'A supreme writer . . . unforgettable vividness' Independent
Georges Simenon's 75 novels and 28 short stories that feature Chief Inspector Jules Maigret provide us with a great deal of information about the French police detective--but only in small, episodic doses. As readers become acquainted with Maigret one detail at a time, he slowly takes on a flesh-and-bone realism--not merely a character in a story, but someone we would like to meet in real life. This book presents all the canonical facts and details about the detective and his world in one place, presented with tabulations and analyses that enable a better understanding of the works and of Maigret himself.
"A devoted and brilliant achievement." The New York Review of Books In 1948, as civil war ravaged Greece, children were abducted and sent to communist "camps" behind the Iron Curtain. Eleni Gatzoyiannis, 41, defied the traditions of her small village and the terror of the communist insurgents to arrange for the escape of her three daughters and her son, Nicola. For that act, she was imprisoned, tortured, and executed in cold blood. Nicholas Gage joined his father in Massachusetts at the age of nine and grew up to be a top investigative reporter for the New York Times. And finally he returned to Greece to uncover the story he cared about most -- the story of his mother's heroic life and tragic death.
“A writer as comfortable with reality as with fiction, with passion as with reason.” —John Le Carré In this brilliant new translation of Georges Simenon’s classic novel, a young man descends into a brutal world of crime “And always the dirty snow, the heaps of snow that look rotten, with black patches and embedded garbage . . . unable to cover the filth.” Nineteen-year-old Frank—thug, thief, son of a brothel owner—gets by surprisingly well despite living in a city under military occupation, but a warm house and a full stomach are not enough to make him feel truly alive in such a climate of deceit and betrayal. During a bleak, unending winter, he embarks on a string of violent and sordid crimes that set him on a path from which he can never return. Georges Simenon’s matchless novel is a brutal, compelling portrayal of a world without pity; a devastating journey through a psychological no man’s land.
The Belly of Paris (Le Ventre de Paris) is the third novel in Émile Zola's twenty-volume series Les Rougon-Macquart, first published in 1873. It is a novel of the teeming life which surrounds the great central markets of Paris. The book was originally translated into English by Henry Vizetelly and published in 1888 under the title Fat and Thin. After Vizetelly's imprisonment for obscene libel the novel was one of those revised and expurgated by his son, Ernest Alfred Vizetelly. The heroine is Lisa Quenu, a daughter of Antoine Macquart. She has become prosperous, and with prosperity her selfishness has increased. Her brother-in-law Florent had escaped from penal servitude in Cayenne and lived for a short time in her house, but she became tired of his presence and ultimately denounced him to the police. Émile Zola (1840 – 1902) was a French writer, the most important exemplar of the literary school of naturalism and an important contributor to the development of theatrical naturalism. He was a major figure in the political liberalization of France.
Edward Said was an exiled individual – the 'out of place' Palestinian in the USA. He saw the consequences of the 1948 dismantling of Palestine and the establishment of Israel through his parents' experiences and through the collective statelessness imposed on the Palestinians. His own personal experience of exile intensified when he moved to the USA. Yet despite the significance of exile to Said's lifeand work, no scholarship has yet focused on this theme in his writings or traced its ongoing applicability and importance. Rehnuma Sazzad fulfils this pressing need in literary and cultural research by providing the first comprehensive definition of Said's theory of exile and reveals its legacy in relation to five Middle Eastern intellectuals: Naguib Mahfouz, Mahmoud Darwish, Leila Ahmed, Nawal El Saadawi and Youssef Chahine. By selecting a novelist, poet, feminist, filmmaker and essayist, Sazzad shows how, for Said, the ideal intellectual is a metaphorical exile, demonstrating a willing homelessness. This book creates a portrait of redoubtable intellectual practice and in the twenty-first-century context, when the frontiers of belonging are being constantly redrawn, Edward Said's Concept of Exile adds new depths to discourses of resistance, home and identity.