Download Free Mahabharata Now Book in PDF and EPUB Free Download. You can read online Mahabharata Now and write the review.

The Mahabharata is at once an archive and a living text, a sourcebook complete by itself and an open text perennially under construction. Driving home this striking contemporary relevance of the famous Indian epic, Mahabharata Now focuses on the issues of narration, aesthetics and ethics, as also their interlinkages. The cross-disciplinary essays in the volume imaginatively re-interpret the ‘timeless’ classic in the light of the pre-modern Indian narrative styles, poetics, aesthetic codes, and moral puzzles; the Western theories on modern ethics, aesthetics, metaphysics, psychoanalysis, and philosophy of science; and the contemporary social, ethical and political concerns. The essays are all united in their effort to situate the Mahabharata in the context of here and now without violating the sanctity of the ‘written text’ as we have it today. The book will be of interest to scholars and students of Indian and comparative philosophy, Indian and comparative literature, cultural studies, and history.
In a drastic re-evaluation of astronomy observations from Mahabharata, using high-tech tool of modern astronomy and low-tech tool of the logic of scientific discovery, Nilesh Oak's extraordinary book presents ordinary theory of astronomy observations that would lead to a quantum jump in our understanding of the Mahabharata War: How a theory based on single unifying idea corroborates 100+ astronomy observations Where to search for the year of the Mahabharata War - Epoch of 6500 years & Compact time interval of 3000 years How a single observation, previously known but unexplained, falsifies 96% of all proposals for the year of the Mahabharata War Why does it matter how long Bhishma was lying on the bed of arrows How ancient is the tradition of meticulous astronomy observations. Acceptance of his theory leads to surprising conclusions about our current understanding of world civilizations, domestication of horses, dating of Ramayana or Vedas and antiquity of meticulous astronomy observations. Rejection of his theory would compel us to search for the likes of Newton and Lagrange, among the Sages of India, at least thousand years before Sir Isaac Newton & Joseph-Louis Lagrange. Praise for 'When did the Mahabharata War Happen?: The Mystery of Arundhati' "You have done a great job. I requested astronomers to consider if Arundhati had gone ahead of Vasisth in 1971, when I published 'Swayambhu' . But nobody cared. You are the first to do the great job " - P V Vartak (Author of 'Swayambhu' & 'Wastav Ramayana')--- "Grueling and unfaltering logic"--- I have to thank you for being the cause for a quantum leap in my own knowledge of general astronomy as well as Hindu astronomy / calendrical systems over a very short span of time. In some ways the effect of your book has some parallels with Rajiv Malhotra's 'Being Different', though in a very different context. RM never intended his book as a primer on Dharma / Hinduism - but nevertheless it introduced many aspects of Dharma in a light which would be new even to a practitioner. Similarly, even though I am sure you never intended your book to act as an exploration of key astronomical principles and Vedic astronomy - that has definitely been a key side benefit, at least from my perspective.--- "Indology" has been populated by linguists and my respect for their work has gone down by several notches when I look at the shoddy assumptions many are prone to make. Science and rigor the way Nilesh Oak has used seems to be unknown to these Indologists. I bet that not one of those horse bone chewers can understand what Archeo-astronomy means. Their awareness extends to looking at Archeo-asses and saying it was not Equus caballus.--- I am simply 'natmastak' to Shri Oak for the amazing piece of deductive reasoning applied by him in interpreting the 'Arundhati is leading Vasistha' remark. I think Shri Oak is not only on sound footing but also has clearly exhibited every 'lakshan' of a true seeker of knowledge in the finest Indian traditions. I cannot recall if he mentioned whether anybody else (other than him) thought of the EOA approach. If he is the first one, he deserves billions of thanks from all the Bharatiyas in the last 7000+ years. Oak saheb, aamcha maanacha mujra sweekar karava hee vinanti.--- It is interesting how all Indologists the world over talk about linguistics and horse, but never mentions archaeoastronomy Perhaps the focus of the national and international debate on Aryan Invasion/Migration Theory needs to change.--- I do not want to sound obsequious, but the work you have done is nothing less than tremendous. Thank you, and keep it up.--- I have verified Nilesh Oak's elimination of "errors." A bow Excellent --- Your rigorous methodology was simply a pleasure to read and that got me started off on my efforts to dabble in archeoastronomy.
William Buck's stirring retelling of a classic Indian epic--in its original Sanskrit, probably the largest epic ever composed.
Notwithstanding its renowned comprehensive narrative encapsulation of the Indic culture, the Mahabharata keeps on posing a challenge to its contemporary readers: how do we relate to something over two-millennia old in today’s context without freezing it in time? This volume looks at the problem from diverse periods and standpoints and shows us that this challenge is, in fact, a legacy of the Mahabharata and the responses to this challenge are what makes the text ever-contemporary to different readers of different times and positions. It traces the evolution of the Mahabharata from its inception in the fifth century BCE to twenty-first century, spanning classical Sanskrit tradition, Persian and Bengali adaptations, the Mahabharata as a serialized TV show to more recent graphic narratives. By attempting to analyse this diversity, this volume further delves into how the issues in the Mahabharata resonate across time, from the world of ancient sages to contemporary struggles of women. The essays in this book adopt a dual perspective to appreciate both the Mahabharata’s historical context, its exploration of war, heroes and heroines, gender, psychology, philosophy, and its implications for the future. This book will be of interest to scholars and researchers of Indian literature, ancient literature and philosophy, English literature, cultural studies, visual studies, gender studies, and translation studies.
Which Kaurava was inspired by the birds to commit one of the most grotesque murders in the Mahabharata? Why did King Muchkund sleep for a million years and wake up in the Dwaparyug? Whose soul had entered the dice of Shakuni? Why was Gandhari married to a goat before she wed Dhritarashtra? What was the secret behind Arjun's chariot being burnt to ashes after the war? Who instigated Janmejay to burn every snake in the universe? Who was the only Kaurava to cross over to the Pandavas before the battle? An epic that never dies and still remains relevant even thousands of years later-Vyasa's Mahabharata has always captured our imagination. The saga of two feuding families, the Mahabharata, with its various twists and turns, has been a compelling read across generations, inspiring many to dig deeper into the great poem. This collection of twenty short stories brings out characters and incidents that are largely unheard of and are buried in the vastness of the epic. Capturing every emotion from valour, lust, loyalty and treachery to goodness and ethics so relevant to the world we live in, these stories help us understand the epic better by bringing out a different dimension altogether.
244 BC Asoka the Great discovers an ancient and terrible secret—a secret buried deep in the Mahabharata; a secret that could destroy the world; a secret hidden away for over 2300 years… Present Day A retired nuclear scientist is murdered. He leaves only e-mails with clues for his nephew. He and his friends follow a trail through ciphers and 2000-year-old ruins. Pursued by powerful dark forces, caught between the secrets of the past and the intrigues of the present, can they unravel the mystery before an unspeakable horror is unleashed on the world… CHRISTOPHER C DOYLE graduated from St. Stephens College, Delhi, with a degree in Economics and studied Business Management at IIM Calcutta. Since childhood, his literary mentors have been Jules Verne, HG Wells, Isaac Asimov, Robert Heinlein, JRR Tolkein, Robert Jordan and Terry Brooks. Christopher has written articles on management and business for several publications, and is regularly invited to speak at conferences. He worked with leading multinationals before setting up a strategic consultancy in India in partnership with a US-based firm. He is also a certified Executive Coach and works with senior executives to help them achieve better results in the workplace. Work aside, Christopher is a musician and lives his passion for music through his band called Mid Life Crisis which plays classic rock. He lives in Gurgaon with his wife, daughter and two dogs. The Mahabharata Secret is his debut novel. USP An IIM graduate-turned-author, Christopher C Doyle is in the same league as Chetan Bhagat and Amish Tripathi Mahabharata Secret blends mythology and history with modern science and cutting edge technology A page turner with hi-octane suspense and intrigue Readership All fiction lovers, thriller junkies, history buffs, corporate yuppies, educational institutes, libraries and general trade readers.
The Mahabharata is the more recent of India's two great epics, and by far the longer. First composed by the Maharishi Vyasa in verse, it has come down the centuries in the timeless oral tradition of guru and sishya, profoundly influencing the history, culture, and art of not only the Indian subcontinent but most of south-east Asia. At 100,000 couplets, it is seven times as long as the Iliad and the Odyssey combined: far and away the greatest recorded epic known to man. The Mahabharata is the very Book of Life: in its variety, majesty and, also, in its violence and tragedy. It has been said that nothing exists that cannot be found within the pages of this awesome legend. The epic describes a great war of some 5000 years ago, and the events that led to it. The war on Kurukshetra sees ten million warriors slain, brings the dwapara yuga to an end, and ushers in a new and sinister age: this present kali yuga, modern times. At the heart of the Mahabharata nestles the Bhagavad Gita, the Song of God. Senayor ubhayor madhye, between two teeming armies, Krishna expounds the eternal dharma to his warrior of light, Arjuna. At one level, all the restless action of the Mahabharata is a quest for the Gita and its sacred stillness. After the carnage, it is the Gita that survives, immortal lotus floating upon the dark waters of desolation: the final secret With its magnificent cast of characters, human, demonic, and divine, and its riveting narrative, the Mahabharata continues to enchant readers and scholars the world over. This new rendering brings the epic to the contemporary reader in sparkling modern prose. It brings alive all the excitement, magic, and grandeur of the original - for our times.
The Mahabharata is one of the greatest stories ever told. Though the basic plot is widely known, there is much more to the epic than the dispute between Kouravas and Pandavas that led to the battle in Kurukshetra. It has innumerable sub-plots that accommodate fascinating meanderings and digressions, and it has rarely been translated in full, given its formidable length of 80,000 shlokas or couplets. This magnificent 10-volume unabridged translation of the epic is based on the Critical Edition compiled at the Bhandarkar Oriental Research Institute. * The final volume ends the instructions of the Anushasana Parva. The horse sacrifice is held, and Dhritarashtra, Gandhari, Kunti, Vidura and Sanjaya leave for the forest. Krishna and Balarama die as the Yadavas fight among themselves. The Pandavas leave on the great journey with the famous companion—Dharma disguised as a dog. Refusing to abandon the dog, Yudhishthira goes to heaven in his physical body and sees all the Kurus and the Pandavas are already there. * Every conceivable human emotion figures in the Mahabharata, the reason why the epic continues to hold sway over our imagination. In this lucid, nuanced and confident translation, Bibek Debroy makes the Mahabharata marvellously accessible to contemporary readers.
Light from the fire burning afar mingled with the moonlight in Kurukshetra to create a terrible twilight. Scattered corpses ... broken chariots ... sporadic death cries ... prowling scavengers ... the battlefield stretched endlessly.The victorious Pāndava camps burst into deafening cheers amidst burning funeral pyres. The Great War was finally over. But soon enough, when everyone learns the truth about the hated enemy, Karna, that towering figure with the golden glow, another battle starts. Everyone stands stunned, forgetting to even cry. Torn by the guilt of fratricide, Yudhishtira becomes a recluse. Draupadi becomes restless: her tryst with reality begins. What seemed a justifiable end to an ignominious character completely overturns. Her pride for her husbands’ valour erodes. Life as she had understood slowly begins to lose meaning. This Malayalam classic centres on Karna, the most criticized yet admired character of the Mahabharata, treacherously killed by his half-brother Arjuna. His life story unfolds through the eyes of Draupadi, in flashbacks and tales she hears from those around her in the aftermath of the battle of Kurukshetra.