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Presentation of the thesis that Walt Whitman, 1819-1892, American poet, had yogic experience.
Celebrating the various ethnic traditions that melded to create what we now call American literature, Whitman did his best to encourage an international reaction to his work. But even he would have been startled by the multitude of ways in which his call has been answered. By tracking this wholehearted international response and reconceptualizing American literature, Walt Whitman and the World demonstrates how various cultures have appropriated an American writer who ceases to sound quite so narrowly American when he is read into other cultures' traditions.
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Walt Whitman is a poet of contexts. His poetic practice was one of observing, absorbing, and then reflecting the world around him. Walt Whitman in Context provides brief, provocative explorations of thirty-eight different contexts - geographic, literary, cultural, and political - through which to engage Whitman's life and work. Written by distinguished scholars of Whitman and nineteenth-century American literature and culture, this collection synthesizes scholarly and historical sources and brings together new readings and original research.
The first major study since the 1930s of the relationship between American Transcendentalism and Asian religions, and the first comprehensive work to include post-Civil War Transcendentalists like Samuel Johnson, this book is encyclopedic in scope. Beginning with the inception of Transcendentalist Orientalism in Europe, Versluis covers the entire history of American Transcendentalism into the twentieth century, and the profound influence of Orientalism on the movement--including its analogues and influences in world religious dialogue. He examines what he calls "positive Orientalism," which recognizes the value and perennial truths in Asian religions and cultures, not only in the writings of major figures like Thoreau and Emerson, but also in contemporary popular magazines. Versluis's exploration of the impact of Transcendentalism on the twentieth-century study of comparative religions has ramifications for the study of religious history, comparative religion, literature, politics, history, and art history.
In this extraordinarily candid book, Umesh Patri presents a fresh reappraisal of the impact of Indian scriptures on American transcendentalism which flourished in New England in the 19th century. The major premise of the study is that other influences on the transcendentalists, such as Chinese, Persian, Sufi, Arabic, Neo-Platonism and German transcendentalism, are of less significance than that of Indian scriptures comprising of Hindu and Buddhist texts. In the writings of Emerson, Thoreau and minor transcendentalists like Alcott, Fuller, Channing, Johnson, Brownson, etc., the influence of Indian scriptures is clearly discernable. An attempt has been made here to show that Indian scriptures have not only influenced the philosophical thinking of these writers but also their lifestyle and social conduct. It also attempts to show that transcendentalism was not an isolated movement but was a part of a cultural renaissance which swept the entire nation in the wake of avid interest and curiosity in the ancient lore of other countries. Transcendentalism, it is suggested here, continues to affect the thinking of Americans and can be viewed as a continuing movement of thought in American intellectual history. This book draws attention to many aspects of transcendentalism which have not been adequately discussed so far.
Walt Whitman and Rabindranath Tagore:Prophets of America and IndiaComposite personalities like Whitman and Tagore baffle anyone who wishes to write or speak about them. Both the poets certainly are among the greatest poets of the world. It has been my endeavor to explore certain areas of intersection between Whitman and Tagore in the response to poetry, in the hope that the exploration will shed considerable light on 'the Philosophical Outlook' by bringing out hitherto unknown similarities and contrasts.The two pictures of the bards of America and India complement and supplement each other. Whitman is considered as one among the great erratic geniuses of the world, full of unresolved tensions and contradictions; the imposing figure of Tagore stands out as a symbol of the Indian Renaissance, harmonizing diverse elements. Their poetry has become a part of the cosmic rhythm.
What can there possibly be left to say about . . .? This common litany, resonant both in and outside of academia, reflects a growing sense that the number of subjects and authors appropriate for literary study is rapidly becoming exhausted. Take heart, admonishes Richard Kopley in this dynamic new anthology--for this is decidedly not the case. While generations of literary study have unquestionably covered much ground in analyzing canonical writers, many aspects of even the most well-known authors--both their lives and their work-- remain underexamined. Among the authors discussed are T. S. Eliot, Ralph Waldo Emerson, William Faulkner, Harriet Beecher Stowe, Walt Whitman, Ernest Hemingway, Richard Wright, Edith Wharton, Nathaniel Hawthorne, Zora Neale Hurston, Henry James, Willa Cather, Herman Melville, Edgar Allan Poe, Henry David Thoreau, and Mark Twain.