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"Self-elegies are cultural artifacts, lenses for understanding and defining self as well as sharing and creating community.The poems and prose in this anthology are a mix of autobiography and poetics, incorporating craft with race, gender, sexuality, ability/disability, and place"--
This gripping drama follows Tom Duncan, the sole survivor of the largest cult mass suicide in U.S. history, as he works to rebuild his shattered life. After a Netflix documentary accuses Tom of masterminding the plot that led to the deaths of one hundred thirty-seven people, including his wife, he finds himself exiled from his home and family. Tom seeks redemption through a weekend memorial with other cult members who escaped before the grisly end. In Reunion of the Good Weather Suicide Cult by Kyle McCord, we see how well-meaning people seeking spiritual community can become ensnared in webs of intrigue and deadly manipulation. Through the lens of a Netflix documentary as well as Tom's personal struggle, this book takes readers on a journey through the dark heart of a simple Iowa commune gone horribly wrong.
Robbie Ducharme is pursuing his dream, leading clients in canoes down the remote Lower Canyons of the Rio Grande on the Texas/Mexico border. Newly-divorced Janey Hart decides Robbie's week-long canoe trip may be just the thing to help her bond with her distant teenaged daughter. Others find themselves fording these treacherous waters for even greater stakes. Fifteen-year-old Sayda Pacheco is fleeing the gang violence of Honduras, hoping to start a new life in the U.S. Meanwhile, vigilante, Danny Gallagher, aims to stop any "illegals" from crossing the river. In a drama reminiscent of Deliverance, all these characters collide on the Lower Canyons of the Rio Grande. The novel is full of insight into the way people struggle to remake their lives after a major setback. Within its magnificent walls, The Lower Canyons captures the personal and political trials of our times.
In Kyle McCord's mercurial and visionary new book, Sympathy from the Devil, we see a bold refiguring of the moral imagination that, like a Dante without a Beatrice, wanders hell bereft of the traditional compass that would clarify the archetypes. Here the eye opens wide its compassion in the dark. Play transgresses and so, in opposition to the self-servitude of sublimity and rapture, sheds light on cruelties and exclusions suffered in the name of the ideal. Everywhere we look in this book, we find the generosity and precision of paradox. The pleasure of absurdity may distance heartbreak, but it likewise binds us to it, such that the poet's lightness of touch and ranginess of sensibility becomes indistinguishable from his vision, the sense that one half of sympathy is always the embrace, the other the letting go. A stunning collection. --Bruce Bond, Author of The Visible// In Kyle McCord's new book Gabriel empathizes, the Devil sympathizes, and an exhausted God watches a televangelist. Moving, imaginative and full of surprising turns, McCord's poems are alive with both the world and the dead who "have no word for intimate, and a thousand words for blind." I love the abundance of these poems, their humor, the music that made my ears howl and purr. When I dream about McCord's poems dreaming of me, I ride an aging mechanical bull, werewolves take over the city, Abraham Lincoln begs to rip off my blouse, God's love vanishes into my body like bread. I wake up hungry, afraid, laughing. --Traci Brimhall, Author of Our Lady of the Ruins// "What do you want from any of us, reader?" asks the first poem in Kyle McCord's Sympathy from the Devil, bristling a bit, cocking its chin, letting us know that what follows will never be exactly what we expect. The book brims with wily intelligence and unsettling humor that challenge and surprise and thrill and move us so that in the end what we want is everything this terrific book has to give. -Corey Marks, Author of The Radio Tree
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