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This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1914 edition. Excerpt: ... EDITOR'S NOTE The text here adopted is that of the original folio edition of 1640. The particular impression adopted is that of a copy of the 1640 edition in the possession of Professor J. M. Berdan, of Yale University. An effort has been made to reproduce all the peculiarities of the original. Of the subsequent editions, only such variants have been noted as may be considered emendations, or otherwise significant. 1692 = The third folio, 1692. 1716 = Edition of 1716 (1717). W = Whalley's edition, 1756. G = Gifford's edition, 1816. 1640 Y = The copy of the 1640 folio in the Yale University Library. SD = Stage-direction at the beginning of a scene, f = and all later editions. v THE MAGNETICK LADY HVMORS RECONCILE A C O M E D Y composed Ben: Iohnson. lam lapides fuus ardor qgit ftmmq tenetar, Wtcebrit." Claud, de Magnet. LONDON, Printed M. CD. XL. THE SCENE, LONDON. The Lady Loadstone, M." Polish, Mrs. Placentia, Pleasance, Mrs. Keepe, Mother Chaire, Mr Compaffe, Captaine Ironside, Parson Palate, Doctor Rut, Tim Item, Sir Diaph Silkworm, Mr. Practise, Sir Moath Interest, Mr. Bias, Mr. Needle, Persons that act. The Magnetick Lady. Her Gossip, and she-Paralite. Her Neice. Her Waiting-woman. The Neices Nourse. The Midwife. A Scholler, Mathematick. A Souldier. Prelate of the Parish. Physician to the house. His Apothecary. A Courtier. A Lawyer. An Vsurer, or Money-baud. A Vi-politique, or Sub-secretary. The Ladies Steward, and Taylor. CHORVS by way of Induction. The Persons that act.] Dramatis Personae. 1716, f Sir Diaph] Sir Diaphanous W, f Captaine Ironfide, A Souldier] Captain Ironside, his brother, a soldier. G Servant to Moth, Serjeants, &c. G Chorus . . . Induction] The Chorus (Probee, Damplay, and Boy of the house) by way of..
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This is the first fully annotated edition of Ben Jonson's The Magnetic Lady, written in 1632. The introduction places the play in the context of Jonson's later dramatic and poetic works and discusses the political context of the Caroline court. A performance history of the play and fresh material relating to its 17th-century reception are also provided. This new edition by Peter Happè reappraises Jonson's much-neglected play and argues for its recognition as a work of real distinction.