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One of the largest manhunts in L.A. history! A beast of many faces and costumes, he's stalking City of Angels streets, seeking candidates for his next sculpture tableau. Welcome to Magic Street Theater, but don't approach too close, lest its demented artistic director casts you in one of his nether world roles. Young mystery writer Ryan Wood considers Lillian Lander-a retired Pulitzer-winning photographer-his modern day Auntie Mame. When he arrives for an extended visit at Lily's eagle's nest apartment with its stunning view of of the city and borrows her super telephoto, Ryan hardly expects to be caught up in a body-snatching sculptor's reign of terror.
“A modern suburban fantasy . . . There are quests and complications, conflicts and charms. . . . Card’s back in top form, doing as well as or better than any of his fantasy work so far.”—The San Diego Union-Tribune In a prosperous African American neighborhood in Los Angeles, infant Mack Street is found abandoned in an overgrown park and taken in by a blunt-speaking single woman. Growing up, Mack senses that he is different from most, and knows that he has strange powers. Yet he cannot possibly understand how unusual he is until the day he discovers, beyond a mysterious narrow house no one else can see, an entryway into a magical world. Passing through, Mack is plunged into a realm where time and reality are skewed, a place where his actions seem to have disturbing effects in the “real world.” Whether he likes it or not, Mack has become a player in an epic drama. His reward, if he can survive the trip, is discovering not only who he really is . . . but why he exists. Praise for Magic Street “A great read . . . Card’s take on his characters [is] as sure as ever, his narrative rock solid, his dialogue crackling and authentic.”—Los Angeles Times Book Review “[Card] is a master at creating a sense of urgency that keeps you turning pages.”—The Charlotte Observer “Mind-bending . . . Card’s clever tale comes with sharp writing and crisp dialogue.”—The Tampa Tribune “Compelling . . . By the time the ultimate conflict comes into focus, the novel is propelling the reader forward like a bullet.”—Deseret Morning News “A suspenseful fantasy thriller that, during the race to the last page, has one mulling over myth, morals, salvation, and will.”—Booklist
For Christmas, Clara is given new ballet shoes and a nutcracker doll. The nutcracker comes alive, turns into a handsome prince, and the marvellous adventures begin. Clara and her prince defeat the king of the rats and travel to the land of sweets.
As an overworked employee of the Ministry of Magic, a husband, and a father, Harry Potter struggles with a past that refuses to stay where it belongs while his youngest son, Albus, finds the weight of the family legacy difficult to bear.
This work revisits the golden age of theatrical magic and silent film to reveal how professional magicians shaped the early history of cinema. The author treats cinema and stage magic as overlapping practices that together revise our understanding of the origins of motion pictures and cinematic spectacle.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
(Applause Books). The creator of Story Theater , the original director of Second City , and one of the greatest popularizers of improvisational theater, Paul Sills has assembled some of his favorite adaptations from world literature. Includes: The Blue Light and Other Stories, A Christmas Carol (Dickens), Stories of God, Rumi .