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Award-winning author Lois Duncan and Navajo artist Shonto Begay collaborate in this enchanting Navajo teaching tale. Through the magic of Spider Woman, a young girl learns one of the most vital lessons of Navajo culture--the importance of leading a balanced life.
An enchanting, authentic Navajo tale about the importance of keeping one's life in balance. Wandering Girl, a strong-willed shepherdess, promises Spider Woman she won't weave too long. But as soon as spring bursts into glorious colour, she begins creating the most beautiful blanket in the world. "Begay's dramatic shifts of perspective, his innate sensitivity to the land and people depicted, and the text's powerful message about pride's deadly effects combine in an appealing and meaningful way." - School Library Journal, starred review
Kiss of the Spider Woman is a graceful, intensely compelling novel about love and victimization. In an Argentine prison, two men share a cell: Molina, a gay window dresser who is self-centered, self-denigrating, yet charming as well; and Valentin, an articulate, fiercely dogmatic revolutionary haunted by memories of a woman he left for the cause. Both are gradually transformed by their guarded but growing friendship and by Molina’s obsession with the fantasy and romance of the movies.
Two prisoners, Luis Molina and Valentin Arregui, share a cell in a Buenos Aires prison. Molina is in jail for "corruption of a minor," while Valentin is a political prisoner who is part of a revolutionary group. The two men, opposites in every way, form an intimate bond in their cell, and their relationship changes both of them in profound ways.
Navajo rugs set the gold standard for handwoven textiles in the U.S. But what about the people who create these treasures? Spider Woman's Children is the inside story, told by two women who are both deeply embedded in their own culture and considered among the very most skillful and artistic of Navajo weavers today. Barbara Teller Ornelas and Lynda Teller Pete are fifth-generation weavers who grew up at the fabled Two Grey Hills trading post. Their family and clan connections give them rare insight, as this volume takes readers into traditional hogans, remote trading posts, reservation housing neighborhoods, and urban apartments to meet weavers who follow the paths of their ancestors, who innovate with new designs and techniques, and who uphold time-honored standards of excellence. Throughout the text are beautifully depicted examples of the finest, most mindful weaving this rich tradition has to offer.
Jessica Drew is a private investigator, a super hero and...a mom-to-be? Since we last saw her, Spider-Woman's got a whole new responsibility -now she's adventuring for two! Ben Urich and Porcupine are still along for the ride -in fact, half the time they won't even let Jess leave the car! How's a gal supposed to save the day when her friends are being all overprotective? Then, Spider-Woman will be in over her head when she gets trapped in an alien hospital. Jess is no stranger to unusual circumstances, but getting held captive by Skrulls in the center of a black hole with a bunch of extraterrestrial moms-to-be might take the cake! Expectations won't be disappointed in the mother of all Spider-stories! Collects SPIDER-WOMAN #1-5.
When two Navajo women pray for help for their cold and hungry people, Spider Woman teaches them how to weave.
A powerful ring. A dangerous web. When Maria inherits a strange, spider-shaped ring from her grandmother, she doesn't realize she's also inheriting a strange power -- the power to control spiders and have them do whatever she wants. This is a pretty cool thing when it comes to fetching objects from another room . . . or if Maria wants to use the spiders to get back at some mean kids in her class. But the power comes with a price. Maria has attracted the attention of the Black Widow -- who is trying to collect all the spider magic for herself. The Black Widow is not going to let anything stand in her way -- especially not Maria.The story of the ring is being woven like a web -- and Maria is going to have to do everything she can to not get trapped within it.
This lively account of a pioneering anthropologist's experiences with a Navajo family grew out of the author's desire to learn to weave as a way of participating in Navajo culture rather than observing it from the outside. In 1930, when Gladys Reichard came to stay with the family of Red-Point, a well-known Navajo singer, it was unusual for an anthropologist to live with a family and become intimately connected with women's activities. First published in 1934 for a popular audience, Spider Woman is valued today not just for its information on Navajo culture but as an early example of the kind of personal, honest ethnography that presents actual experiences and conversations rather than generalizing the beliefs and behaviors of a whole culture. Readers interested in Navajo weaving will find it especially useful, but Spider Woman's picture of daily life goes far beyond rugs to describe trips to the trading post, tribal council meetings, curing ceremonies, and the deaths of family members.