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In early modern England, the practice of ritual or ceremonial magic - the attempted communication with angels and demons - both reinforced and subverted existing concepts of gender. The majority of male magicians acted from a position of control and command commensurate with their social position in a patriarchal society; other men, however, used the notion of magic to subvert gender ideals while still aiming to attain hegemony. Whilst women who claimed to perform magic were usually more submissive in their attempted dealings with the spirit world, some female practitioners employed magic to undermine the patriarchal culture and further their own agenda. Frances Timbers studies the practice of ritual magic in the sixteenth and seventeenth centuries focusing especially on gender and sexual perspectives. Using the examples of well-known individuals who set themselves up as magicians (including John Dee, Simon Forman and William Lilly), as well as unpublished diaries and journals, literature and legal records, this book provides a unique analysis of early modern ceremonial magic from a gender perspective.
"The prevalent worldview of early modern England, shaped by Protestantism, dismissed magical belief as an ideological delusion inherent to Catholicism, while also encouraging a strong sense of individualism, through which a new masculinity found expression. This study asks why, then, did magical self-empowerment retain such a hold on that society's imagination?"--Provided by publisher.
Men – as accused witches, witch-hunters, werewolves and the demonically possessed – are the focus of analysis in this collection of essays by leading scholars of early modern European witchcraft. The gendering of witch persecution and witchcraft belief is explored through original case-studies from England, Scotland, Italy, Germany and France.
"The prevalent worldview of early modern England, shaped by Protestantism, dismissed magical belief as an ideological delusion inherent to Catholicism, while also encouraging a strong sense of individualism, through which a new masculinity found expression. This study asks why, then, did magical self-empowerment retain such a hold on that society's imagination?"--Provided by publisher.
The bestselling, widely heralded, Jungian introduction to the psychological foundation of a mature, authentic, and revitalized masculinity. Redefining age-old concepts of masculinity, Jungian analysts Robert Moore and Douglas Gillette make the argument that mature masculinity is not abusive or domineering, but generative, creative, and empowering of the self and others. Moore and Gillette clearly define the four mature male archetypes that stand out through myth and literature across history: the king (the energy of just and creative ordering), the warrior (the energy of aggressive but nonviolent action), the magician (the energy of initiation and transformation), and the lover (the energy that connects one to others and the world), as well as the four immature patterns that interfere with masculine potential (divine child, oedipal child, trickster and hero). King, Warrior, Magician, Lover is an exploratory journey that will help men and women reimagine and deepen their understanding of the masculine psyche.
An intimate, urgent and riotous account of masculinity, whiteness, queerness and belief in America In winter 2018, Gregg Bordowitz performed a three-part lecture series at the New Museum as part of Trigger: Gender as a Tool and a Weapon. Each evening, he explored an avatar of masculinity that was formative to him as he came of age as an outer-borough child of Jewish immigrants, then as an artist-activist in Manhattan at the dawn of the AIDS crisis: the rock star, the rabbi and the comedian. He merged personal and political history, ribald humor and social criticism, performer and persona. Some Styles of Masculinity is a self-portrait and an essay on upheaval and plague, based on transcripts of the eponymous series, which Bordowitz has reimagined for the page. He asserts that gender can't be separated from ethnicity, sexuality, class or nationality, and he connects these aspects of himself through personal anecdotes as well as reflections on whiteness, diaspora, comedy and Jewish mysticism. Some Styles of Masculinity evokes David Antin's "talk poems," Maggie Nelson's "autotheory," David France's How to Survive a Plague and Wayne Koestenbaum's casually erudite criticism. This book is a winding, intimate, urgent, freewheeling account of thinking and enduring in difficult times. Gregg Bordowitz (born 1964) is the author of Glenn Ligon: Untitled (I Am a Man) (2018), General Idea: Imagevirus (Afterall Books, 2010) and The AIDS Crisis Is Ridiculous and Other Writings, 1986-2003 (2004). He was an early participant in ACT UP (AIDS Coalition to Unleash Power), where he cofounded several video collectives.
Controversial ideas and exercises provide men with methods and insights to access magic in their lives.
A nonfiction investigation into masculinity, For The Love of Men provides actionable steps for how to be a man in the modern world, while also exploring how being a man in the world has evolved. In 2019, traditional masculinity is both rewarded and sanctioned. Men grow up being told that boys don’t cry and dolls are for girls (a newer phenomenon than you might realize—gendered toys came back in vogue as recently as the 80s). They learn they must hide their feelings and anxieties, that their masculinity must constantly be proven. They must be the breadwinners, they must be the romantic pursuers. This hasn’t been good for the culture at large: 99% of school shooters are male; men in fraternities are 300% (!) more likely to commit rape; a woman serving in uniform has a higher likelihood of being assaulted by a fellow soldier than to be killed by enemy fire. In For the Love of Men, Liz offers a smart, insightful, and deeply-researched guide for what we're all going to do about toxic masculinity. For both women looking to guide the men in their lives and men who want to do better and just don’t know how, For the Love of Men will lead the conversation on men's issues in a society where so much is changing, but gender roles have remained strangely stagnant. What are we going to do about men? Liz Plank has the answer. And it has the possibility to change the world for men and women alike.
This practical manual demonstrates how followers of the men's movement can transform their philosophy into a way of life by rejecting the male image as being out of touch with feelings, emotionally immature, and psychologically isolated, and replacing it with well-balanced, positive attitudes and abilities.
An instant #1 New York Times bestseller! Pacific Rim meets The Handmaid's Tale in this blend of Chinese history and mecha science fiction for YA readers. The boys of Huaxia dream of pairing up with girls to pilot Chrysalises, giant transforming robots that can battle the mecha aliens that lurk beyond the Great Wall. It doesn't matter that the girls often die from the mental strain. When 18-year-old Zetian offers herself up as a concubine-pilot, it's to assassinate the ace male pilot responsible for her sister's death. But she gets her vengeance in a way nobody expected—she kills him through the psychic link between pilots and emerges from the cockpit unscathed. She is labeled an Iron Widow, a much-feared and much-silenced kind of female pilot who can sacrifice boys to power up Chrysalises instead.​ To tame her unnerving yet invaluable mental strength, she is paired up with Li Shimin, the strongest and most controversial male pilot in Huaxia​. But now that Zetian has had a taste of power, she will not cower so easily. She will miss no opportunity to leverage their combined might and infamy to survive attempt after attempt on her life, until she can figure out exactly why the pilot system works in its misogynist way—and stop more girls from being sacrificed.