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Sumura Takeru, now known as Brahms, is on track to become a full-fledged "magia", a wizard who battles demons with musical powers. But Beethoven discovers some shocking details about Brahms' past and throws him out, leaving Brahms to wander the city streets alone. Confused and hurt, Brahms falls prey to the power of Mozart, who awakens a terrible force within him. Will Beethoven be able to reclaim Brahms' soul before his destructive power lays waste to the entire city?
High school student Sumura Takeru has a dark secret: his parents were murdered by demons. Consumed by vengeance, Takeru seeks out the famed demon hunter, Beethoven. Beethoven is a “magia,” a wizard who wields the power of music to battle demons. Taken under Beethoven's wing, Takeru joins the ranks of other renowned magia: Back, Mozart, Schubert, Liszt and Tchaikovsky. This unique team of demon hunters will use their music-based magic to combat the world's demons. Now all Takeru needs to do is figure out how to convince Beethoven to upgrade him from his personal cleaning boy to a full-fledge apprentice!
The ancient Egyptian Pyramid Texts form the oldest body of religious texts in the world. This book weds traditional philology to linguistic anthropology to associate them with two spheres of ritual action, mortuary cult and personal preparation for the afterlife.
Over the course of the fourteenth and fifteenth centuries, as more and more vernacular commentaries on the Decalogue were produced throughout Europe, the moral system of the Ten Commandments gradually became more prominent. The Ten Commandments proved to be a topic from which numerous proponents of pastoral and lay catechesis drew inspiration. God’s commands were discussed and illustrated in sermons and confessor’s manuals, and they spawned new theological and pastoral treatises both Catholic and Reformed. But the Decalogue also served several authors, including Dante, Petrarch, and Christine de Pizan. Unlike the Seven Deadly Sins, the Ten Commandments supported a more positive image of mankind, one that embraced the human potential for introspection and the conscious choice to follow God’s Law.
Trafficking with Demons explores how magic was perceived, practiced, and prohibited in western Europe during the first millennium CE. Through the overlapping frameworks of religion, ritual, and gender, Martha Rampton connects early Christian reckonings with pagan magic to later doctrines and dogmas. Challenging established views on the role of women in ritual magic during this period, Rampton provides a new narrative of the ways in which magic was embedded within the foundational assumptions of western European society, informing how people understood the cosmos, divinity, and their own Christian faith. As Rampton shows, throughout the first Christian millennium, magic was thought to play a natural role within the functioning of the universe and existed within a rational cosmos hierarchically arranged according to a "great chain of being." Trafficking with the "demons of the lower air" was the essense of magic. Interactions with those demons occurred both in highly formalistic, ritual settings and on a routine and casual basis. Rampton tracks the competition between pagan magic and Christian belief from the first century CE, when it was fiercest, through the early Middle Ages, as atavistic forms of magic mutated and found sanctuary in the daily habits of the converted peoples and new paganisms entered Europe with their own forms of magic. By the year 1000, she concludes, many forms of magic had been tamed and were, by the reckoning of the elite, essentially ineffective, as were the women who practiced it and the rituals that attended it.
A reference work on conscientiology, this treatise, with more than 5,000 entries in the bibliography, first published in Portuguese in 1994, presents the reader with the bases of the neoscience conscientiology. The author proposes 300 tests for self-application, dealing with topics of great relevance such as assistance, the theory of thosene (thought, sentiment and energy), and the theories of inversion and existential recycling, among others. The work presents conscientiology as the science applied to the study of consciousness (ego, personality) in an integral approach, with all its vehicles of manifestation (bodies), previous existences and attributes. The content being deepened and presented in a theoretical and practical way, so a reader understands the importance of this knowledge to their life. The science of conscientiology utilizes the best of the main lines of human knowledge: common sense, religion, philosophy, political ideology and conventional science; and is based on multidimensional self-experience, having consciousness as both the instrument and object of research.
Essays in Renaissance Thought and Letters is a volume dedicated to John Monfasani, renowned scholar of Latin and Greek rhetoric and philosophy. These essays range from Antiquity to the Enlightenment, in genre from learned notes to editiones principes, and in discipline from intellectual to socio-economic history. An introduction to Monfasani’s life and works, and a list of his opera open the volume. Contributors include Michael J.B. Allen, Sándor Bene, Concetta Bianca, Robert Black, Christopher Celenza, Brian Copenhaver, John Demetracopoulos, James Hankins, Martin Hinterberger, Thomas Izbicki, David Jacoby, Peter Mack, Lodi Nauta, David Rundle, David Rutherford, Chris Schabel, April Shelford, and Thomas M. Ward.
Healing practices in Mesoamerica span a wide range, from traditional folk medicine with roots reaching back into the prehispanic era to westernized biomedicine. These sometimes cooperating, sometimes competing practices have attracted attention from researchers and the public alike, as interest in alternative medicine and holistic healing continues to grow. Responding to this interest, the essays in this book offer a comprehensive, state-of-the-art survey of Mesoamerican healers and medical practices in Mexico and Guatemala. The first two essays describe the work of prehispanic and colonial healers and show how their roles changed over time. The remaining essays look at contemporary healers, including bonesetters, curers, midwives, nurses, physicians, social workers, and spiritualists. Using a variety of theoretical approaches, the authors examine such topics as the intersection of gender and curing, the recruitment of healers and their training, healers' compensation and workload, types of illnesses treated and recommended treatments, conceptual models used in diagnosis and treatment, and the relationships among healers and between indigenous healers and medical and political authorities.
In a world that fashions our greatest classical music composers as demon hunters, Magia the Ninth features an impressive cast of characters, action-packed scenes of mystical mayhem, and richly-detailed artwork. High school student Takeru Sumura has a dark secret: his parents were murdered by demons. Consumed by vengeance, Takeru seeks out the famed demon hunter, Ludwig van Beethoven. Beethoven is a “magia,” a wizard who wields the power of music to battle demons. Taken under Beethoven’s wing, Takeru joins the ranks of other renowned magia: Bach, Mozart, Shubert, Liszt and Tchaikovsky. This unique team of demon hunters will use their music based magic to combat the world’s demons. Now all Takeru needs to do is figure out how to convince Beethoven to upgrade him from his personal cleaning boy to a full-fledged apprentice!