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Maggie: A Girl of the Streets by Stephen Crane The book opens with a scene of violence, and from there it goes downhill. A little scrapper of a boy named Jimmie is fighting the thugs of Devil's Row with the help of other street urchins from the neighborhood who represent Rum Alley. And we're not talking about hair pulling; we are talking about throwing stones, destroying clothes and bloody faces. Then comes an older boy named Pete, but instead of saving Jimmie, he teases him. But he has your back. The house is even darker than Jimmie's Rum Alley piles of gravel because Mom is a raging alcoholic, Dad is a brute, and brothers Maggie and Tommie seem to have targets on their foreheads. It is complete chaos in the house. A few years later, Tommie died and so did Dad. Jimmie has become a bully and a monster himself, hating everything in his path and itching for the next fight. He's a teamster with street rage long before the term was invented, and he'll make mincemeat with anyone who comes across his path. Here comes that kind of Pete again, the one who "helped" Jimmie, and now he's a stout, well-dressed dandy type. At least in Maggie's eyes, anyway. They start dating, which Maggie sees as a great opportunity to get away from the terrible life of her on the block. Pete loves some entertainment for him, so he and Maggie attend all kinds of "wacky" (again, for her) theatrical events where the audience is filled with other hardworking immigrants. It's better to be beaten up by mom at home, that's for sure. However, Mom and Jimmie aren't impressed with the whole bond between Pete and Maggie. It doesn't matter if you're poor, you still have moral standards and that Maggie, well, she's putting the family in a bad light by spending all sorts of time with that Pete. So they threw her out of the apartment. She now she has no choice but to be with Pete. Nice call. Jimmie tries to defend the family honor by beating up Pete while Pete is at work, so he's not handsome. The good times between Pete and Maggie come to an abrupt end. As long as the day is, Pete leaves Maggie for Nellie, an old flame who clearly has more sophistication than Maggie (who she is not naive and wide-eyed like Maggie is). Now Maggie doesn't know where to go. Mom is busy slandering her with her neighbors (sweet mom, huh?), So that's the ways to Maggie (hence the book's subtitle). Crane does a little trick with smoke and mirrors showing us a prostitute wandering the streets but without directly telling us that she is Maggie. We know better, though. Unfortunately, the scene does not end well, as a boy with "bloodshot eyes and dirty hands" follows "the girl" (17.17) to the river. Do the math. We find Pete drunk as a skunk with a bunch of "ladies", including Nellie. They all take advantage of his generosity and then leave him unconscious on the floor. Jimmie returns home to his mom, categorically reporting that Maggie is dead. Mom has a spectacular fit, while her neighbors make feeble attempts to console her. The book ends with Mom promising to forgive Maggie. Um ... too little, too late, mom.
The story centers on Maggie, a young girl from the Bowery who is driven to unfortunate circumstances by poverty and solitude. The story opens with Jimmie, Maggie's brother, as he fights a gang of boys from an opposing neighborhood. He is saved by his friend, Pete, and comes home to a brutal and drunken father. As years pass and their father dies, Jimmie hardens into a sneering, aggressive, cynical youth and Maggie begins to work in a shirt factory, but her attempts to improve her life are undermined by her mother's drunken rages. Maggie begins to date Jimmie's friend Pete, who has a job as a bartender and seems a very fine fellow, convinced that he will help her escape the life she leads. He takes her to the theater and the museum, but Jimmie and her mother accuse her of "Goin to deh devil" and throw her out. As the neighbors badmouth Maggie, Pete decides to leave her and she gets scorned by the entire tenement and left on the street.
“Impressive . . . [Cristina García’s] story is about three generations of Cuban women and their separate responses to the revolution. Her special feat is to tell it in a style as warm and gentle as the ‘sustaining aromas of vanilla and almond,’ as rhythmic as the music of Beny Moré.”—Time Cristina García’s acclaimed book is the haunting, bittersweet story of a family experiencing a country’s revolution and the revelations that follow. The lives of Celia del Pino and her husband, daughters, and grandchildren mirror the magical realism of Cuba itself, a landscape of beauty and poverty, idealism and corruption. Dreaming in Cuban is “a work that possesses both the intimacy of a Chekov story and the hallucinatory magic of a novel by Gabriel García Márquez” (The New York Times). In celebration of the twenty-fifth anniversary of the novel’s original publication, this edition features a new introduction by the author. Praise for Dreaming in Cuban “Remarkable . . . an intricate weaving of dramatic events with the supernatural and the cosmic . . . evocative and lush.”—San Francisco Chronicle “Captures the pain, the distance, the frustrations and the dreams of these family dramas with a vivid, poetic prose.”—The Washington Post “Brilliant . . . With tremendous skill, passion and humor, García just may have written the definitive story of Cuban exiles and some of those they left behind.”—The Denver Post
Presents the text of Alice Walker's story "Everyday Use"; contains background essays that provide insight into the story; and features a selection of critical response. Includes a chronology and an interview with the author.
Maggie: A Girl of the Streets is an 1893 novella by American author Stephen Crane. The story centers on Maggie, a young girl from the Bowery who is driven to unfortunate circumstances by poverty and solitude. The work was considered risqué by publishers because of its literary realism and strong themes
A beautiful, arresting short story by Toni Morrison—the only one she ever wrote—about race and the relationships that shape us through life, with an introduction by Zadie Smith. Twyla and Roberta have known each other since they were eight years old and spent four months together as roommates in the St. Bonaventure shelter. Inseparable at the time, they lose touch as they grow older, only to find each other later at a diner, then at a grocery store, and again at a protest. Seemingly at opposite ends of every problem, and in disagreement each time they meet, the two women still cannot deny the deep bond their shared experience has forged between them. Written in 1980 and anthologized in a number of collections, this is the first time Recitatif is being published as a stand-alone hardcover. In the story, Twyla’s and Roberta’s races remain ambiguous. We know that one is white and one is black, but which is which? And who is right about the race of the woman the girls tormented at the orphanage? Morrison herself described this story as “an experiment in the removal of all racial codes from a narrative about two characters of different races for whom racial identity is crucial.” Recitatif is a remarkable look into what keeps us together and what keeps us apart, and about how perceptions are made tangible by reality.
Maggie: A Girl of the Streets is an 1893 novella by American author Stephen Crane (1871-1900).
This carefully crafted ebook: " The Blue Hotel + The Bride Comes to Yellow Sky + The Open Boat (3 famous stories by Stephen Crane)" is formatted for your eReader with a functional and detailed table of contents. This omnibus contains the 3 famous stories by Stephen Crane: The Blue Hotel The Bride Comes to Yellow Sky The Open Boat Stephen Crane (1871-1900) was an American novelist, short-story writer, and poet who is often called the first modern American writer. Crane was a correspondent in the Greek-Turkish War and the Spanish American War, penning numerous articles, war reports and sketches.
Though best known for The Red Badge of Courage, his classic novel of men at war, in his tragically brief life and career Stephen Crane produced a wealth of stories—among them "The Monster," "The Upturned Face," "The Open Boat," and the title story—that stand among the most acclaimed and enduring in the history of American fiction. This superb volume collects stories of unique power and variety in which impressionistic, hallucinatory, and realistic situations alike are brilliantly conveyed through the cold, sometimes brutal irony of Crane's narrative voice.
In this inspirational and unflinchingly honest memoir, acclaimed author Reyna Grande describes her childhood torn between the United States and Mexico, and shines a light on the experiences, fears, and hopes of those who choose to make the harrowing journey across the border. Reyna Grande vividly brings to life her tumultuous early years in this “compelling...unvarnished, resonant” (BookPage) story of a childhood spent torn between two parents and two countries. As her parents make the dangerous trek across the Mexican border to “El Otro Lado” (The Other Side) in pursuit of the American dream, Reyna and her siblings are forced into the already overburdened household of their stern grandmother. When their mother at last returns, Reyna prepares for her own journey to “El Otro Lado” to live with the man who has haunted her imagination for years, her long-absent father. Funny, heartbreaking, and lyrical, The Distance Between Us poignantly captures the confusion and contradictions of childhood, reminding us that the joys and sorrows we experience are imprinted on the heart forever, calling out to us of those places we first called home. Also available in Spanish as La distancia entre nosotros.