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"Maggi Hambling, one of today's most celebrated British artist, takes a revealing and often hilarious look at her career to date. In a series of frank conversations with Andrew Lambirth, Hambling surveys her innovative and often controversial output as painter and sculptor." "Public recognition came in 1980 when she was chosen as the first Artist in Residence at the National Gallery. Later, through her idiosyncratic appearances on Channel 4's cult television art quiz 'Gallery', chaired by George Melly, Hambling became visible to a wider audience. Prolific and unafraid of confrontation, Hambling has followed the dictates of a demanding muse, rather than pandering to the conventions of the art world. Her work engages profoundly with the condition in images of tough but lyrical figuration highly appropriate for a new century."--BOOK JACKET.
Maggi Hambling is one of Britain's most celebrated and controversial contemporary artists. Her best-known works are her public sculpture of Oscar Wilde in London and The Scallop, celebrating composer Benjamin Britten, on the beach at Aldeburgh. But her paintings are just as remarkable, stirring emotions through broad, intense brush strokes and an unflinchingly direct engagement with her subject matter. Possessing a candor and emotiveness that is at odds with much contemporary art, Hambling's paintings are distinct and unforgettable. War Requiem for the first time brings together Hambling's many paintings of battlefields and the victims of war. Though fiercely contemporary, the paintings nonetheless feel timeless and speak to conflicts everywhere--from the most ancient to those in the here and now. Published to accompany an exhibit of Hambling's work last summer at SNAP: Art at the Aldeburgh Festival, War Requiem stands as a bold testament to the anguish and absurdity of war. Essays by noted art historian James Cahill draw upon extensive interviews with the artist and help to place War Requiem within the larger context of Hambling's oeuvre. As the centennial of World War I brings inevitable public reflection about war and history, War Requiem offers a stark reminder of the costs of conflict.
Artists & Illustrators magazine's Book of the Month Taking inspiration from iconic paintings in the Tate collection, discover the techniques of the masters and improve your own painting skills with 30 guided projects. As you work through the exercises, you'll learn how to work 'wet into wet' with Maggi Hambling, master colour temperature with John Singer Sargent and create rhythm and unity in your paintings with John Nash. Whether you are looking to reinvigorate your watercolour practice with new techniques, try your hand at a wide variety of painting styles, or discover a new, inspiring master of the art, this book offers something new for every watercolourist.
Henrietta Moraes was a model for some of the most famous artists of our time, including Lucian Freud and Francis Bacon. In the last year of her tempestuous life she was painted and drawn by the artist Maggi Hambling.
A written introduction by the academic and theatre director Anna Birch tells of the 10 year campaign to raise funds for and erect a statue on Newington Green in London in honour of the 'Mother' of feminism, Mary Wollstonecraft. The unveiling of the statue caused considerable public controversy with some viewers attempting to cover it up. The naked statue designed by artist Maggi Hambling upset many feminists who claimed that it undermined the works of Wollstonecraft and her belief in the equality of women while others praised the concept for honouring the spirit of womanhood rather than putting a representational artwork of Wollstonecraft on a plinth. Kaethe Fine's play 'Wollstonecraft Live!' was performed on Newington Green in aid of the fundraising campaign for the statue. The playtext depicts a staged film shoot which centers on a love story between the 18th century radical, Mary Wollstonecraft, and a 21st century actor cast as William Godwin who was Mary's lover for the last 5 years of her life. It includes eight characters: three Mary Wollstonecrafts, (the actor Cast as) Godwin, a Boom Operator, the Sound Mixer, the assistant Director, and the Casting Director interact with each other as they attempt to represent the story of Mary's life in a bio-pic. As they all rehearse a critical tracking shot for the film, power shifts from the absent Director, to the three Marys who have primarily functioned as production assistants. On set, the actor Cast as Godwin rehearses his lines, comprised of fragments from 'Memoirs of the author of a Vindication of the Rights of Woman', William Godwin's real biography of Mary written after she died giving birth to their daughter, Mary Shelley. The relationships in Mary's life, all tragically cut short by circumstance are exposed through real letters and contemporary dialogue, creating a fragmented narration of the time in which she lived, loved and died.
This is a collection of pieces by Andrew Lambirth, originally published in The Spectator, reviewing and exploring various artists and art exhibitions.
"When Cedric Morris and Arthur Lett-Haines opened The East Anglian School of Painting and Drawing in Dedham, Essex, in 1937 they were both established artists with international reputations...Their idea was to set up an art school which would provide an alternative to the formal courses offered by the art schools in the metropolis. The aim, as expressed in the school's brochure, was to provide 'an environment where students can work together with more experienced artists in a common endeavour to produce sincere painting.' The emphasis was on encouraging freedom of invention, enthusiasm, and enjoyment, with the assumption that the student 'believes himself to have a clear idea of creative work and requires help only in its production'...The extracts which form the text of this book are based largely on conversations with our contributors which took place during the years 1998 and 1999. Articles, extracts from an autobiography and a diary are also included. They comprise the affectionate memories of a few of those who knew and loved Benton End and its two gifted and hospitable hosts." -- from the Introduction.
This is the first book to present a comprehensive overview of the entire career of British artist Richard Eurich (1903-1992), a figurative painter of compelling power and often visionary intensity who brought rare imaginative reserves to his depiction of the world around him, as well as to his apprehension of the mysterious and unseen. Eurich was a private man, not given to self-promotion, and as such has not received the widespread attention he deserves. The Art of Richard Eurich locates the artist within the context of 20th-century British art, demonstrating his relevance in all quarters of the art world of the period. Eurich was a draughtsman, landscape painter, teacher, war artist, autobiographer, marine painter extraordinaire, portrait painter, figure painter, satirist, genre painter, visual poet of the beach, and occasional sculptor. His many creative talents are united in this compelling analysis of the man who was responsible for them. Featuring a wide selection of his artworks, from the topographical to the visionary, from the drawn to the painted, this book unspools the narrative of Eurich's life through expertly selected paintings and drawings, and places him in relation to his fellow artists, friends, and contemporaries.