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Blast from the Past Payback is a bitch named Maxine. She’s a once-demure law student who’s finally free after serving time for a murder she didn’t commit. Maxine has a score to settle, and she’s now driven to return the favor of destruction. Her kill list, unknowingly financed by her frenemy, Layla, is steadily shrinking with bodies dropping all over NYC. Scott and Layla West have buried their children one-by-one from what appears to be random accidents. With the top Mafioso distracted by grief and territory battles, a traitor has infiltrated the tight-knit organization. Scott and Layla’s misfortunes only multiply when they realize they’ve been targeted all along.
Family Feuds The stunning acquittals of Scott and Layla West reverberate throughout the justice system, and the powerful cartels take notice. The Wests were untouchable, and their drug empire is still intact, but family ties begin to unravel. New mom Lucky has a lot on her shoulders as she continues to deceive the head of the Juarez cartel. Partnering with her twin brothers, Lucky lines up the pieces on the chessboard, but she underestimates the king and queen.
When you're the most respected Italian Mafia Boss, you cannot afford to have personal ties. A lesson this man learned the hard way. Now, refusing to allow anyone close to him. His plan of solitude being rattled when a negotiation gone wrong ends with him holding a student hostage in self-preservation. Their story wasn't meant to begin as it did.They weren't meant to meet this way. After all, she was only a university student and he was a ghost.When the most unforeseen circumstances cause their paths to cross multiple times, they have no choice but to acknowledge the dangers looming overhead.A final encounter between them forcing him to vow for her safety because he owes her his life.
Gabriela Stefan Sabbioni showed up uninvited in my bedroom on my sixteenth birthday. He stood in the shadows smelling of whiskey and death and wrapped a broken, blood-crusted necklace around my neck. I thought he’d strangle me with it. That night, he left a message for my father. He said he’d be back to take something precious. I never delivered that message, though. I wonder if things would be different if I had because now, two years later, he’s back. And he’s not hiding in any shadows. He’s come to make good on his promise. He’s back to take that something precious. Me. Stefan Marchese is the manipulator of my family’s tragedy. I won’t just bring him to his knees. I’ll bury him for what he did. Taking his daughter is only the beginning. I’ll do it knowing I’m starting a war. I’ll do it knowing my enemies will become his allies. They’ll stop at nothing to destroy me and he’ll stop at nothing to get her back. I’ve never shied away from war, though. I’m not one to play nice and I don’t share my toys. I’ll demolish you if you touch what’s mine. And she is most definitely mine.
Steady Schemin'. Harlem honey's Apple and Kola are back and cutthroat as ever, and serving The City That Never Sleeps with a wakeup call. Now permanently disfigured, the once beautiful Apple's future isn't looking bright as the empire she worked so hard to build begins to crumble, brick by brick. The tables are turned, and Apple finds out that the ultimate betrayal cuts that much deeper when it's perpetrated by blood. Meanwhile, Kola is lying in wait for Queen Apple to be dethroned. She stacks her paper and assembles her plan to take her twin out once and for all. But Apple isn't bowing out gracefully.
Having won a two-third majority in Parliament at the 2010 elections, the Hungarian political party Fidesz removed many of the institutional obstacles of exerting power. Just like the party, the state itself was placed under the control of a single individual, who since then has applied the techniques used within his party to enforce submission and obedience onto society as a whole. In a new approach the author characterizes the system as the ?organized over-world?, the ?state employing mafia methods? and the ?adopted political family', applying these categories not as metaphors but elements of a coherent conceptual framework. The actions of the post-communist mafia state model are closely aligned with the interests of power and wealth concentrated in the hands of a small group of insiders. While the traditional mafia channeled wealth and economic players into its spheres of influence by means of direct coercion, the mafia state does the same by means of parliamentary legislation, legal prosecution, tax authority, police forces and secret service. The innovative conceptual framework of the book is important and timely not only for Hungary, but also for other post-communist countries subjected to autocratic rules. ÿ
The mafia has always fascinated filmmakers and television producers. Al Capone, Salvatore Giuliano, Lucky Luciano, Ciro Di Marzio, Roberto Saviano, Don Vito and Michael Corleone, and Tony Soprano are some of the historical and fictional figures that contribute to the myth of the Italian and Italian-American mafias perpetuated onscreen. This collection looks at mafia movies and television over time and across cultures, from the early classics to the Godfather trilogy and contemporary Italian films and television series. The only comprehensive collection of its type, Mafia Movies treats over fifty films and TV shows created since 1906, while introducing Italian and Italian-American mafia history and culture. The second edition includes new original essays on essential films and TV shows that have emerged since the publication of the first edition, such as Boardwalk Empire and Mob Wives, as well as a new roundtable section on Italy’s “other” mafias in film and television, written as a collaborative essay by more than ten scholars. The edition also introduces a new section called “Double Takes” that elaborates on some of the most popular mafia films and TV shows (e.g. The Godfather and The Sopranos) organized around themes such as adaptation, gender and politics, urban spaces, and performance and stardom.
Private detective, Adrian Elias, knows what trouble looks like, and ruthless mobster and lion shifter, Sage Tamir, was just that with a capital T. On top of smelling like heaven, the man has the face of an angel, with a body made for unbridled sin. A combination Adrian finds very hard to resist. Unfortunately, someone is trying to kill Sage and they're using magic to do it. Sage usually takes these types of matters into his own hands, but this time, he's out of his league. He believes the only person who can help him is the down-on-his-luck detective. Problem is, Adrian doesn't want to take his case because he feels it may be too dangerous. Never mind the volcanic-level attraction they seem to share for each other raising the stakes. Magic and mayhem awaits.Reader Advisory: 18 and older. Strong adult situations and language. A sarcastic PI and a no-nonsense mobster will keep you turning the pages way past your bedtime. Best order that pizza, because once you start this book, you won't want to stop.
Antonio Salvo was a mafioso, but he did not traffic in narcotics, he did not run weapons, he did not kill anyone and he did not take part in the 'ordinary' mafia activities. Salvo was a business man, one of the wealthiest business men in Sicily. He took an interest in all important lines of business and had close political connections at the highest levels in Rome. He represented another, but not less important side of the mafia. He was a central part of the far-reaching network of economic and political interests that dominated Sicily through decades. This book analyses the economic and political activities of the mafia on the basis of the latest source material and explains how the mafia has succeeded in surviving, protecting, and flourishing in post-war Italy.