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In this moving and funny memoir, award-winning playwright Guillermo Reyes untangles his life as the secretly illegitimate son of a Chilean immigrant to the United States and as a young man struggling with sexual repression, body image, and gay identity. But this is a double-decker memoir that also tells the poignant, bittersweet, and adventurous story of Guillermo’s mother, María, who supports herself and her son cleaning houses and then working as a nanny in Washington, D.C. and eventually in Hollywood. In one memorable scene, after realizing that her friend Carmen is cleaning the house of one of the producers of Annie Hall, María recruits her to take her picture as she poses dramatically with Mr. Joffe’s Oscar in hand. It is María’s defiant yet determined attitude amidst her sacrifices that allows for Guillermo’s spirited coming of age and coming out. Their common ground is the drama of their encounters with discovery, heartbreak, and passion—the explosive emotions that light up the stage of their two-actor theater. Honorable Mention, Best Auto/Biography in English, International Latino Book Awards
Reflecting on the concept of frontera madre(hood) as both a methodological and theoretical framework, this collection embodies the challenges and resiliency of mothering along both sides of the U.S.-Mexico border. More than thirty contributors examine how mothering is shaped by the geopolitics of border zones, which also transcends biological, sociological, or cultural and gendered tropes regarding ideas of motherhood, who can mother, and what mothering personifies.
A game which could inspire raucous laughter or escalate to violence, the dozens provided a wellspring of rhymes, attitude, and raw humor that has influenced pop musicians from Jelly Roll Morton and Robert Johnson to Tupac Shakur and Jay Z. Wald explores the depth of the dozens' roots, looking at mother-insulting and verbal combat from Greenland to the sources of the Niger, and shows its breadth of influence in the writings of Richard Wright, Langston Hughes, and Zora Neale Hurston; the comedy of Richard Pryor and George Carlin; the dark humor of the blues; the hip slang and competitive jamming of jazz; and most recently in the improvisatory battling of rap.
How could madre mean whore as much as virgin? What happens to the ninety-nine madres when one father enters the room and they become a group of padres? And why can't a bien educada woman in Mexico say the word madre without raising eyebrows? --
A stunning history of legendary treasure seekers and enigmatic natives in Mexico's Copper Canyon The Sierra Madre--no other mountain range in the world possesses such a ring of intrigue. In the Sierra Madre is a groundbreaking and extraordinary memoir that chronicles the astonishing history of one of the most famous, yet unknown, regions in the world. Based on his one-year sojourn among the Raramuri/Tarahumara, award-winning journalist Jeff Biggers offers a rare look into the ways of the most resilient indigenous culture in the Americas, the exploits of Mexican mountaineers, and the fascinating parade of argonauts and accidental travelers that has journeyed into the Sierra Madre over centuries. From African explorers, Bohemian friars, Confederate and Irish war deserters, French poets, Boer and Russian commandos, Apache and Mennonite communities, bewildered archaeologists, addled writers, and legendary characters including Antonin Artaud, B. Traven, Sergei Eisenstein, George Patton, Geronimo, and Pancho Villa, Biggers uncovers the remarkable treasures of the Sierra Madre.
Karin Carter wants to forget the past. She hopes to seek a new life and believes the holiday with her exotic mother is a first step toward the future. What she doesnt expect at the hotel Madre Maria is to be confronted with anger, passion, violence, and her mother revealing a whole new chapter in their shared past. Nor does she anticipate that she will discover another mother: the sea.
Reprint of the original, first published in 1883.
Grazia Deledda is one of the most important women writers of the twentieth century. Her depiction of the primitive and isolated communities of northern Sardinia in a perceptive, intense and individual style gained her the Nobel Prize for Literature in 1927. 'The interest in La Madre lies in the presentation of sheer instinctive life. The love of the priest for the woman is sheer instinctive passion, pure and undefiled by sentiment. The instinct of direct sex is so strong and so vivid, that only the bling instinct of mother obedience, the child instinct, can overcome it.' D. H. Lawrence ‘ Deledda’s talent for capturing the internal torment of her characters, and the inspired use of the dual perspective of Paul and his titular mother, saw her win the 1927 Nobel Literature Prize, and ensures the novella remains a compelling and refreshing read today.' Alex Payne in Buzz Magazine
A CULT MASTERPIECE—THE ADVENTURE NOVEL THAT INSPIRED JOHN HUSTON'S CLASSIC FILM, BY THE ELUSIVE AUTHOR WHO WAS A MODEL FOR THE HERO OF ROBERTO BOLAÑO'S 2666. Little is known for certain about B. Traven. Evidence suggests that he was born Otto Feige in Schlewsig-Holstein and that he escaped a death sentence for his involvement with the anarchist underground in Bavaria. Traven spent most of his adult life in Mexico, where, under various names, he wrote several bestsellers and was an outspoken defender of the rights of Mexico's indigenous people. First published in 1935, The Treasure of the Sierra Madre is Traven's most famous and enduring work, the dark, savagely ironic, and riveting story of three down-and-out Americans hunting for gold in Sonora.
More than twenty years ago, when Italian Carlo Petrini learned that McDonald's wanted to erect its golden arches next to the Spanish Steps in Rome, he developed an impassioned response: he helped found the Slow Food movement. Since then, Slow Food has become a worldwide phenomenon, inspiring the likes of Alice Waters and Michael Pollan. Now, it's time to take the work of changing the way people grow, distribute, and consume food to a new level. In Terra Madre, Petrini shows us a solution in the thousands of newly formed local alliances between food producers and food consumers. And he proposes expanding these alliances-connecting regional food communities around the world to promote good, clean, and fair food. The end goal is a world in which communities are entitled to food sovereignty-allowed to choose not only what they want to grow and eat, but also how they produce and distribute it.