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Everyone wanted Madonna's 1992 album Erotica to be a scandal. In the midst of a culture war, conservatives wanted it to be proof of the decline of family values. The target of conservative loathing, gay men reeling from the AIDS epidemic wanted it to be a celebration of a sexual culture that had rapidly slipped away. And Madonna herself wanted to sell scandal, which is why she released Erotica in the same season as her erotic thriller Body of Evidence and her pornographic coffee-table book simply titled Sex. But Erotica is more sentimental than pornographic. This ambivalence over sex is what makes the album crucial both for understanding its time and for navigating culture a generation later. As queer politics were transitioning from sexual liberation to civil rights like same-sex marriage, Madonna tried to do both. Her songs proved formative for works of queer theory, which emerged in the academy at the same time as the album. And Erotica was-and is-central to a developing consciousness about cultural appropriation. In this book, Michael Dango considers Erotica and its legacy by drawing both on the intellectual traditions at the center of today's hysteria over critical race theory and “don't say gay” and on his own experiences as a gay man too young to know the original carnage of AIDS and too old to grow up assuming he could get married. Madonna offered up Erotica as a key entry in the 1990s culture wars. Her album speaks all the more urgently to the culture wars of today
New York Times Editors’ Choice, One of NPR’s Best Books of the Year In this “infinitely readable” biography, award-winning author Mary Gabriel chronicles the meteoric rise and enduring influence of the greatest female pop icon of the modern era: Madonna (People Magazine) With her arrival on the music scene in the early 1980s, Madonna generated nothing short of an explosion—as great as that of Elvis or the Beatles—taking the nation by storm with her liberated politics and breathtaking talent. Within two years of her 1983 debut album, a flagship Macy's store in Manhattan held a Madonna lookalike contest featuring Andy Warhol as a judge, and opened a department called “Madonna-land.” But Madonna was more than just a pop star. Everywhere, fans gravitated to her as an emblem of a new age, one in which feminism could shed the buttoned-down demeanor of the 1970s and feel relevant to a new generation. Amid the scourge of AIDS, she brought queer identities into the mainstream, fiercely defending a person's right to love whomever—and be whoever—they wanted. Despite fierce criticism, she never separated her music from her political activism. And, as an artist, she never stopped experimenting. Madonna existed to push past boundaries by creating provocative, visionary music, videos, films, and live performances that changed culture globally. Deftly tracing Madonna’s story from her Michigan roots to her rise to super-stardom, master biographer Mary Gabriel captures the dramatic life and achievements of one of the greatest artists of our time.
In a career full of ‘blond ambition’, with controversy never far away, the music of Madonna has often been overshadowed, if not sorely overlooked. Across 14 albums, soundtracks and numerous greatest hits collections, the undisputed Queen of Pop has released over 80 singles spanning five decades. In this book every released track from her extensive back catalogue is examined in detail, with new insights, revelations and video information. Her role as ‘Queen of Clubs’ is also duly acknowledged, making careful note of the important remixes that have helped her rule the dance floor after her first release 40 years ago in 1982, ‘Everybody’, got her firmly into the groove. From 1984’s shiny and new ‘Like A Virgin’, to the critical acclaim of 1989’s expressive ‘Like A Prayer’ and 1998’s enlightening ‘Ray of Light’, from soundtrack work for ‘Dick Tracy’ and ‘Evita’, to collaborations with superstars Justin Timberlake, Britney Spears, and Dua Lipa, this truly strikes a pose for any fan of the ‘Material Girl’ aka ‘Madame X’. ‘Madonna: Song By Song’ reclaims her stature as not just one of the greatest pop artists ever, but also as songwriter/producer of some of the biggest selling and most memorable songs of all time.
The explosive "New York Times" bestseller, written by the biographer of Princess Diana, chronicles the life of one of the most remarkable women of the century. This unauthorized biography spans two decades of Madonna's life and ranges from the scandalous to the transcendent, revealing the private woman behind the public image. of photos. Martin's Press. (May) Copyright © Libri GmbH. All rights reserved.
From advertising to health education campaigns, sex and sexual imagery now permeate every aspect of culture. Striptease Culture explores the 'sexualization' of contemporary life, relating it to wider changes in post-war society. Striptease Culture is divided in to three sections: * Part one - traces the development of pornography, following its movement from elite to mass culture and the contemporary fascination with 'porno-chic' * Part two - considers popular cultural forms of sexual representation in the media, moving from backlash elements in straight male culture and changing images of women, to the representation of gays in contemporary film and television * Part three - looks at the use of sexuality in contemporary art, examinging the artistic 'striptease' of Jeff Koons, and others who have used their own naked bodies in their work. Also considering how feminist and gay artists have employed sexuality in the critique and transformation of patriarchy, the high profile of sexuality as a key contributor to public health education in the era of HIV and AIDS, and the implications of the rise of striptease culture for the future of sexual poltics, Brian McNair has produced an excellent book in the study of gender, sexuality and contemporary culture.
Madonna enjoys pushing the envelope, generating accolades and controversy with each cause and project to which she lends her fame. A pop culture icon for over 30 years, her ongoing artistic evolution inspires fans who find her unconventionality refreshing. A self-described fighter, she's been unafraid to take a political stance, openly championing women's rights and civil rights throughout her career. This book tracks the queen of reinvention from her early struggles and ambitions through her unparalleled metamorphosis from pop star, to film star, to author, and philanthropist. Curious minds will discover how she's thrived and survived as a world-renowned female artist and provocateur.
Singing for Themselves: Essays on Women in Popular Music is a fresh look at a topic that has attracted increasing interest in recent years. In this collection, scholars from a number of disciplines look at various artists and movements and come to some new conclusions about the ways in which female artists have contributed to the past four decades of pop, rock, blues and punk. From new looks at major artists Etta James, Laura Nyro and Patti Smith to later figures Ferron, Bjørk, and Melissa Etheridge, these chapters suggest new ways to view—and hear—music that is already part of our culture. Essays on the Indigo Girls, Dixie Chicks and Destiny’s Child prove that the girl-groups tradition is alive and well, but with additional new dimensions, and a three-essay section on Joan Jett and the Riot Grrrls phenomenon sheds new light on their implications for feminist artistic expression. The final piece, an annotated bibliography of academic writing on women in rock, helps make this collection a useful addition to the library of students of popular music, while the solid research and accessibility of the text make this a good choice for the general reader as well as the seasoned scholar. "If you think that adoration of certain pop music is a guilty pleasure, not worthy of higher intellectual aspirations, then Singing For Themselves offers absolution. It's far from trivial to ponder the Tao of Canadian singer Ferron, the classical allusions of Laura Nyro's lyrics, the postfeminist booty-shaking of Destiny's Child, or the historical milieu that turned Jamesetta Hawkins into blues great Etta James. Reading these essays made me want to go right back to the music - feeling wiser, yes, but also validated in the desire to go as deep as any song or singer can take me." Michele Kort, author of Soul Picnic: The Music and Passion of Laura Nyro, and senior editor at Ms. magazine "I've read Singing for Themselves: Essays on Women in Popular Music, and am happy to provide an endorsement. Singing for Themselves is a consistently interesting collection of new essays on women and popular music. The collection is all the more welcome for being so current. It mixes essays on recent phenomena (such as electronic/punk group Le Tigre and the Dixie Chicks' stirring of political controversy) with new perspectives on canonical figures like Patti Smith or Etta James. The essays gathered here are written with clear commitments, but all are marked by care and scholarly rigour. I found the interdisciplinary breadth of Singing for Themselves refreshing; new avenues for research are opened up here, and new theoretical paradigms are explored." Will Straw, PhD, Acting Director, McGill Institute for the Study of Canada Associate Professor, Department of Art History and Communication Studies "Opening this book was like opening the door onto a surprise party. Everyone I've ever wanted to meet was in there, including myself!" Ferron