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Madness and the Romantic Poet examines the longstanding and enduringly popular idea that poetry is connected to madness and mental illness. The idea goes back to classical antiquity, but it was given new life at the turn of the nineteenth century. The book offers a new and much more complete history of its development than has previously been attempted, alongside important associated ideas about individual genius, creativity, the emotions, rationality, and the mind in extreme states or disorder - ideas that have been pervasive in modern popular culture. More specifically, the book tells the story of the initial growth and wider dissemination of the idea of the 'Romantic mad poet' in the nineteenth century, how (and why) this idea became so popular, and how it interacted with the very different fortunes in reception and reputation of Romantic poets, their poetry, and attacks on or defences of Romanticism as a cultural trend generally - again leaving a popular legacy that endured into the twentieth century. Material covered includes nineteenth-century journalism, early literary criticism, biography, medical and psychiatric literature, and poetry. A wide range of scientific (and pseudoscientific) thinkers are discussed alongside major Romantic authors, including Wordsworth, Coleridge, Blake, Hazlitt, Lamb, Percy Bysshe Shelley, Keats, Byron, and John Clare. Using this array of sources and figures, the book asks: was the Romantic mad genius just a sentimental stereotype or a romantic myth? Or does its long popularity tell us something serious about Romanticism and the role it has played, or has been given, in modern culture?
La 4e de couverture indique : "Madness and the Romantic Poet examines the longstanding and enduringly popular idea that poetry is connected to madness and mental illness. The idea goes back to classical antiquity, but it was given new life at the turn of the nineteenth century. The book offers a new and much more complete history of its development than has previously been attempted, alongside important associated ideas about individual genius, creativity, the emotions, rationality, and the mind in extreme states or disorder--ideas that have been pervasive in modern popular culture. More specifically, the book tells the story of the initial growth and wider dissemination of the idea of the 'Romantic mad poet' in the nineteenth century, how (and why) this idea became so popular, and how it interacted with the very different fortunes in reception and reputation of Romantic poets, their poetry, and attacks on or defences of Romanticism as a cultural trend generally--again leaving a popular legacy that endured into the twentieth century. Material covered includes nineteenth-century journalism, early literary criticism, biography, medical and psychiatric literature, and poetry. A wide range of scientific (and pseudoscientific) thinkers are discussed alongside major Romantic authors, including Wordsworth, Coleridge, Blake, Hazlitt, Lamb, Percy Bysshe Shelley, Keats, Byron, and John Clare. Using this array of sources and figures, the book asks: was the Romantic mad genius just a sentimental stereotype or a romantic myth? Or does its long popularity tell us something about Romanticism and the role it has played, or has been given, in modern culture?"
Madness and the Romantic Poet examines the longstanding and enduringly popular idea that poetry is connected to madness and mental illness. The idea goes back to classical antiquity, but it was given new life at the turn of the nineteenth century. The book offers a new and much more complete history of its development than has previously been attempted, alongside important associated ideas about individual genius, creativity, the emotions, rationality, and the mind in extreme states or disorder - ideas that have been pervasive in modern popular culture. More specifically, the book tells the story of the initial growth and wider dissemination of the idea of the 'Romantic mad poet' in the nineteenth century, how (and why) this idea became so popular, and how it interacted with the very different fortunes in reception and reputation of Romantic poets, their poetry, and attacks on or defences of Romanticism as a cultural trend generally - again leaving a popular legacy that endured into the twentieth century. Material covered includes nineteenth-century journalism, early literary criticism, biography, medical and psychiatric literature, and poetry. A wide range of scientific (and pseudoscientific) thinkers are discussed alongside major Romantic authors, including Wordsworth, Coleridge, Blake, Hazlitt, Lamb, Percy Bysshe Shelley, Keats, Byron, and John Clare. Using this array of sources and figures, the book asks: was the Romantic mad genius just a sentimental stereotype or a romantic myth? Or does its long popularity tell us something serious about Romanticism and the role it has played, or has been given, in modern culture?
A free verse biography of Mary Shelley, the author of Frankenstein, featuring over 300 pages of black-and-white watercolor illustrations.
The great German Romantic poet Friedrich Hölderlin’s spirit infuses this gorgeous cycle of poems that sing of the loves and devastations of our times Each hymn in Nathaniel Tarn’s new collection The Hölderliniae is a love song to the Poet of Poets, Friedrich Hölderlin?— the German Romantic poet-philosopher who spent the last thirty-six years of his life sequestered in a carpenter’s tower in the south of Germany. Tarn speaks through Hölderlin and Hölderlin speaks through Tarn in an act of spiritual and lyric possession unlike anything else in contemporary poetry. The French Revolution—which Hölderlin supported passionately until the Reign of Terror—illuminates our war-torn, ecologically precarious age, as the failures of our age recall past tragedies. Line after line carries Hölderlin’s hope in an ideal of a poetry that can englobe all the mind’s disciplines and make a universe of its own.
Few families enjoy such a remarkable reputation for their contribution to the literature and intellectual life of Britain as the Godwins and the Shelleys. Yet this reputation was shaped in a subtle way by the selective release of literary manuscripts into the public realm and the suppression of others.This book explores the lives and posthumous reputations of Percy Bysshe Shelley, his wife Mary Shelley, and Mary's parents, William Godwin and Mary Wollstonecraft. It tells the story of how Mary Shelley, haunted by the past, directly sought to enhance the public's appreciation of her husband and parents by the selective publication of relevant manuscripts. It also explains how she passed on this legacy to her son, Sir Percy Florence Shelley and his wife, Jane, Lady Shelley. As guardian of the archive until giving part of it to the Bodleian in 1893-4, Lady Shelley too helped shape the posthumous reputations of these important writers.Drawing on the Bodleian Library's outstanding collections of letters, literary manuscripts, rare printed books and pamphlets, portraits and relics, including Shelley's working notebooks, a letter from Keats to Shelley, William Godwin's diary, and the original manuscripts of Mary Shelley's Frankenstein, Stephen Hebron charts the history of a family blessed with genius but marred by tragedy.The final chapter by Elizabeth C. Denlinger of the New York Public Library explores the material relating to the Shelley family that slipped beyond the family's control. Reproducing many of the archive documents and Shelley relics, this highly illustrated book accompanies an exhibition at the Bodleian Library, Dove Cottage, Grasmere and the New York Public Library.
More than any other period of British literature, Romanticism is strongly identified with a single genre. Romantic poetry has been one of the most enduring, best loved, most widely read and most frequently studied genres for two centuries and remains no less so today. This Companion offers a comprehensive overview and interpretation of the poetry of the period in its literary and historical contexts. The essays consider its metrical, formal, and linguistic features; its relation to history; its influence on other genres; its reflections of empire and nationalism, both within and outside the British Isles; and the various implications of oral transmission and the rapid expansion of print culture and mass readership. Attention is given to the work of less well-known or recently rediscovered authors, alongside the achievements of some of the greatest poets in the English language: Wordsworth, Coleridge, Blake, Scott, Burns, Keats, Shelley, Byron and Clare.
One of the most recognizable poets of the last century, Charles Bukowski is simultaneously a common man and an icon of urban depravity. He uses strong, blunt language to describe life as he lives it, and through it all charts the mutations of morality in modern America. Sifting Through the Madness for the Word, the Line, the Way is a treasure trove of confessional poetry written towards then end of Bukowski’s life. With the overhang of failing health and waning fame, he reflects on his travels, his gambling and drinking, working, not working, sex and love, eating, cats, and more. Sifting Through is Bukowski at his most meditative – published posthumously, it’s completely non-performative, and gets to the heart of Bukowski’s lifelong pursuit of natural language and raw honesty. We recommend you read this as Bukowski wrote: by sifting through the madness for what hits you as the word, the line, the way.