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Cat People (1942) and I Walked with a Zombie (1943) established Val Lewton's hauntingly graceful style where suggestion was often used in place of explicit violence. His stylish B thrillers were imitated by a generation of filmmakers such as Richard Wallace, William Castle, and even Walt Disney in his animated Adventures of Ichabod and Mr. Toad (1949). Through interviews with many of Lewton's associates (including his wife and son) and extensive research, his life and output are thoroughly examined.
During World War II, the United States was the target of what Gore Vidal has called "the largest, most intricate and finally most successful conspiracy directed at it in the twentieth century"--Great Britain's "vast conspiracy to manoeuvre an essentially isolationist country into the war." In Beware the British Serpent Robert Calder examines British writers' involvement in this propaganda campaign, including lecturing and touring in the United States, broadcasting on American radio, writing screenplays for films such as Mrs. Miniver and This Above All, and writing articles and books for publication in America.
For Maupassant, existence is what happens to us between two events which we cannot avoid: birth and death. The space between is filled with a compulsory programme of rituals which merely pass the time. But mankind cannot bear too much truth, and we turn mating to Love, dignify war by calling it Patriotism, subscribe to morality, and generally delude ourselves that we are not animals acting upon instinct but rational creatures capable of idealistic beliefs and actions. We survive only on the drug of self-deception. Maupassant, whose disgust with creation was only equalled by his contempt for human hypocrisy, takes a scalpel to our illusions and cuts to the bone. He operates without anaesthetic and his tales are not for the squeamish. He would be unbearable to read if his clinical pessimism were not redeemed by a sense of the absurd and a warmer compassion for 'humanity bleeding'. Unsentimental but always honest, he persuades us that life is an incomprehensible, cosmic farce. This translation of twenty tales shows Maupassant at his bitter, bawdy, chilling best. It features some of his grimmest and most famous stories such as A Vendetta and The Grove of Olives, but it also reflects both his moods and his mastery of the short story. The Little Keg is rich in comic invention, while the disturbing Who Can Tell? draws its power from the strange forces which drove its author into madness.
Sheds new light on the psychological forces at play in Guy de Maupassant's writing
Guy de Maupassant was a prolific writer of short stories. He has articulately painted a fascinating picture of French life in the 19th century through his writings.He made his debut as a poet and later, went on write 300 short stories, six novels, three travel books, and one volume of verse. Maupassant was a passionate lover of the sea and rivers, which accounts for the setting of much of his fiction and the prevalence in it of nautical imagery. He presents his characters dispassionately, foregoing any personal moral judgment on them but always noting the word, the gesture, or even the reticence that betrays each one's essential personality, all the while enhancing the effect by describing the physical and social background against which his characters move. Concision, vigour, and the most rigorous economy are the characteristics of his art. This collection includes Guy de Maupassant's masterpiece Boule de Suif and his other famous stories like The Necklace, A Piece of String, Mademoiselle Fifi, Miss Harriet, My Uncle Jules, Found on a Drowned Man and The Wreck. Embassy Books proudly presents this book as part of the Embassy Classics Series, which comprises of some of the finest literary works of great authors.
This selection of twenty-seven stories shows Maupassant at his comic, cruel, and brilliant best. In addition to the poignant title story, it includes one of the most famous tales ever written, The Necklace , and Le Horla, an account of a disintegrating personality that chillingly parallels the author's own decline into madness. All the stories demonstrate his genius for invention and his ability to write unblinkingly about the absurdity of the human condition, supporting Henry James' claim that in the annals of story-telling, Maupassant stands `like a lion in the path'. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
This fascinating book examines how artists in fin-de-siècle France dealt with four hotly debated issues in society: national decadence, crowds and mass unrest, religious imagery, and revenge against Germany.