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List of IllustrationsAcknowledgmentsIntroduction Pt. I: The Criteria for Comradeship1: The Importance of Being Regular 2: Gender, Age, and Marital Status 3: Occupation, Ethnicity, and Neighborhood Pt. II: The Gentle Art of Clubbing4: Drinking Folkways 5: Clubbing by Treat 6: Clubbing by CollectionPt. III: More Lore of the Barroom7: Games and Gambling 8: Talk and Storytelling 9: Songs and Singing 10: The Free Lunch ConclusionNotesIndex Copyright © Libri GmbH. All rights reserved.
“No Dog Should Die Alone” was the attention-grabbing — and heart-stirring — headline of journalist Laura T. Coffey’s TODAY show website story about photographer Lori Fusaro’s work with senior shelter pets. While generally calm, easy, and already house-trained, these animals often represent the highest-risk population at shelters. With gorgeous, joyful photographs and sweet, funny, true tales of “old dogs learning new tricks,” Coffey and Fusaro show that adopting a senior can be even more rewarding than choosing a younger dog. You’ll meet endearing elders like Marnie, the irresistible shih tzu who has posed for selfies with Tina Fey, James Franco, and Betty White; Remy, a soulful nine-year-old dog adopted by elderly nuns; George Clooney’s cocker spaniel, Einstein; and Bretagne, the last known surviving search dog from Ground Zero. They may be slower moving and a tad less exuberant than puppies, but these pooches prove that adopting a senior brings immeasurable joy, earnest devotion, and unconditional love.
This book is a testament to the brilliant London-based Dutch artist who has made a unique contribution to the visual culture of architecture. Vriesendorp is best known as one of the co-founders of the Office of Metropolitan Architecture in the early 1970s, and her paintings and drawings from this period (published in Rem Koolhaas' Delirious New York, 1978) are widely acknowledged as beguiling and beautiful masterpieces. Images of Vriesendorp's idiosyncratic collection of drawings, paintings, postcards and paraphernalia are combined in this volume, alongside texts that illuminate her work. Charles Jencks ruminates on Vriesendorp's cosmology of symbols; the novelist and artist Douglas Coupland writes on the pathology of collecting; Beatriz Colomina re-treads the 'delirious' 1970s in New York; and Rem and Charlotte Koolhaas reframe the domestic environment that has been both the family home and Vriesendorp's studio archive for 30 years.