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It was just another Tuesday morning when she walked into the office—young, as I suspected they all might be, another dark brunette with some assistance and enough eye black to match up to Cleopatra. And who am I? I'm Ray, the world's last robot, famed and feared in equal measure, which suits me just fine—after all, the last place you'd expect to find Hollywood's best hit man is in the plain light of day. Raymond Electromatic is good at his job, the lone employee of the Electromatic Detective Agency—except for Ada, office gal and super-computer, the constant voice in Ray's inner ear. Ray might have taken up a new line of work, but money is money, after all, and he was programmed to make a profit. Besides, with his twenty-four-hour memory-tape limits, he sure can keep a secret. When a familiar-looking woman arrives at the agency wanting to hire Ray to find a missing movie star, he's inclined to tell her to take a hike. But she had the cold hard cash, a demand for total anonymity, and tendency to vanish on her own. Plunged into a glittering world of fame, fortune, and secrecy, Ray uncovers a sinister plot that goes much deeper than the silver screen—and this robot is at the wrong place, at the wrong time. Made to Kill is the thrilling new speculative noir from novelist and comic writer Adam Christopher. Ray Electromatic Mysteries Brisk Money Made to Kill Standard Hollywood Depravity Killing is My Business At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Visiting Martin Luther King Jr. at the peak of the Montgomery, Alabama bus boycott, journalist William Worthy almost sat on a loaded pistol. "Just for self defense," King assured him. It was not the only weapon King kept for such a purpose; one of his advisors remembered the reverend's Montgomery, Alabama home as "an arsenal." Like King, many ostensibly "nonviolent" civil rights activists embraced their constitutional right to selfprotection -- yet this crucial dimension of the Afro-American freedom struggle has been long ignored by history. In This Nonviolent Stuff'll Get You Killed, civil rights scholar Charles E. Cobb Jr. describes the vital role that armed self-defense played in the survival and liberation of black communities in America during the Southern Freedom Movement of the 1960s. In the Deep South, blacks often safeguarded themselves and their loved ones from white supremacist violence by bearing -- and, when necessary, using -- firearms. In much the same way, Cobb shows, nonviolent civil rights workers received critical support from black gun owners in the regions where they worked. Whether patrolling their neighborhoods, garrisoning their homes, or firing back at attackers, these courageous men and women and the weapons they carried were crucial to the movement's success. Giving voice to the World War II veterans, rural activists, volunteer security guards, and self-defense groups who took up arms to defend their lives and liberties, This Nonviolent Stuff'll Get You Killed lays bare the paradoxical relationship between the nonviolent civil rights struggle and the Second Amendment. Drawing on his firsthand experiences in the civil rights movement and interviews with fellow participants, Cobb provides a controversial examination of the crucial place of firearms in the fight for American freedom.
"Sober, lucid and often wise." —Nature The Internet is powerful, but it is not safe. As "smart" devices proliferate the risks will get worse, unless we act now. From driverless cars to smart thermostats, from autonomous stock-trading systems to drones equipped with their own behavioral algorithms, the Internet now has direct effects on the physical world. Forget data theft: cutting-edge digital attackers can now literally crash your car, pacemaker, and home security system, as well as everyone else’s. In Click Here to Kill Everybody, best-selling author Bruce Schneier explores the risks and security implications of our new, hyper-connected era, and lays out common-sense policies that will allow us to enjoy the benefits of this omnipotent age without falling prey to the consequences of its insecurity.
Megan Norris' exploration of revenge killings during marital breakdown, won the 2017 Davitt Award from Australian Sisters in Crime Davitt for best True Crime. One Australian woman is hospitalised every three hours and two more lose their lives each week as a result of family violence. But for some women there is a punishment far more enduring than injury or their own death. Look What You Made Me Do is a timely exploration of the evil inflicted by vengeful fathers who have killed their own children simply to punish partners for ending unrewarding, often abusive relationships. Drawing on her own experience as a court reporter, award-winning crime writer Megan Norris examines the revenge murders of eighteen children to shine a light on the ultimate act of family violence and the shattering legacy of grief such crimes have on surviving mothers. From the 2018 execution-style shooting murders of Sydney teenagers, Jack and Jennifer Edwards whose angry dad was granted a licence to kill despite his long-standing history of domestic violence - to the premeditated murders of Brisbane mum, Hannah Clarke and her three children whose car was torched by her vengeful ex - this book shows it is not only women who are at risk when family violence turns deadly. Megan Norris has been a trailblazer. The events so accurately described in this book provide powerful insights into widespread patterns of power and control, and the profound harms that can result. (Dr Debbie Kirkwood, Author of Just Say Goodbye, and former researcher for the Domestic Violence Resource Centre Victoria) It's through sharing these stories that we can lift the sense of shame that clouds victim-survivors, and debunk the myths around intimacy, power and control... We must continue to create change and push for law reform (Mark Woolley, Small Steps 4 Hannah, Foundation Chair) A must read for all domestic and family violence professionals, DFV frontline workers, educators, judiciary, police, lawyers and students, as an important resource to guide in what could be done, or should be done, to prevent similar tragedies from occurring in the future (Kathleen Simpson, Queensland Solicitor of the Year, Principal Domestic Violence and Family Court Lawyer at DV Lawyer)
Previously published as "The Sweater Letter," this book tells the riveting true story of a ruthless husband who tried to get away with murder in Michigan's Upper Peninsula, and the relentless police sergeant who was determined to bring him to justice.
Featuring contributions from Tanya Huff, Jim C. Hines, Jean Rabe, and Ed Gorman, this thrilling collection enters the mysterious and deadly realm of the assassin, exploring how one chooses this line of work and how one becomes a cold-blood killer. Original.
THE MUST-READ MULTIMILLION BESTSELLING MYSTERY SERIES • The final book in the A Good Girl's Guide to Murder series that reads like your favorite true crime podcast or show. By the end, you'll never think of good girls the same way again... Pip is about to head to college, but she is still haunted by the way her last investigation ended. She’s used to online death threats in the wake of her viral true-crime podcast, but she can’t help noticing an anonymous person who keeps asking her: Who will look for you when you’re the one who disappears? Soon the threats escalate and Pip realizes that someone is following her in real life. When she starts to find connections between her stalker and a local serial killer caught six years ago, she wonders if maybe the wrong man is behind bars. Police refuse to act, so Pip has only one choice: find the suspect herself—or be the next victim. As the deadly game plays out, Pip discovers that everything in her small town is coming full circle . . .and if she doesn’t find the answers, this time she will be the one who disappears. . . And don't miss Holly Jackson's next thriller, Five Surive!
How do you get away with the murder of 11 million people? The answer is simple—and disturbing. You lie to them. Learn how you can become an informed, passionate citizen who demands honesty and integrity from your leaders. In this nonpartisan New York Times bestselling book, Andy Andrews emphasizes that seeking and discerning the truth is of critical importance, and that believing lies is the most dangerous thing you can do. You’ll be challenged to become a more careful student of the past, seeking accurate, factual accounts of events that illuminate choices our world faces now. By considering how the Nazi German regime was able to carry out over eleven million institutional killings between 1933 and 1945, Andrews advocates for an informed population that demands honesty and integrity from its leaders and from each other. This short, thought-provoking book poses questions like: What happens to a society in which truth is absent? How are we supposed to tell the difference between the “good guys" and the “bad guys”? How does the answer to this question affect our country, families, faith, and values? Does it matter that millions of ordinary citizens aren't participating in the decisions that shape the future of our country? Which is more dangerous: politicians with ill intent, or the too-trusting population that allows such people to lead them? This is a wake-up call: we must become informed, passionate citizens or suffer the consequences of our own ignorance and apathy. We can no longer measure a leader’s worth by the yardsticks provided by the left or the right. Instead, we must use an unchanging standard: the pure, unvarnished truth.
This wide-ranging, insightful book will make readers keenly aware of the media’s power, while underscoring the role that we all play in fostering a media climate that cultivates a greater sense of humanity, cooperation, and fulfillment of human potential. What role do the media have in creating the conditions for atrocities such as occurred in Rwanda? Conversely, can the media be used to preserve democracy and safeguard the human rights of all citizens in a diverse society? How will the media, now global in scope, affect the fate of the planet itself? The author explores these intriguing questions and more in this in-depth examination of the media’s power to either help or harm. She begins by documenting how the media were used to spread a contagion of hate in three deadly conflicts: Rwanda, Nazi Germany, and the former Yugoslavia. She then turns to areas of the world where the media acted constructively—by aiding the peace process in Northern Ireland, rebuilding democracy in Chile, bridging ethnic divides in South Africa, improving the lot of women in Senegal, and boosting transparency and democratization in Mexico and Taiwan. Finally, she explains how the media interact with psychological and cultural forces to impact perceptions, fears, peer-pressure, "groupthink," and the creation of heroes and villains.
Bella Mackie’s How to Kill Your Family is a darkly humorous debut novel that follows a cunning antihero as she gets her revenge. When I think about what I actually did, I feel somewhat sad that nobody will ever know about the complex operation that I undertook. Getting away with it is highly preferable, of course, but perhaps when I’m long gone, someone will open an old safe and find this confession. The public would reel. After all, almost nobody else in the world can possibly understand how someone, by the tender age of twenty-eight, can have calmly killed six members of her family. And then happily got on with the rest of her life, never to regret a thing. When Grace Bernard discovers her absentee millionaire father has rejected her dying mother’s pleas for help, she vows revenge and coldly sets out to get her retribution—by killing them all, one by one. Compulsively readable, Bella Mackie’s debut novel is driven by a captivating first-person narrator who talks of self-care and social media while calmly walking the reader through her increasingly baroque acts of murder. But then, Grace is imprisoned for a murder she didn’t commit. Outrageously funny, compulsive, and subversive, How to Kill Your Family is a wickedly dark romp about class, family, love . . . and murder. “Funny, sharp, dark, and twisted.” —Jojo Moyes