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'Wonderfully romantic’ Sandy Barker Escape to the breath-taking beauty of Venice – The City of Love. When pragmatic, sensible and resolutely single Deirdre York (Didi to her friends) is sent to Venice for work she is determined not to be taken in by the romantic clichés. Winter in the floating city may be breathtakingly beautiful, but she’s here with a clear purpose and will not let the magic of Venice distract her. Piero Zanetti is the epitome of the handsome yet tortured artist. Heart-broken by the end of his love affair with a glamorous opera singer, he has lost his ability to work, and his inspiration has drained away, along with his zest for life. But Didi needs Piero working – she has been tasked with commissioning him to do a glass centrepiece for a luxury department store display – some how Didi has to cheer Piero up or at least find him a new muse... As Didi and Piero slowly become friends, and as Venice starts to melt Didi’s heart and gently nudge Piero out of the blues, something special begins to happen. Can Venice – the City of Love – work a miracle and help Didi and Piero to find their happiness at last... Leonie Mack is back with the most gloriously romantic escape, perfect for all fans of Mandy Baggot, Jo Thomas and Carole Matthews. 'Leonie has written another gorgeous love letter to Italy. She’s fast becoming a favourite of mine with her warm, relatable heroines, beautiful settings and brooding romantic heroes. I cannot wait to return to Venice for Norah’s story.' Sarah Bennett What readers are saying about Leonie Mack: 'I read a lot of romance books and I have to say this book is one of the best in terms of chemistry. Readers - we’re talking red hot!' 'A hot and sizzling read!' 'An uplifting, intelligent novel with a lot of substance and of course, plenty of romance' 'I can't stop thinking about this book!' 'Beautifully written, this is a great take on the opposites attract theme.' 'A delight to read with lots of fun, romance and funny bits along the way.'
One of the most famous literary works of the 20th century, the novella “Death in Venice” embodies themes that preoccupied Thomas Mann (1875–1955) in much of his work; the duality of art and life, the presence of death and disintegration in the midst of existence, the connection between love and suffering, and the conflict between the artist and his inner self. Mann’s handling of these concerns in this story of a middle-aged German writer, torn by his passion for a Polish youth met on holiday in Venice, resulted in a work of great psychological intensity and tragic power.
A comprehensive guide to the best of Italian shopping in Rome, Florence, Venice and Milan, with 800 detailed descriptions of stores, markets and workshops. Maps and photographs.
An inspector rages against the announcement that police HQ is to relocate – the way so many of the city’s residents already have – to the mainland... An aspiring author struggles with the inexorable creep of rentalisation that has forced him to share his apartment, and life, with ‘global pilgrims’... An ageing painter rails against the liberties taken by tourists, but finds his anger undermined by his own childhood memories of the place... The Venice presented in these stories is a far cry from the ‘impossibly beautiful’, frozen-in-time city so familiar to the thousands who flock there every year – a city about which, Henry James once wrote, ‘there is nothing new to be said.’ Instead, they represent the other Venice, the one tourists rarely see: the real, everyday city that Venetians have to live and work in. Rather than a city in stasis, we see it at a crossroads, fighting to regain its radical, working-class soul, regretting the policies that have seen it turn slowly into a theme park, and taking the pandemic as an opportunity to rethink what kind of city it wants to be.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1997. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived
Poet Gary Lawless takes us on a journey to discover the answers to the question of how the stones came to Venice, and in the process creates a work that is marvelous, lucid and stunningly new. How the Stones Came to Venice draws on history, philosophy, mineralogy, alchemy, and hagiography to tell the story of stone. In the process Lawless offers us a treasure trove of other stories, of anarchists, stonemasons and saints; he offers prayers and meditations on man's stewardship of the earth; he shares the story of his own journey from the quarries of Prospect, Maine, to the stone streets and churches of Venice, the islands of Greece, the mountains of Turkey and the forests of Lithuania, to return at last to the stones and waters of Maine, his home state.
The noted historian explores the mysterious origins and surprising adventures of four iconic bronze statues as they appear and reappear through the ages. In July 1798, a triumphant procession made its way through the streets of Paris. Echoing the parades of Roman emperors many years before, Napoleon Bonaparte was proudly displaying the spoils of his recent military adventures. There were animals—caged lions and dromedaries—as well as tropical plants. Among the works of art on show, one stood out: four horses of gilded metal, taken by Napoleon from their home in Venice. The Horses of St Mark's have found themselves at the heart of European history time and time again: in Constantinople, at both its founding and sacking in the Fourth Crusade; in Venice, at both the height of its greatness and fall in 1797; in the Paris of Napoleon, and the revolutions of 1848; and back in Venice, the most romantic city in the world. Charles Freeman offers a fascinating account of both the statues themselves and the societies through which they have travelled and been displayed. As European society has developed from antiquity to the present day, these four horses have stood and watched impassively. This is the story of their—and our—times.
This book is a sweeping historical portrait of the floating city of Venice from its foundations to the present day. Joanne M. Ferraro considers Venice's unique construction within an amphibious environment and identifies the Asian, European and North African exchange networks that made it a vibrant and ethnically diverse Mediterranean cultural centre. Incorporating recent scholarly insights, the author discusses key themes related to the city's social, cultural, religious and environmental history, as well as its politics and economy. A refuge and a pilgrim stop; an international emporium and centre of manufacture; a mecca of spectacle, theatre, music, gambling and sexual experimentation; and an artistic and architectural marvel, Venice's allure springs eternal in every phase of the city's fascinating history.