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Made in Germany: Studies in Popular Music serves as a comprehensive introduction to the history, sociology, and musicology of contemporary German popular music. Each essay, written by a leading scholar of German music, covers the major figures, styles, and social contexts of pop music in Germany and provides adequate context so readers understand why the figure or genre under discussion is of lasting significance. The book first presents a general description of the history and background of popular music in Germany, followed by essays organized into thematic sections: Historical Spotlights; Globally German; Also "Made in Germany"; Explicitly German; and Reluctantly German.
Germany’s economic miracle is a widely-known phenomenon, and the world-leading, innovative products and services associated with German companies are something that others seek to imitate. In The ’Made in Germany’Â’ Champion Brands, Ugesh A. Joseph provides an extensively researched, insightful look at over 200 of Germany’s best brands to see what they stand for, what has made them what they are today, and what might be transferable. The way Germany is branded as a nation carries across into the branding of its companies and services, particularly the global superstar brands - truly world-class in size, performance and reputation. Just as important are the medium-sized and small enterprises, known as the 'Mittelstand'. These innovative and successful enterprises from a wide range of industries and product / service categories are amongst the World market leaders in their own niche and play a huge part in making Germany what it is today. The book also focuses on German industrial entrepreneurship and a selection of innovative and emergent stars. All these companies are supported and encouraged by a sophisticated infrastructure of facilitators, influencers and enhancers - the research, industry, trade and standards organizations, the fairs and exhibitions and all the social and cultural factors that influence, enhance and add positive value to the country's image. Professionals or academics interested in business; entrepreneurship; branding and marketing; product or service development; international trade and business development policy, will find fascinating insights in this book; while those with an interest in Germany from emerging industrial economies will learn something of the secrets of German success.
In Germany's Economic Renaissance, veteran European correspondent Jack Ewing of The International New York Times explains how a country with some of the highest labor and energy costs in the world beat the odds to become the third-largest exporter of manufactured goods, after China and the United States. Men and women who manage German companies both big and small explain how any company can behave like a multinational, as well as the secrets of conquering the high end of the market where quality is more important than price. Both informative and entertaining, filled with rich character studies, this book is essential reading for everyone wondering how to bring factories - and the jobs they provide - back to American shores.
This publication showcases more than 120 buildings designed by German architects in over 30 countries worldwide. Contemporary Architecture Made in Germany accompanies the eponymous exhibition, promoted by the Federal Chamber of German Architects (BAX) that opened in Beijing in October 2016.
A spectacular book showing life and work of the Finnish icon from an unknown perspective with around 150 illustrations and well researched texts.Tom of Finland has became the most famous and influential Finnish artist of the 20th century. Born Touko Laaksonen in 1920, his iconic depiction of self-confident and life-affirming gayness gave decisive impulses to the international gay movements from the 1960s onwards. But although we clearly associate his portrayals of sensual and powerful cowboys, farm hands, soldiers and leathermen with the USA, Tom of Finland's rise to gay icon received the game-changing impetus neither in his native Finland nor in the USA. It was, of all places, the city of Hamburg and Tom's friendship with key exponents of the local gay scene in the early 1970s that helped him to his first exhibition ever.He even created a grand mural for the legendary "Tom's Bar", until today the only one legitimately named after him. Regular commissions to design posters and ads for gay events in Hamburg allowed him to launch his artistic career after quitting his day job as advertising executive, and led to the creation of the most extensive private collection of his drawings to date. Galerie Judin is now devoting an exhibition and a comprehensive publication to these seminal, but thus far little researched years, the art they generated and the friendships they formed. The book includes texts by Juerg Judin, Pay Matthis Karstens, Kati Mustola and Alice Delage, conversations with Durk Dehner and Michael P. Hartleben - and a facsimile of the artist's German travel diary from 1955.
This book examines racism in Germany and includes the following essays: Racisms Made in Germany: Without Sonderweg to a Rupture in Civilization * Between Jew-Hatred and Racism: The German Invention of Antisemitism * It Must Come from Europe: The Racisms of Immanuel Kant * Antisemitism and Colonial Racism: Transnational and Interdiscursive Intersectionality * Racist Fantasies: Africa in Austrian and German African Studies * From Disagreement to Dissension: African Perspectives on Germany * Purification of the National Body: Racial Policy and Racial Murder in the Third Reich * Between Race and Class: Elite Racism in Contemporary Germany * Racism Analysis in Germany: The Development in the Federal Republic (Series: Racism Analysis - Series B: Yearbooks - Vol. 2)
The American photographer Leonard Freed travelled to Germany for the first time in 1954. Curious and yet from a safe distance, he observed the people in their social surroundings, at work, at street festivals, in public parks, in the streets and against the industrial backdrop of the Ruhr Valley. The Germany he saw was deeply cursed with the effects of war and the NS regime - despite the country's reconstruction, industrial development and economic success. Freed published his extensive report Made in Germany for the first time with Grossman Publishers in New York in 1970. The present reprint accompanies the same-named exhibition at Museum Folkwang in Essen and comes with a booklet providing extra information about Freed's approach and his times. The booklet also contains hitherto unpublished images, documents, and writing by Freed, spanning his fifty years of photographing Germany.
Focusing on German society immediately following the First World War, this vivid historical narrative explains how fake news and political uproar influenced Hitler and put him on the path toward dictatorial power. How did an obscure agitator on the political fringes of early-20th-century Germany rise to become the supreme leader of the "Third Reich"? Unlike many other books that track Adolf Hitler's career after 1933, this book focuses on his formative period--immediately following World War I (1918-1924). The author, a veteran producer of historical documentaries, brings to life this era of political unrest and violent conflict, when forces on both the left and right were engaged in a desperate power struggle. Among the competing groups was a highly sophisticated network of ethnic chauvinists that discovered Hitler and groomed him into the leader he became. The book also underscores the importance of a post-war socialist revolution in Bavaria, led by earnest reformers, some of whom were Jewish. Right wing extremists skewed this brief experiment in democracy followed by Soviet-style communism as evidence of a Jewish-Bolshevik plot. Along with the pernicious "stab-in-the-back" myth, which misdirected blame for Germany's defeat onto civilian politicians, public opinion was primed for Hitler to use his political cunning and oratorical powers to effectively blame Jews and Communists for all of Germany's problems. Based on archival research in Germany, England, and the US, this striking narrative reveals how the manipulation of facts and the use of propaganda helped an obscure, embittered malcontent to gain political legitimacy, which led to dictatorial power over a nation.
An examination of shifting notions of identity in modern-day Germany--and the diverse artists challenging conventional meanings of "Germanness" today Made in Germany? Art and Identity in a Global Nation addresses important questions of contemporary art and belonging in Germany from the 1980s, when discussions about multiculturalism in West Germany came to the fore, to our current time, a period still deeply impacted by the country's unification and more recent migration policies. In the wake of these developments, racial violence, right-wing populism, and ethnically defined nationalism have grown. Accessible essays on topics such as labor migration, being Black in Germany, and the aftermath of the fall of the Berlin Wall lay the groundwork for understanding the intercultural dynamics in Germany today. Object-focused texts delve into works in various media, from Candida Höfer's slideshow Turks in Germany 1979, which presented Turkish immigrants as embedded in public life at a time when they were not welcomed as a permanent part of German society, to Ngozi Schommers's readymade sculpture Commuters, a commentary on the country's ongoing housing crisis. In a period when right-wing nationalist movements are gaining traction in Germany and around the globe, Made in Germany? argues for a more expansive idea of what it means to be German, spotlighting artists from diverse backgrounds whose works probe notions of national identity. Distributed for the Harvard Art Museums Exhibition Schedule: Harvard Art Museums, Cambridge, MA (September 13, 2024-January 5, 2025)