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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Remains of a woman are discovered in Montréal: who was this "Victoria" and why can she not be identified?
Excerpt from Madame Leroux, Vol. 2 Lucy, on her arrival at Douro House, was put under the charge of Fraulein Schulze, who had orders to set her in the way of her duties, and initiate her into the routine of the house. The Fraulein was a plain, spectacled, hard-featured woman, over fifty, who seemed to have become a sort of governessing-machine, and to have neither loves nor hates, hopes nor fears, nor any human emotion unconnected with the school room. She did not 'receive Lucy very graciously. It was very disagreeable, she grumbled, to have a new teacher just at the end of the term, when everything was more or less in confusion, and she declared speaking excellent English with a peculiarly hideous accent - that Miss Smith would not have time to learn her ladies before the holidays arrived. During the whole of the first day after her arrival Lucy did not once see Madame Leroux. Madame did not take much part in the general teaching, and sometimes did not enter the schoolroom for several days together; but she was supposed To exercise a general supervision over all the studies, and would now and then examine some special class in her own room. There were, however, countless masters and mistresses from outside professors of this and that, who came and went all day long; rushing in to give three or four lessons of fifteen minutes' duration each, and rushing out again, watch in hand, to repeat the same process elsewhere. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from Madame Leroux, Vol. 1 Enderby Court - so designated in the county guide-books, but always spoken of by Westfield folks emphatically as "the Court" - was so near the village as to furnish the inhabitants of the latter with a perpetual interest in looking out of the window. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.