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Tensions build to a boil. Henry confronts Vincent about his messing around with dead bodies and Vincent's new girlfriend comes snooping in the lab. Violence erupts when the mad doctor's creation meets her replacement!
Will Ares, a successful divorce lawyer, finds himself working alongside Gigi Averelle, a wedding planner, when their respective clients–movie producer Evans Beatty and Hollywood starlet Carrie Cartwright–plan to marry. As Beatty's ex-wives come out of the woodwork to cause mayhem, Gigi and Will make a bet–Gigi agrees to go on a date with Will if Evans and Carrie really do go through with the wedding. Should they break up, however, Will must reveal, in a full-page newspaper ad, how many marriages he's ruined. Is Will a fool for love, or is this the start of a beautiful relationship?
The hugely popular early chapter book series re-emerges -- now in e-book! The Bailey School Kids take a field trip to a science museum, where they meet Dr. Victor and his hulking assistant, Frank. Secrets lurk behind every door in the spooky old museum. What's Dr. Victor doing in his hidden lab? And could Frank be Frankenstein's monster -- even though he loves to plant flowers?
In 1932, Vincent Krall sets out to create his perfect woman by reanimating the corpse of the love of his life. He'll soon discover, however, that man was never meant to peer beyond the veil between life and death, and a woman is not as easily controlled as he believes. The collected MADAME FRANKENSTEIN contains all the covers by Helheim artist JOLLE JONES and an exclusive gallery section showcasing MEGAN LEVENS' development process. Collects MADAME FRANKENSTEIN #1-7.

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Board of Guardians and Trustees for the Relief of the Jewish Poor

Published: 1886

Total Pages: 106


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Two centuries after its original publication, Mary Shelley’s classic tale of gothic horror comes to vivid life in "what may very well be the best presentation of the novel" to date (Guillermo del Toro). "Remarkably, a nineteen-year-old, writing her first novel, penned a tale that combines tragedy, morality, social commentary, and a thoughtful examination of the very nature of knowledge," writes best-selling author Leslie S. Klinger in his foreword to The New Annotated Frankenstein. Despite its undeniable status as one of the most influential works of fiction ever written, Mary Shelley’s novel is often reductively dismissed as the wellspring for tacky monster films or as a cautionary tale about experimental science gone haywire. Now, two centuries after the first publication of Frankenstein, Klinger revives Shelley’s gothic masterpiece by reproducing her original text with the most lavishly illustrated and comprehensively annotated edition to date. Featuring over 200 illustrations and nearly 1,000 annotations, this sumptuous volume recaptures Shelley’s early nineteenth-century world with historical precision and imaginative breadth, tracing the social and political roots of the author’s revolutionary brand of Romanticism. Braiding together decades of scholarship with his own keen insights, Klinger recounts Frankenstein’s indelible contributions to the realms of science fiction, feminist theory, and modern intellectual history—not to mention film history and popular culture. The result of Klinger’s exhaustive research is a multifaceted portrait of one of Western literature’s most divinely gifted prodigies, a young novelist who defied her era’s restrictions on female ambitions by independently supporting herself and her children as a writer and editor. Born in a world of men in the midst of a political and an emerging industrial revolution, Shelley crafted a horror story that, beyond its incisive commentary on her own milieu, is widely recognized as the first work of science fiction. The daughter of a pioneering feminist and an Enlightenment philosopher, Shelley lived and wrote at the center of British Romanticism, the “exuberant, young movement” that rebelled against tradition and reason and "with a rebellious scream gave birth to a world of gods and monsters" (del Toro). Following his best-selling The New Annotated H. P. Lovecraft and The New Annotated Sherlock Holmes, Klinger not only considers Shelley’s original 1818 text but, for the first time in any annotated volume, traces the effects of her significant revisions in the 1823 and 1831 editions. With an afterword by renowned literary scholar Anne K. Mellor, The New Annotated Frankenstein celebrates the prescient genius and undying legacy of the world’s "first truly modern myth." The New Annotated Frankenstein includes: Nearly 1,000 notes that provide information and historical context on every aspect of Frankenstein and of Mary Shelley’s life Over 200 illustrations, including original artwork from the 1831 edition and dozens of photographs of real-world locations that appear in the novel Extensive listings of films and theatrical adaptations An introduction by Guillermo del Toro and an afterword by Anne K. Mellor
This eclectic overview of horror cinema offers up a collection of horror films for practically any occasion and literally every day of the year. For example, the author recommends commemorating United Nations Day (October 24) with a screening of The Colossus of New York, whose startling climax takes place at the U.N. Building. Each day-by-day entry includes the movie title, production year, plot summary and critique, along with a brief explanation of how the film fits into the history of that particular day and interesting anecdotes on the film's production.
In 1932, Vincent Krall sets out to create his perfect woman by reanimating the corpse of the love of his life. He'll soon discover, however, that man was never meant to peer beyond the veil between life and death, and a woman is not as easily controlled as he believes. As his monster becomes more conscious of who she was and who she is becoming, Vincent ends up with a lot more than he bargained for.
D.L. Macdonald and Kathleen Scherf’s edition of Frankenstein has been widely acclaimed as an outstanding edition of the novel—for the general reader and the student as much as for the scholar. The editors use as their copy-text the original 1818 version, and detail in an appendix all of Shelley’s later revisions. They also include a range of contemporary documents that shed light on the historical context from which this unique masterpiece emerged. New to this edition is a discussion of Percy Shelley’s role in contributing to the first draft of the novel. Recent scholarship has provoked considerable interest in the degree to which Percy Shelley contributed to Mary Shelley’s original text, and this edition’s updated introduction discusses this scholarship. A new appendix also includes Lord Byron’s “A Fragment” and John William Polidori’s The Vampyre, works that are engaging in their own right and that also add further insights into the literary context of Frankenstein.