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Now that he has built his creature, Vincent has to start teaching her how to be a lady. Meanwhile, his rival, feeling guilty over the death of their mutual love, begins to investigate what's going on down at the lab.
Will Ares, a successful divorce lawyer, finds himself working alongside Gigi Averelle, a wedding planner, when their respective clients–movie producer Evans Beatty and Hollywood starlet Carrie Cartwright–plan to marry. As Beatty's ex-wives come out of the woodwork to cause mayhem, Gigi and Will make a bet–Gigi agrees to go on a date with Will if Evans and Carrie really do go through with the wedding. Should they break up, however, Will must reveal, in a full-page newspaper ad, how many marriages he's ruined. Is Will a fool for love, or is this the start of a beautiful relationship?
Margaret Saville's husband has been away on business for weeks and has stopped replying to her letters. Her brother, Robert Walton, has suddenly returned after three years at sea, having barely survived his exploratory voyage to the northern pole. She still grieves the death of her youngest child as she does her best to raise her surviving children, Felix and Agatha. The depth of her brother's trauma becomes clear, so that she must add his health and sanity to her list of cares. A bright spot seems to be a new friendship with a young woman who has just returned to England from the Continent, but Margaret soon discovers that her friend, Mary Shelley, has difficulties of her own, including an eccentric poet husband, Percy, and a book she is struggling to write. Margaret's story unfolds in a series of letters to her absent husband, desperate for him to return or at least to acknowledge her epistles and confirm that he is well. She is lonely, grief-stricken and afraid, yet in these darkest of times a spirit of independence begins to awaken. 'Mrs Saville' begins where Mary Shelley's 'Frankenstein' ends. This paperback edition includes the short story "A Wintering Place" and an Afterword by the author.
In 1932, Vincent Krall sets out to create his perfect woman by reanimating the corpse of the love of his life. He'll soon discover, however, that man was never meant to peer beyond the veil between life and death, and a woman is not as easily controlled as he believes. As his monster becomes more conscious of who she was and who she is becoming, Vincent ends up with a lot more than he bargained for.
In 1932, Vincent Krall sets out to create his perfect woman by reanimating the corpse of the love of his life. He'll soon discover, however, that man was never meant to peer beyond the veil between life and death, and a woman is not as easily controlled as he believes. The collected MADAME FRANKENSTEIN contains all the covers by Helheim artist JOLLE JONES and an exclusive gallery section showcasing MEGAN LEVENS' development process. Collects MADAME FRANKENSTEIN #1-7.
Книга содержит адаптированный текст романа английской писательницы Мэри Шелли «Франкенштейн, или Современный Прометей». Ученый Виктор Франкенштейн, пытаясь постичь тайну бытия, создает жуткое существо и наделяет его жизнью. Монстр начинает преследовать своего создателя, разрушая его судьбу и лишая самого дорогого...В книгу также вошли комментарии, словарь и упражнения на понимание прочитанного.Предназначается для продолжающих изучать английский язык нижней ступени (уровень 2 – Pre-Intermediate).В формате PDF A4 сохранен издательский макет.
The hugely popular early chapter book series re-emerges -- now in e-book! The Bailey School Kids take a field trip to a science museum, where they meet Dr. Victor and his hulking assistant, Frank. Secrets lurk behind every door in the spooky old museum. What's Dr. Victor doing in his hidden lab? And could Frank be Frankenstein's monster -- even though he loves to plant flowers?
Two centuries after its original publication, Mary Shelley’s classic tale of gothic horror comes to vivid life in "what may very well be the best presentation of the novel" to date (Guillermo del Toro). "Remarkably, a nineteen-year-old, writing her first novel, penned a tale that combines tragedy, morality, social commentary, and a thoughtful examination of the very nature of knowledge," writes best-selling author Leslie S. Klinger in his foreword to The New Annotated Frankenstein. Despite its undeniable status as one of the most influential works of fiction ever written, Mary Shelley’s novel is often reductively dismissed as the wellspring for tacky monster films or as a cautionary tale about experimental science gone haywire. Now, two centuries after the first publication of Frankenstein, Klinger revives Shelley’s gothic masterpiece by reproducing her original text with the most lavishly illustrated and comprehensively annotated edition to date. Featuring over 200 illustrations and nearly 1,000 annotations, this sumptuous volume recaptures Shelley’s early nineteenth-century world with historical precision and imaginative breadth, tracing the social and political roots of the author’s revolutionary brand of Romanticism. Braiding together decades of scholarship with his own keen insights, Klinger recounts Frankenstein’s indelible contributions to the realms of science fiction, feminist theory, and modern intellectual history—not to mention film history and popular culture. The result of Klinger’s exhaustive research is a multifaceted portrait of one of Western literature’s most divinely gifted prodigies, a young novelist who defied her era’s restrictions on female ambitions by independently supporting herself and her children as a writer and editor. Born in a world of men in the midst of a political and an emerging industrial revolution, Shelley crafted a horror story that, beyond its incisive commentary on her own milieu, is widely recognized as the first work of science fiction. The daughter of a pioneering feminist and an Enlightenment philosopher, Shelley lived and wrote at the center of British Romanticism, the “exuberant, young movement” that rebelled against tradition and reason and "with a rebellious scream gave birth to a world of gods and monsters" (del Toro). Following his best-selling The New Annotated H. P. Lovecraft and The New Annotated Sherlock Holmes, Klinger not only considers Shelley’s original 1818 text but, for the first time in any annotated volume, traces the effects of her significant revisions in the 1823 and 1831 editions. With an afterword by renowned literary scholar Anne K. Mellor, The New Annotated Frankenstein celebrates the prescient genius and undying legacy of the world’s "first truly modern myth." The New Annotated Frankenstein includes: Nearly 1,000 notes that provide information and historical context on every aspect of Frankenstein and of Mary Shelley’s life Over 200 illustrations, including original artwork from the 1831 edition and dozens of photographs of real-world locations that appear in the novel Extensive listings of films and theatrical adaptations An introduction by Guillermo del Toro and an afterword by Anne K. Mellor
A free verse biography of Mary Shelley, the author of Frankenstein, featuring over 300 pages of black-and-white watercolor illustrations.
We know the facts of Mary Shelley’s life in some detail—the death of her mother, Mary Wollstonecraft, within days of her birth; the upbringing in the house of her father, William Godwin, in a house full of radical thinkers, poets, philosophers, and writers; her elopement, at the age of seventeen, with Percy Shelley; the years of peripatetic travel across Europe that followed. But there has been no literary biography written this century, and previous books have ignored the real person—what she actually thought and felt and why she did what she did—despite the fact that Mary and her group of second-generation Romantics were extremely interested in the psychological aspect of life.In this probing narrative, Fiona Sampson pursues Mary Shelley through her turbulent life, much as Victor Frankenstein tracked his monster across the arctic wastes. Sampson has written a book that finally answers the question of how it was that a nineteen-year-old came to write a novel so dark, mysterious, anguished, and psychologically astute that it continues to resonate two centuries later. No previous biographer has ever truly considered this question, let alone answered it.