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An engaging, highly accessible and informative introduction to French literature from the Middle Ages to the present.
In literature the very act of narration often constitutes a theme: everyone is familiar with narration that interrupts the story, that provides an ironic gloss on the action, that exposes the narrator, that serves to deceive. In Narrative as Theme Gerald Prince offers the first book-length study of the theme of narrative and of the relationshipøbetween narrative and truth in fiction. In the first part, theoretical in nature, Prince considers the notion of theme as well as the theme of narrative itself, surveys the research that has come out of that notion, and isolates starting points for the investigation of narrative as theme. Of particular interest to narratologists will be his discussion of the "disnarrated," all those passages of a text that consider what did not or does not happen but oculd have. He shows how the disnarrated is an important guide to reading the theme of narrative. The second part focuses on seven French novels: Mme de Lafayette's La Princesse de Cl_ves, Voltaire's Candide, Flaubert's Madame Bovary, Sartre's La Nausäe, Maupassant's Bel-Ami, Claude Simon's La Route des Flandres, and Patrick Modiano's Rue des Boutiques Obscures. Written in first and third person, absorbed or not in the act of narration, variously concerned with history, ethics, and psychology, these classical, modern, and postmodern works exemplify basic positions with regard to the truth or value of narrative. His Dictionary of Narratology, published by the University of Nebraska Press in 1987, confirmed Gerald Prince as one of the world's leading narratologists.
This History is the first in a century to trace the development and impact of the novel in French from its beginnings to the present. Leading specialists explore how novelists writing in French have responded to the diverse personal, economic, socio-political, cultural-artistic and environmental factors that shaped their worlds. From the novel's medieval precursors to the impact of the internet, the History provides fresh accounts of canonical and lesser-known authors, offering a global perspective beyond the national borders of 'the Hexagon' to explore France's colonial past and its legacies. Accessible chapters range widely, including the French novel in Sub-Saharan Africa, data analysis of the novel system in the seventeenth century, social critique in women's writing, Sade's banned works and more. Highlighting continuities and divergence between and within different periods, this lively volume offers routes through a diverse literary landscape while encouraging comparison and connection-making between writers, works and historical periods.
This book is a study of the measurement and understanding of time in seventeenth-century Europe, particularly in France. Close readings of literary representations of time in Moliere, Mme de Sevigne, and Mmd de Lafayette are contextualized with historical studies of court life under Louis XIV, the restructuring of the early modern French postal system, and the emergencce of new practices of periodical publication, respectively. An epistemological backdrop for these historical and literary studies is provided by an introductory analysis of developments in the science of time measurement under Louis XIV. A concluding section places questions of human temporality in the contemporary context of global environmental concerns.
"Monstrous Society problematizes competing representations of reciprocity in England in the decades around 1800. It argues that in the eighteenth-century moral economy, power is divided between official authority and the counter-power of plebeians. This tacit, mutual understanding comes under attack when influential political thinkers, such as Edmund Burke, Jeremy Bentham, and T.R. Malthus, attempt to discipline the social body, to make state power immune from popular response. But once negated, counter-power persists, even if in the demands of a debased, inhuman body. Such a response is writ large in Gothic tales, especially Matthew Lewis's The Monk and Mary Shelley's Frankenstein, and in the innovative, embodied political practices of the mass movements for Reform and the Charter. By interpreting the formation of modern English culture through the early modern practice of reciprocity, David Collings constructs a "nonmodern" mode of analysis, one that sees modernity not as a break from the past but as the result of attempts to transform traditions that, however distorted, nevertheless remain broadly in force."--Jacket.
This book is designed to teach introductory students of French literature how to read literary works.