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Madagascar provided the stunning backdrop for one of the strangest conflicts of the Second World War — when Britain went head to head against one of its closest allies. When British forces landed on the island in 1942, the enemy they faced wasn’t German, Japanese or even Italian, this time the opposing forces were French. Concerned that Japan might use Madagascar as a strategic base to disrupt the supply line to India, Britain was keen to take control of the island. However, the Vichy forces were keen to defend the French colony and prevent it becoming part of the British Empire. A Strange Campaign: The Battle for Madagascar gives a detailed account of this fascinating but little-known period of military history. Even at the time, the conflict was a controversial one, pitting two colonial empires against each other. However, it was also ground-breaking as it was the first time Allied forces had staged a major amphibious invasion. The lessons learned on the shores of Madagascar would prove to be invaluable two years later during the D-day landings in Normandy. Military historian Russell Phillips examines the tactics used in the battle for Madagascar which included secret agents, dummy paratroopers and attempted bribery. But just how did the British finally break down months of resistance by the French? And how did a tug-of-war over an island in the middle of the Indian ocean influence the rest of the Second World War? Russell Phillips gives us a well-researched, enlightening, and skillfully detailed account of a little-known but clearly pivotal WWII operation that’s suited for both curious laypersons and serious researchers. — Steve Anderson, author of the Kaspar Brothers series and other WWII-era novels Though it was a world war it is easy to overlook some corners of the conflict. Madagascar was strategically important and controlled by Vichy France. Phillips has done an excellent job drawing out the story of the British-led invasion of the island. — Angus Wallace, host of the WW2 Podcast
This book is a vivid history of Madagascar from the pre-colonial era to decolonization, examining a set of French colonial projects and perceptions that revolve around issues of power, vulnerability, health, conflict, control and identity. It focuses on three lines of inquiry: the relationship between domination and health fears, the island’s role during the two world wars, and the mystery of Malagasy origins. The Madagascar that emerges is plural and fractured. It is the site of colonial dystopias, grand schemes gone awry, and diverse indigenous reactions. Bringing together deep archival research and recent scholarship, Jennings sheds light on the colonial project in Madagascar, and more broadly, on the ideas which underpin colonialism.
Analyses the economic and political history of Madagascar from independence to the early twenty-first century.
Chronicles the rich human, plant, and animal diversity of this Isle off the East Coast of Africa, home to lemurs, unusual reptiles, and other creatures more at home in mythology than natural science.
Politics and culture are at once semi-autonomous and intertwined. Nowhere is this more revealingly illustrated than in urban design, a field that encompasses architecture and social life, traditions and modernization. Here aesthetic goals and political intentions meet, sometimes in collaboration, sometimes in conflict. Here the formal qualities of art confront the complexities of history. When urban design policies are implemented, they reveal underlying aesthetic, cultural, and political dilemmas with startling clarity. Gwendolyn Wright focuses on three French colonies--Indochina, Morocco, and Madagascar--that were the most discussed, most often photographed, and most admired showpieces of the French empire in the early twentieth century. She explores how urban policy and design fit into the French colonial policy of "association," a strategy that accepted, even encouraged, cultural differences while it promoted modern urban improvements that would foster economic development for Western investors. Wright shows how these colonial cities evolved, tracing the distinctive nature of each locale under French imperialism. She also relates these cities to the larger category of French architecture and urbanism, showing how consistently the French tried to resolve certain stylistic and policy problems they faced at home and abroad. With the advice of architects and sociologists, art historians and geographers, colonial administrators sought to exert greater control over such matters as family life and working conditions, industrial growth and cultural memory. The issues Wright confronts--the potent implications of traditional norms, cultural continuity, modernization, and radical urban experiments--still challenge us today.
Contents: 1. 1889-1893.--2. 1894-1898.--3. 1899-1903.