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‘Mad Tales from the Raj’ is an authoritative assessment of western psychiatry within the context of British colonialism. This revised version provides a comprehensive study of official attitudes and practices in relation to both Indian and European patients during the dominance of the British East India Company. It is fascinating reading not only to students of colonial history, medical sociology and related disciplines, but to all those with a general interest in life in the colonies.
This is the first book to investigate how mental illness is portrayed in Hindi cinema. It examines attitudes towards mental illness in Indian culture, how they are reflected in Hindi films, and how culture has influenced the portrayal of the psychoses. Dinesh Bhugra guides the reader through the history of Indian cinema, covering developments from the idealism of the 1950s to the stalking, jealousy and psychopathy that characterises the films of the 1990s. Critiques of individual films demonstrate the culture’s approach towards mental illness and reflect the impact of culture on films and vice versa. Subjects covered include: Cinema and emotion Attitudes towards mental illness Socio-economic factors and cinema in India Indian personality, villainy and history Psychoanalysis in the films of the 60s. Mad Tales from Bollywood will be of interest to psychiatrists, mental health professionals, students of media and cultural studies and anyone with an interest in Indian culture.
An in-depth look at the urban history of British Bombay.
A key South Asian Studies title that brings together some of the best new writing on physicality in colonial India.
The aim of the book is twofold: first, to provide an overview of the critical history of eccentricity; and secondly to conceptualise a notion that is often presented as a defining feature of the English “character”. It addresses the key issues raised by eccentricity and brings out interdisciplinary links between science, politics, literature and the arts: the sources and dissemination of the concept of eccentricity; its relationship with the English national character as historical and ideological constructs; the structural need for variation and divergence within accepted social norms; the paradoxical status of the eccentric as outsider – when eccentricity is transgressive and alienating – and as insider – eccentricity as socially acceptable deviation. Fundamentally eccentricity is a normative notion: being ex-centred enables eccentrics to delineate and negotiate boundaries between the margins and the centre, the canon and the norm. The contributors question the links between eccentricity, diversity and originality; the value of individual experience and character; and as a corollary, the struggle to retain individuality against increasing standardization, commoditisation and channelling within the normative discourse of normality. Eccentricity as display and performance is also tackled in several chapters, which focus on reception, image and (self)-representation, exhibition and voyeurism.
Curing Madness? focusses on the institutional and non-institutional histories of madness in colonial north India. It proves that 'madness' and its 'cure' are shifting categories which assumed new meanings and significance as knowledge travelled across cultural, medical, national, and regional boundaries. The book examines governmental policies, legal processes, diagnosis and treatment, and individual case histories by looking closely at asylums in Agra, Benaras, Bareilly, Lucknow, Delhi, and Lahore. Rajpal highlights that only a few mentally ill ended up in asylums; most people suffering from insanity were cared for by their families and local vaidyas, ojhas, and pundits. These practitioners of traditional medicine had to reinvent themselves to retain their relevance as Western medical knowledge was widely disseminated in colonial India. Evidence of this is found in the Hindi medical advice literature of the era. Taking these into account Shilpi Rajpal moves beyond asylum-centric histories to examine extensive archival materials gathered from various repositories.
Featuring an internationally distinguished list of contributors, Kipling and Beyond reassesses Kipling's texts and their reception in order to explore new approaches in postcolonial studies. The collection asks why Kipling continues to be a significant cultural icon and what this legacy means in the context of today's Anglo-American globalization.
This book argues that the history of colonial empires has been shaped to a considerable extent by negative emotions such as anxiety, fear and embarrassment as well as by the regular occurrence of panics. The case studies it assembles examine the various ways in which panics and anxieties were generated in imperial situations and how they shook up the dynamics between seemingly all-powerful colonizers and the apparently defenceless colonized. Drawing from examples of the British, Dutch and German colonial experience, the volume sketches out some of the main areas (such as disease, native ‘savagery’ or sexual transgression) that generated panics or created anxieties in colonial settings and analyses the most common varieties of practical, discursive and epistemic strategies adopted by the colonisers to curb the perceived threats.