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In this engaging new visual history showcasing Macon's African Americans, vintage photographs illuminate the contributions and achievements of black citizens who have lived and worked in the heart of Georgia for more than one hundred and fifty years. Local landmarks, such as the Douglass Theater and the Harriet Tubman Museum, and unique African-American communities, such as Summerfield and Pleasant Hill, are testament to the indelible mark left on Macon by its enterprising black residents.
In 1860, on the eve of the Civil War, Macon was a business community dedicated to supplying the needs of its citizens, of the cotton planters who grew the short-staple upland cotton, the principal foundation of wealth for the antebellum South. This book offers an encyclopedic history of Macon, Georgia, during the Civil War.
A longitudinal study of race relations in a major southern city, Macon Black and White examines the ways white and black Maconites interacted over the course of the entire twentieth century. Beginning in the 1890s, in what has been called the nadir of race relations in America, Andrew M. Manis traces the arduous journey toward racial equality in the heart of Central Georgia. The book describes how, despite incremental progress toward that goal, segregationist pressures sought to silence voices for change on both sides of the color line. Providing a snapshot of black-white relations for every decade of the twentieth century, this compellingly written story highlights the ways indigenous development in Macon combined with other statewide, regional, and national factors to shape the struggle for and against racial equality. Manis shows how both African-Americans and a cadre of white moderates, separately and at times together, gradually increased pressure for change in a conservative Georgia city. Showcasing how disfranchisement, lynching, interracial efforts toward the humanization of segregation, the world wars, and the Civil Rights Movement affected the pace of change, Manis describes the eventual rise of a black political class and the election of Macon's first African-American mayor. The book uses demographic realities as well as the perspectives of black and white Maconites to paint a portrait of contemporary black-white relations in the city. Manis concludes with suggestions on how the city might continue the struggle for racial justice and overcome the unutterable separation that still plagues Macon in the early years of a new century. Macon Black and White is a powerful storythat no one interested in racial change over time can afford to miss.
In this engaging new visual history showcasing Macon's African Americans, vintage photographs illuminate the contributions and achievements of black citizens who have lived and worked in the heart of Georgia for more than one hundred and fifty years. Local landmarks, such as the Douglass Theater and the Harriet Tubman Museum, and unique African-American communities, such as Summerfield and Pleasant Hill, are testament to the indelible mark left on Macon by its enterprising black residents.
"Macon, Georgia's history has an exceptional soundtrack, and Something in the Water provides a lively narrative of the city's musical past from its founding in 1823 to 1980. For generations, talented musicians have been born in or passed through Macon's confines. Some lived and died in obscurity, while others achieved international stardom. From its pioneer origins to the modern era, the city has produced waves of talent with amazing consistency, representing a wide range of musical genres-country, classical, jazz, blues, big band, soul, and rock. As the book points out, the city's influence stretches far beyond the borders of Georgia, and its musical imprint on the United States and the world is significant. The story of music in Macon includes a vast, eclectic cast of characters, such as the city's first music "celebrity" Sidney Lanier, entertainment entrepreneur Charles Douglass, jazz age divas Lucille Hegamin and Lula Whidby, big band singers Betty Barclay and the Pickens Sisters, rock and roll founding father Little Richard Penniman, rhythm and blues icons James Brown and Otis Redding, local country star Eugene "Uncle Ned" Stripling, Capricorn Records founders Phil Walden and Frank Fenter, and the Allman Brothers Band, one of the most popular groups of the rock era. The book also offers a treatment of Macon's leading entertainment venues, both past and present, like Ralston Hall, the Grand Opera House, and the Douglass Theater, along with local institutions such as Wesleyan College and the Georgia Academy for the Blind, both of which trained generations of music students"--
Given by Eugene Edge III.
Known as the "Heart of Georgia," Macon was an affluent city by the time of the Civil War and escaped the destruction that accompanied Sherman's march to the sea. During Macon's prosperous Victorian period, opulent residences and ornate public buildings were constructed; these, along with those of the antebellum period, have been preserved.