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This intriguing study examines Western perceptions of war in and beyond the nineteenth century, surveying the writings of novelists, anthropologists, psychiatrists, psychoanalysts, philosophers, poets, natural scientists, and journalists to trace the terms of modern thought on the nature of military conflict. Daniel Pick brings together philosophical and historical models of war with fictions of invasion, propaganda from the Great War, interpretations of shellshock and speculations about the biological value of conquest. He discusses the work of such familiar commentators as Clausewitz, Engels, and Treitschke, and examines little-known writings by Proudhon, De Quincey, Ruskin, Valery, and many others, culminating in the extraordinary dialogue between Freud and Einstein, Why War? He analyses Victorian fears of French contamination through the Channel Tunnel as well as the widespread continuing dread of German domination. And he charts the history of the pervasive European belief that war is beneficial or at least functionally necessary. A central theme of the book is the disturbing relationship between machinery and destruction. Visions of relentless technological 'progress' and the inexorable advance of the military-industrial complex often seem to distort our understanding of war, even to reduce it to a sophisticated game played out by high-precision automata. Pick explores both the reassuring and troubling aspects of such representations. Shorn of human agency or responsibility, war apparently threatens to become technologically unstoppable, the remorseless 'perfect abattoir' of the industrial age. War Machine explores the enduring historical fascination with - and recoil from -brutal mechanical slaughter, and the modern aquiescence in, and enthusiasm for (in Rilke's phrase), 'these days of monstrously accelerated dying'.
From ancient flint hand daggers to the futuristic M1A2 tanks of today, flip through a series of stunning visuals to discover the weapons and vehicles that have shaped the military world. With rich illustrations, striking photography, and inputs from experts, Machines of War presents the story of all forms of weaponry that have dominated the battlefield, right from the pre-industrial age to the 21st century. Get a close-up look at firearms, aircraft, tanks, warships, and learn about the invention, evolution, and progression of arms and armaments through the ages. Presenting weapons and vehicles in innovative detail, this one-of-a-kind reference book offers a unique perspective on military developments in the Industrial era, World War I, World War II, the Cold War, and the modern world. Readers will uncover intriguing aspects of the Gatling gun, the Spitfire fighter plane, the T-72 Tank and many more with virtual tours. Whether you're a history lover or a science buff, Machines of War is guaranteed to enthral you by putting you at the helm of war's most formidable weapons.
The familiar image of the British in the Second World War is that of the plucky underdog taking on German might. David Edgerton's bold, compelling new history shows the conflict in a new light, with Britain as a very wealthy country, formidable in arms, ruthless in pursuit of its interests, and in command of a global production system. Rather than belittled by a Nazi behemoth, Britain arguably had the world's most advanced mechanized forces. It had not only a great empire, but allies large and small. Edgerton shows that Britain fought on many fronts and its many home fronts kept it exceptionally well supplied with weapons, food and oil, allowing it to mobilize to an extraordinary extent. It created and deployed a vast empire of machines, from the humble tramp steamer to the battleship, from the rifle to the tank, made in colossal factories the world over. Scientists and engineers invented new weapons, encouraged by a government and prime minister enthusiastic about the latest technologies. The British, indeed Churchillian, vision of war and modernity was challenged by repeated defeat at the hands of less well-equipped enemies. Yet the end result was a vindication of this vision. Like the United States, a powerful Britain won a cheap victory, while others paid a great price. Putting resources, machines and experts at the heart of a global rather than merely imperial story, Britain's War Machine demolishes timeworn myths about wartime Britain and gives us a groundbreaking and often unsettling picture of a great power in action.
Based on ethnographic research among militias in Sierra Leone and Liberia, Danny Hoffman considers how young men are made available for violent labor on battlefields and in dangerous unregulated industries.
Focusing on the draft resistance movement in Boston in 1967-68, this study argues that these acts of mass civil disobedience turned the tide in the antiwar movement by drawing the Johnson administration into a confrontation with activists who were largely young, middle-class, liberal, and from suburban backgrounds--the core of Johnson's constituency.
In the spring of 2004, army reservist and public affairs officer Steven J. Alvarez waited to be called up as the U.S. military stormed Baghdad and deposed Saddam Hussein. But soon after President Bush’s famous PR stunt in which an aircraft carrier displayed the banner “Mission Accomplished,” the dynamics of the war shifted. Selling War recounts how the U.S. military lost the information war in Iraq by engaging the wrong audiences—that is, the Western media—by ignoring Iraqi citizens and the wider Arab population, and by paying mere lip service to the directive to “Put an Iraqi face on everything.” In the absence of effective communication from the U.S. military, the information void was swiftly filled by Al Qaeda and, eventually, ISIS. As a result, efforts to create and maintain a successful, stable country were complicated and eventually frustrated. Alvarez couples his experiences as a public affairs officer in Iraq with extensive research on communication and government relations to expose why communications failed and led to the breakdown on the ground. A revealing glimpse into the inner workings of the military’s PR machine, where personnel become stewards of presidential legacies and keepers of flawed policies, Selling War provides a critical review of the outdated communication strategies executed in Iraq. Alvarez’s candid account demonstrates how a fundamental lack of understanding about how to wage an information war has led to the conditions we face now: the rise of ISIS and the return of U.S. forces to Iraq.
Winner of the 2019 William E. Colby Award "The book I had been waiting for. I can't recommend it highly enough." —Bill Gates The era of autonomous weapons has arrived. Today around the globe, at least thirty nations have weapons that can search for and destroy enemy targets all on their own. Paul Scharre, a leading expert in next-generation warfare, describes these and other high tech weapons systems—from Israel’s Harpy drone to the American submarine-hunting robot ship Sea Hunter—and examines the legal and ethical issues surrounding their use. “A smart primer to what’s to come in warfare” (Bruce Schneier), Army of None engages military history, global policy, and cutting-edge science to explore the implications of giving weapons the freedom to make life and death decisions. A former soldier himself, Scharre argues that we must embrace technology where it can make war more precise and humane, but when the choice is life or death, there is no replacement for the human heart.
A veteran Washington reporter reveals how years of military-slanted domestic and foreign policy have turned the U.S. into a perpetual war machine. When President Dwight D. Eisenhower prepared to leave the White House in 1961, he did so with an ominous message for the American people about the "disastrous rise" of the military-industrial complex. Fifty years later, the complex has morphed into a virtually unstoppable war machine, one that dictates U.S. economic and foreign policy in a direct and substantial way. Based on his experiences as an award-winning Washington-based reporter covering national security, James McCartney presents a compelling history, from the Cold War to present day that shows that the problem is far worse and far more wide-reaching than anything Eisenhower could have imagined. Big Military has become "too big to fail" and has grown to envelope the nation's political, cultural and intellectual institutions. These centers of power and influence, including the now-complicit White House and Congress, have a vested interest in preparing and waging unnecessary wars. The authors persuasively argue that not one foreign intervention in the past 50 years has made us or the world safer. With additions by Molly Sinclair McCartney, a fellow journalist with 30 years of experience, America's War Machine provides the context for today's national security state and explains what can be done about it.
The author aims to show how the emergence of intelligent and autonomous bombs and missiles equipped with artificial perception and decision-making capabilities represents a profound historical shift in the relation of human beings both to machines and to information.
Scott explores the covert aspects of U.S. foreign policy. He presents compelling evidence to expose the extensive growth of sanctioned but illicit violence in politics and state affairs, especially when related to America's long-standing involvement with the global drug traffic.