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In a time of uncertainty, humanity has touched the stars and claimed vast worlds under the unified Nations of Earth. Yet beneath the heels of the Mother World, the colonists grow too strong. Soon after, a war unlike any seen before would last for twenty years wherever independence had a voice. Towering machines, known as Unit Fighters, were piloted by the brave as historic battles were fought. And after nine years of peace between the newly established Pride Systems of Devoir-Con passed, the scars of such a mad war were not only left on the worlds they shed blood on but on the soldiers and soon-to-be combatants of Devoir. These are just a few of their stories as, once again, the torn and gritty flag of Devoir-Con will be raised among the controversies of war, peace, love, struggle, and innocents lost.
As news reports of the horrific December 2004 tsunami in Asia reached the rest of the world, commentators were quick to seize upon the disaster as proof of either God s power or God s nonexistence, asking over and over, How could a good and loving God if such exists allow such suffering? In The Doors of the Sea David Bentley Hart speaks at once to those skeptical of Christian faith and to those who use their Christian faith to rationalize senseless human suffering. He calls both to recognize in the worst catastrophes not the providential will of God but rather the ongoing struggle between the rebellious powers that enslave the world and the God who loves it wholly.
Traces the story of how ancient cultures envisioned artificial life, automata, self-moving devices and human enhancements, sharing insights into how the mythologies of the past related to and shaped ancient machine innovations.
The God of the Machine presents an original theory of history and a bold defense of individualism as the source of moral and political progress. When it was published in 1943, Isabel Paterson's work provided fresh intellectual support for the endangered American belief in individual rights, limited government, and economic freedom. The crisis of today's collectivized nations would not have surprised Paterson; in The God of the Machine, she had explored the reasons for collectivism's failure. Her book placed her in the vanguard of the free-enterprise movement now sweeping the world.Paterson sees the individual creative mind as the dynamo of history, and respect for the individual's God-given rights as the precondition for the enormous release of energy that produced the modern world. She sees capitalist institutions as the machinery through which human energy works, and government as a device properly used merely to cut off power to activities that threaten personal liberty.Paterson applies her general theory to particular issues in contemporary life, such as education, .social welfare, and the causes of economic distress. She severely criticizes all but minimal application of government, including governmental interventions that most people have long taken for granted. The God of the Machine offers a challenging perspective on the continuing, worldwide debate about the nature of freedom, the uses of power, and the prospects of human betterment.Stephen Cox's substantial introduction to The God of the Machine is a comprehensive and enlightening account of Paterson's colorful life and work. He describes The God of the Machine as "not just theory, but rhapsody, satire, diatribe, poetic narrative." Paterson's work continues to be relevant because "it exposes the moral and practical failures of collectivism, failures that are now almost universally acknowledged but are still far from universally understo
This is the first major retrospective gathering to appear in an English-Spanish bilingual format of the work of one of Mexico's foremost writers. It is a glittering and giant technical achievement, as brilliant and instantly visible as Hart Crane's The Bridge.
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