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"In a galaxy far, far away ... A bustling planet full of exotic extraterrestrial beings crackles with the chaotic energy of a frontier world. And right in the middle of it all is Megan, a young human(?) girl rising through the ranks of the Intergalactic Mixed Battling Arts arena! But there's more to Megan than meets the eye. She might be a part of something much, much larger than her simple life at the family farm..." -- Back cover.
"In a galaxy far, far away ... A bustling planet full of exotic extraterrestrial beings crackles with the chaotic energy of a frontier world. And right in the middle of it all is Megan, a young human(?) girl rising through the ranks of the Intergalactic Mixed Battling Arts arena! But there's more to Megan than meets the eye. She might be a part of something much, much larger than her simple life at the family farm..." -- Back cover.
When Emmaline Beaumont's father started building the ghost machine, she didn't expect it to bring her mother back from the dead. But by locking himself in the basement to toil away at his hopes, Monsieur Beaumont has become obsessed with the contraption and neglected the living, and Emmaline is tired of feeling forgotten. Nothing good has come from building the ghost machine, and Emmaline decides that the only way to bring her father back will be to make the ghost machine work...or destroy it forever.
Don't go in the attic. Eight-year-old Hazel and her little sister, Bess, have more than 100 rules to follow while visiting their grandparents' farmhouse for the summer. But the biggest one is not to go into the attic. So, of course, that's also the first one Hazel's 6-year-old sister decides to break. But the girls never expected to uncover a family secret that involves a hidden time machine and their mysterious (and grumpy) grandpa. They also never expected they'd be traveling through time, meeting historical figures, dodging danger, and learning all about the very events that helped shape history.In the first book, the girls travel to 1738 to meet a young George Washington.
'Do you want to live forever? YES or NO.' Polly and Owen have nailed it. Successful in their careers and wildly in love with each other, they feel ready to take on the world. But when a mysterious new technology, promising a break from the daily grind, creeps into everyone's phones, their world is turned upside down. As the line between physical and digital rapidly dissipates, Polly and Owen are forced to question whether their definitions of reality and freedom are the same. Girl in the Machine is a disturbing but compassionate vision of our potential digital future, and what it might mean for 'life' as we know it. The play premiered at the Traverse Theatre, Edinburgh, in 2017, directed by Traverse Artistic Director Orla O'Loughlin.
This beautiful, instructive book from The Great British Sewing Bees Jenniffer Taylor shows you how to make and adapt your own clothes without the need for shop-bought patterns. Using Jenniffer's fun and imaginative ideas, this book will teach you how to get started transforming unloved items of clothing into new and exciting outfits; how to customise clothes with doilies, tassels, tie-dyeing and block printing; and finally how to measure yourself, create patterns and make clothes from scratch, including dresses, skirts, tops, trousers and a coat. The book is packed with all the tricks of the trade that Jenniffer has learned along her sewing journey, and it will get you started on your own #sewingrevolution!
A haunting story of guilt and blame in the wake of a drowning, the first novel by the author of Spectacle Susan Steinberg’s first novel, Machine, is a dazzling and innovative leap forward for a writer whose most recent book, Spectacle, gained her a rapturous following. Machine revolves around a group of teenagers—both locals and wealthy out-of-towners—during a single summer at the shore. Steinberg captures the pressures and demands of this world in a voice that effortlessly slides from collective to singular, as one girl recounts a night on which another girl drowned. Hoping to assuage her guilt and evade a similar fate, she pieces together the details of this tragedy, as well as the breakdown of her own family, and learns that no one, not even she, is blameless. A daring stylist, Steinberg contrasts semicolon-studded sentences with short lines that race down the page. This restless approach gains focus and power through a sharply drawn narrative that ferociously interrogates gender, class, privilege, and the disintegration of identity in the shadow of trauma. Machine is the kind of novel—relentless and bold—that only Susan Steinberg could have written.
The award-winning New York Times bestseller about the American women who secretly served as codebreakers during World War II--a "prodigiously researched and engrossing" (New York Times) book that "shines a light on a hidden chapter of American history" (Denver Post). Recruited by the U.S. Army and Navy from small towns and elite colleges, more than ten thousand women served as codebreakers during World War II. While their brothers and boyfriends took up arms, these women moved to Washington and learned the meticulous work of code-breaking. Their efforts shortened the war, saved countless lives, and gave them access to careers previously denied to them. A strict vow of secrecy nearly erased their efforts from history; now, through dazzling research and interviews with surviving code girls, bestselling author Liza Mundy brings to life this riveting and vital story of American courage, service, and scientific accomplishment.
Just before World War II, “Lil” escaped a miserable marriage in Cleveland, Ohio, took back her maiden name, left her young daughter Elinor behind, and launched what became an international business career. Rejoining Lil at the age of ten, Elinor watched as her mother gave fabulous parties, sold automotive parts in South America, Asia, and the Middle East, and “in any given room, took up all the air there was.” With her stunning looks, high intelligence, and drive for adventure, Lil was more a figure to admire than a mother to love. Making an Exit is the account of what happened after Lil was diagnosed with Alzheimer’s. As the disease progresses, Elinor becomes her mother’s mother, caring for her with growing compassion. Lil changes, too: filled with new warmth, the word “love” now regularly crosses her lips. And despite the disintegration of Lil’s mind and language, mother and daughter make a surprising new start. “In this moving memoir of mother-daughter love only strengthened by Alzheimer’s, Elinor Fuchs brilliantly pulls off the nearly impossible feat of reproducing on the page the living voice of dementia, a masterly achievement.” — Alix Kates Shulman, author of A Good Enough Daughter and To Love What Is “How many dementia caregivers find themselves laughing and crying at the same time? This is the book for us. Making an Exit is Elinor Fuchs's sparkling gift basket to those who help, or may someday help, someone with severe cognitive impairment. A theater professor and drama critic, Fuchs describes the strange, heroic ten-year ‘Emergency’ of caring for her single mom, Lil-- a glamorously eccentric businesswoman--with irrepressible vitality, generosity, forthrightness, and love.” —Margaret Morganroth Gullette, author of Aged by Culture and Agewise “Unflinchingly honest, open-hearted, and funny, this is a work of passionate intelligence and deep humanity.” — Joyce Antler, author of The Journey Home: How Jewish Women Shaped Modern America and You Never Call, You Never Write! A History of the Jewish Mother “Fuchs celebrates the richness and folly of life and language in this loving and often funny tribute to her nonconformist mother... Never mawkish, this is a tender tale of an idiosyncratic, independent woman and her daughter’s reluctant love.” — Publishers Weekly “This book was a joy to read. It felt as if I were reading a well-written script, part drama and part comedy” — Daniel Kuhn, American Journal of Alzheimer’s Disease and Other Dementias “Making an Exit makes you cry and laugh and think. It takes you into deep disturbances of memory and history and brings you back with compassion and love. No other memoir of dementia combines the trials of caregiving and the painful, yet necessary growth of self knowledge.” — Thomas R. Cole, author of The Journey of Life: A Cultural History of Aging in America “In Making an Exit Elinor Fuchs leaves readers with an understanding of growing older in America today, where filial generosity, enduring resilience, heartfelt ambivalence, and undiminished humor shine through the most vulnerable experiences of decline.” —Stephen Katz, author of Cultural Aging: Life Course, Lifestyle, and Senior Worlds and Professor of Sociology, Trent University, Canada “For millions of sufferers and their families, Alzheimer’s is a bleak and arduous experience. Yet Fuchs’s unsentimental and often wry memoir should help them by showing that though there are certainly dark and precipitous times near the end, a life examined with totality and compassion can make that eventual end an experience not only of tragedy but dignified fulfillment.” — Michael Standaert, Los Angeles Times “Making an Exit is a rare and wonderful rollercoaster of a book, tender and touching, hilarious and high-spirited - a moving portrait of a daughter and mother that is fiercely intelligent, ineffably sad, and, finally, transcendent.” — Kathleen Woodward, author of Aging and its Discontents “Fuchs’s mother is larger than life in both her salad days and in her days of word salad. Making an Exit overflows with life — its sorrows and surprises, its follies and joys.” — Anne Basting, author of Forget Memory and editor of Playing Penelope: An Arts-Based Odyssey to Change Long-Term Care “Tremendous... A book filled with unexpected glimmers of hope, wisdom, and joy... Fuchs possesses a delightfully wicked sense of humor and a sharp eye for the quirky detail. Fuchs [employs] a deft and efficient prose style, one akin to Augusten Burroughs, David Sedaris, and Anne Lamott.” — Greg Changnon, The Atlanta Journal-Constitution “Elinor’s mother Lil is a larger than life character who needs her daughter’s help to make an exit from life’s stage. While Elinor is burdened by her mother’s dementia, she is also uplifted by its possibilities for a late-blooming relationship. Dementia is ripe for social reconstruction, and Fuchs gives us hope with stories that reframe the challenge of cognitive loss in terms of loving relationship. Read this book, find deep humanity, and enrich yours.” — Peter Whitehouse, M.D., author of The Myth of Alzheimer’s and Professor of Neurology, Case Western Reserve University