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Researcher Jane Percy Brown is fascinated by the extraordinarily vivid pictures of antiquities and artifacts taken by photographer Caulder Macgregor. Needing more material for his book, he asks her to come with him on his travels. But is there a deeper reason behind his search for the unusual? Is the sinister stranger who follows them the dangerous instigator of kidnapping and attempted murder? During exploration of strange, ancient places, three brave men, a Croatian, an Albanian and a Macedonian, are determined to protect Caulder and Percy and prevent a terrible destruction that could spread fear across the world.
The country now known as North Macedonia has been through many changes in names and governments throughout its long history, but what hasn't changed is the rich cultural heritage of its people. Readers discover this cultural heritage through meticulously researched and up-to-date text, fact-filled sidebars, and detailed maps of the region's geography, economy, and culture. Vibrant photographs of North Macedonia depict the country's landscape and its people. Readers are even given an opportunity to take their learning into the kitchen with recipes that encourage them to try famous North Macedonian foods.
When the scientific study of the Black Sea Region began in the late 18th and early 19th centuries, initially commissioned by adjacent powers such as the Habsburg and the Russian empires, this terra incognita was not yet considered part of Europe. The eighteen chapters of this volume show a broad range of thematic foci and theoretical approaches - the result of the enormous richness of the European macrocosm and the BSR. The microcosms of the many different case studies under scrutiny, however, demonstrate the historical dimension of exchange between the allegedly opposite poles of `East' and `West' and underscore the importance of mutual influences in the development of Europe and the BSR.
Bradt's North Macedonia remains the only standalone English-language guidebook to this increasingly popular destination available outside the country. Originally written by Thammy Evans, a political analyst who lived in Macedonia for five years, this new edition has been thoroughly updated and restructured to make it even easier to use by Philip Briggs, arguably the world's most experienced guidebook writer. Coverage of national parks has been increased and hiking information has been fully integrated to make it more accessible to casual users. Introductions to many points of interest have been expanded to give more of an overview of what the attractions are and there are several new and redrawn maps. Of all the new countries formed following the break-up of Yugoslavia in 1991, Macedonia was the only one to attain independence without bloodshed. This is a small land that offers huge variety to travellers, from the oldest lake in Europe to soaring forest-swathed mountain ranges and from the millennia-old Neolithic rock observatory at Kokoni and Roman mosaics at Heraclea, to dozens of historic and actively-used mediaeval monasteries and mosques. Macedonia's urban centrepiece and main port of entry is the capital Skopje, now home to a wealth of Ottoman buildings, a lively culinary scene, and several world-class museums, while the main tourist hub is the pretty lakeshore town of Ohrid, a UNESCO World Heritage Site thanks to its wealth of medieval churches and other architectural gems. A trio of national parks provide refuge to brown bears, grey wolves, the rare Balkan lynx and a wide variety of birds. And wherever you go, welcoming family-run tavernas and lively pavement cafés serve authentic traditional cooking and locally produced wine that ranks as probably the most affordable anywhere in the European Balkans. Wherever you go and whatever your interest, this is a country that offers countless rewards to independent-minded travellers and those who want to get away from the crowds. And with Bradt's Macedonia, you'll find everything you need for a successful trip.
The third edition of the only English-language guide to Macedonia, one of Europe's least-discovered gems.
The churches of the Byzantine era were built to represent heaven on earth. Architecture, art and liturgy were intertwined in them to a degree that has never been replicated elsewhere, and the symbolism of this relationship had deep and profound meanings. Sacred buildings and their spiritual art underpinned the Eastern liturgical rites, which in turn influenced architectural design and the decoration which accompanied it. Nicholas N Patricios here offers a comprehensive survey, from the age of Constantine to the fall of Constantinople, of the nexus between buildings, worship and art. His identification of seven distinct Byzantine church types, based on a close analysis of 370 church building plans, will have considerable appeal to Byzantinists, lay and scholarly. Beyond categorizing and describing the churches themselves, which are richly illustrated with photographs, plans and diagrams, the author interprets the sacred liturgy that took place within these holy buildings, tracing the development of the worship in conjunction with architectural advances made up to the 15th century. Focusing on buildings located in twenty-two different locations, this sumptuous book is an essential guide to individual features such as the synthronon, templon and ambo and also to the wider significance of Byzantine art and architecture.