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Political satire aimed at Lyndon Baines Johnson, based on Shakespeare's Macbeth.
A heatwave melts London as Holmes and Watson are called to action in this new Sherlock Holmes adventure by Bonnie MacBird, author of “one of the best Sherlock Holmes novels of recent memory.”
London. A snowy December, 1888. Sherlock Holmes, 34, is languishing and back on cocaine after a disastrous Ripper investigation. Watson can neither comfort nor rouse his friend – until a strangely encoded letter arrives from Paris.
Modern writers have reconsidered every subject under the sun through the lens of Sherlock Holmes. The overlooked subject is agency: the opportunities available to these women for independence and control. What we find all too often are the silences around them. And yet, these clients--villains, victims, and Violets--are pivotal in the world of Sherlock Holmes. Perhaps more enigmatic than Holmes’ methods is what Watson sees: the woman in the shadows. Whether lady or lady’s maid, if she does speak, it’s often not recorded in her words. That was life for half the population of Victorian England. A woman’s role was written before she was born; it merely required her to don the starched white apron of a maid, or the rough, stained skirts of a "char"--who did the dirtiest of household jobs—or the fine silk gowns of a lady. Enter Villains, Victims, and Violets to spy and report on these women in their darkest, most vulnerable moments. How does Irene Adler—pursued by a powerful king, and by Sherlock Holmes--outwit them both? Can Lady Hilda conceal the secret that only Holmes unravels? When Violet Hunter takes the last job offered before she loses everything, can Holmes free her and her doppelganger? To understand Holmes’ world is to gaze unsparingly into the lives of its women: the villains and what drives them astray; the victims Holmes races to rescue; and the Violets, who make up the strongest characters from Holmes’ unforgettable cases. The authors pull back the curtain on their private spaces, revealing their "proper" place in a man’s world at the dusk of the 19th century and the dawn of the 20th. Foreword by Nisi Shawl, noted Sherlockian and the James Tiptree Jr. Award-winning and Nebula-nominated author of the brilliant steampunk, feminist, Afrofuturist novel Everfair.
After Art in the Blood and Unquiet Spirits, Holmes and Watson are back in the third of Bonnie MacBird’s critically acclaimed Sherlock Holmes Adventures, written in the tradition of Conan Doyle himself.
The new novel from the author of Art in the Blood. December 1889. Fresh from debunking a “ghostly” hound in Dartmoor, Sherlock Holmes has returned to London, only to find himself the target of a deadly vendetta.
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
It’s the season of peace and goodwill, but a Victorian Christmas is no holiday for the world’s most popular detective in this new book from Bonnie MacBird, author of the bestselling Sherlock Holmes novel Art in the Blood.
William Shakespeare, more than any other author, was able to capture the essence of human nature in all its manifestations. His political plays offer enduring insights into our humanity, our vanity, our noble and baser drives, what makes us great, and what makes us loathsome. He tells us about ourselves and about our world. This volume gleans valuable lessons from the writings of William Shakespeare and applies them to contemporary politics. Original chapters covering over a dozen different plays take up perennial political themes including power and leadership, corruption and virtue, war and peace, evil and liberty, persuasion and polarization, and empire and global overreach.Features of the text:
The book traces individuals' adaptive interventions in the cultural sphere. More specifically, it investigates the purposes of dramatic adapting, which is basically regarded as a political activity. Following the intense micropolitical combat of an author with the precursor Shakespeare, adaptation becomes comprehensible as part of the ceaseless motions of macrocultural change. At each adaptation's centre, an individual subject's identity act encounters external discourses, and these transform each other and destabilise ideologies. Moreover, they lay siege to the cultural powerhouse Shakespeare. The book thus explores adapters' revolt against the loop of eternal repetition, which is created by canonic forces. In order to do so, the author uses an innovative combination of standard theories.