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Determined to be his own man, he had no sooner achieved financial and political security--in a lucrative post on the Governor-General's Council in India--than the relationship with his beloved sisters so necessary to his emotional security was destroyed. Here is the public Macaulay: cocksure and impetuous, a parvenu lacking the specific gravity of a statesman, and yet speaking out not only for freedom as an abstraction, but concretely for the rights of Jews, Roman Catholics and blacks; envisioning a potential beauty and splendor in industrialization; almost singlehandedly writing a penal code for India; becoming embroiled in the crucial controversy over Indian education (what should be taught and in what language); and forever leaving his mark on Anglo-Indian cultural relations--just as India left its mark on him.
Thomas Macaulay is most famous for having introduced the English language as a medium for learning in India, creating a class of westernized Indians who are sometimes derisively referred to as ‘Macaulay’s children’. Was this an act of cultural imperialism or a modernizing move far before its time? Macaulay has always inspired both admiration and hostility in India. Ever since he served on the Supreme Council of India in the 1830s, his thinking and policies have had a profound, transformative impact on the subcontinent. Today, some Dalit activists even celebrate him as their liberator from caste tyranny. Macaulay is the first biography of this vastly influential figure for the general reader, giving a vivid sense of a brilliant, eccentric, contradictory man and his complex times. In a portrait that is as elegant as it is intriguing, Zareer Masani traces Macaulay’s fascinating journey from child prodigy, historian and parliamentary orator in London to imperial administrator in India, and then a revered elder statesman back in Britain. The reader is allowed a glimpse into what it felt like to be at the centre of power in a global empire, ruling over hundreds of millions of Indian subjects and shaping the destiny of a subcontinent.
This monograph is a wide-ranging and sophisticated analysis of representations in text and image of the English past between 1830 and 1870. It consists of a series of inter-related case-studies of illustrated history books, ranging from editions of David Humes History of England to W. H. Ainsworths The Tower of London (1840). It contributes to present debates on nationalism, highlighting the complex and variable nature of cultural constructions of identity. Simultaneously, if offers an overall interpretation of historiographical change in early and mid-Victorian Britain, focusing in particular on the transition from picturesque reconstructions of the English past to the scientific approaches of the professional historian. Genuinely interdisciplinary, Picturing the Past presents new perspectives on traditional studies of Victorian historiography, literature, and illustration. It explores relationships between text and image, author, illustrator, and publisher, in the production of illustrated historical texts, often drawing on neglected material in publishers archives. The tendency to analyse text and image, fiction and non-fiction, popular and elite publications in isolation from each other is challenged in the interests of a more complex and nuanced portrait of the middle-class Victorian historical consciousness.
On the 150th anniversary of the death of the English historian and politician Thomas Babington Macaulay, Robert Sullivan offers a portrait of a Victorian life that probes the cost of power, the practice of empire, and the impact of ideas. His Macaulay is a Janus-faced master of the universe: a prominent spokesman for abolishing slavery in the British Empire who cared little for the cause, a forceful advocate for reforming Whig politics but a Machiavellian realist, a soaring parliamentary orator who avoided debate, a self-declared Christian, yet a skeptic and a secularizer of English history and culture, and a stern public moralist who was in love with his two youngest sisters. Perhaps best known in the West for his classic History of England, Macaulay left his most permanent mark on South Asia, where his penal code remains the law. His father ensured that ancient Greek and Latin literature shaped Macaulay’s mind, but he crippled his heir emotionally. Self-defense taught Macaulay that power, calculation, and duplicity rule politics and human relations. In Macaulay’s writings, Sullivan unearths a sinister vision of progress that prophesied twentieth-century genocide. That the reverent portrait fashioned by Macaulay’s distinguished extended family eclipsed his insistent rhetoric about race, subjugation, and civilizing slaughter testifies to the grip of moral obliviousness. Devoting his huge talents to gaining power—above all for England and its empire—made Macaulay’s life a tragedy. Sullivan offers an unsurpassed study of an afflicted genius and a thoughtful meditation on the modern ethics of power.
Presents the candid diary of Thomas Macaulay, Victorian statesman, historian and author of "The History of England". This work shows how, spanning the period 1838 to 1859, the journal is the longest work from Macaulay's pen. It states that these unique manuscripts held at Trinity College, Cambridge, are most revealing of all his writings. Volume 1 includes an Introduction and entries for 20 October 1838–12 June 1840.
'It is a rule that no Trevelyan ever sucks up either to the press, or the chiefs, or the “right people”. The world has given us money enough to enable us to do what we think is right. We thank it for that and ask no more of it, but to be allowed to serve it' G.M. Trevelyan The Trevelyans are unique in British social and political history: a family which for several generations dedicated themselves to the service and chronicling of their country. Often eccentric, priggish, high minded and utterly self-regarding, they have nonetheless left their mark on our past. This engaging history dispassionately explores the lives and achievements of this unique family and the part they played in shaping the history of Great Britain. From their inauspicious beginnings in a small dwelling in Cornwall to the present day, some Trevelyans have been famous and distinguished, others less so, but for a hundred years from the mid-nineteenth to the mid-twentieth century family members from Lord Macaulay to G.M. Trevelyan contributed to both the writing and the making of history. This book is primarily the tale of the five men who flourished during this period – Charles Edward, George Otto, Charles Philips, George Macaulay and Humphry Trevelyan – and the clever and formidable women they married. Including many vivid portraits of the most influential members of this remarkable family, The Trevelyans casts light on the period of enormous social and cultural change in which they lived and examines why they chose not to simply exploit their position as landed gentry but instead to take their place at the centre of scholarship and politics.
Presents the candid diary of Thomas Macaulay, Victorian statesman, historian and author of "The History of England". This work shows how, spanning the period 1838 to 1859, the journal is the longest work from Macaulay's pen. It states that these unique manuscripts held at Trinity College, Cambridge, are most revealing of all his writings.
Thomas Babington Macaulay's History of England from the Accession of James II was his masterwork and one of the great enduring classics of English historical writing. This volume contains the celebrated third chapter, which inherently contributed to the development of social history by presenting a highly contextually relevant extensive survey of English society in the year 1685, in terms of such things as population, cities, classes, and tastes. Macaulay's approach to his subject, as John Burrow explains in his masterly introduction, was that of a definite advocate of "progress." He saw many real achievements in British and World history as resulting from policies pursued by Whig political interest.