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Engage in eldricht horror, monster terror and a forest of fright with short stories by the trio of We Aren’t Dead Yet. In Emily Armstrong’s debut tales, space truckers Lark and Mech think they've scored the payday of a lifetime when they agree to transport mysterious crates to a remote facility at the edge of the known cosmos. Veteran salvager Corven decides to make one last scrapping run when he boards a derelict starship deep in uncharted space, but he soon discovers the ghostly void-lost vessel is caught in a nightmare outside of time. KS Bishoff frightens with a malevolent demon tree hungering for souls, replacing its victims with eerie doppelgangers nurtured in the old gourd patch. As paranoia sweeps the community, fingers point at a lurking bogeyman. Tenya, burdened by mounting suspicions, races against time to unveil the truth hidden beneath the boughs of the sinister tree. Can she uncover the horrifying secret before the imposters usurp every last soul? Bestselling author Sapha Burnell hits as hard as a road flare and liquor bottle with The Lamia, and Whiskey and Sinners Blood, two bone chilling stories based in the mythpunk Judge of Mystics universe. Caleb Mauthisen runs magic-less and wounded through the streets of Vancouver from a terrifying Lamia, a woman cursed as a half snake, half human monster with a lust and hunger of the damned. Descend into madness with Carolee, the Fae Queen’s assassin in an origin story twice as twisted as the obsidian knives Carolee inflicts on the unworthy in the Judge of Mystics Saga. How did Carolee go from mother of one to murderer? Macabre and Monstrous: A Horror Anthology of Eldricht Space, Myth Monsters & Forest Frights is a science-fiction, fantasy and mythpunk collection of short fiction which will unsettle, frighten and terrify… then lead you through the darkest part of the night to early dawn.
"Fear of the unknown--it is the essence of the best horror stories, the need to know what monstrous vision you're beholding and the underlying terror that you just might find out. Now, twenty authors have gathered to ask--and maybe answer--a question worthy of almost any horror tale: "What the #@ & % is that?"Join these masters of suspense as they take you to where the shadows grow long, and that which lurks at the corner of your vision is all too real"--Amazon.com.
"Originally published as Dead, she said issues #1-3, The ghoul issues #1-3, Doc Macabre issues #1-3"--Copyright page.
Illuminating the dark side of the American century, The Monster Show uncovers the surprising links between horror entertainment and the great social crises of our time, as well as horror's function as a pop analogue to surrealism and other artistic movements. With penetrating analyses and revealing anecdotes, David J. Skal chronicles one of our most popular and pervasive modes of cultural expression. He explores the disguised form in which Hollywood's classic horror movies played out the traumas of two world wars and the Depression; the nightmare visions of invasion and mind control catalyzed by the Cold War; the preoccupation with demon children that took hold as thalidomide, birth control, and abortion changed the reproductive landscape; the vogue in visceral, transformative special effects that paralleled the development of the plastic surgery industry; the link between the AIDS epidemic and the current fascination with vampires; and much more. Now with a new Afterword by the author that looks at horror's popular renaissance in the last decade, The Monster Show is a compulsively readable, thought-provoking inquiry into America's obsession with the macabre.
A wildly creative Gothic fantasy retelling of Frankenstein, This Monstrous Thing is a wholly new reimagining of the classic novel by Mary Shelley and is perfect for fans of retellings such as Cinder by Marissa Meyer, fantasy by Libba Bray and Cassandra Clare, and alternative history by Scott Westerfeld. In an alternative fantasy world where some men are made from clockwork parts and carriages are steam powered, Alasdair Finch, a young mechanic, does the unthinkable after his brother dies: he uses clockwork pieces to bring Oliver back from the dead. But the resurrection does not go as planned, and Oliver returns more monster than man. Even worse, the novel Frankenstein is published and the townsfolk are determined to find the real-life doctor and his monster. With few places to turn for help, the dangers may ultimately bring the brothers together—or ruin them forever.
Stories of famous monsters in a new horror anthology featuring Joe R. Lansdale, F. Paul Wilson, Jonathan Maberry, Ramsey Campbell, and many others. Dracula, Frankenstein's Monster, the Bride of Frankenstein, Dr. Jekyll and Mr. Hyde, Dr. Moreau, the Headless Horseman, the Invisible Man, the Phantom of the Opera, the Wicked Witch of the West--they're all here, in this collection of horror short stories that reimagine, subvert, and pay homage to our favorite monsters and creatures. Written by the biggest names in the genre--including Joe R. Lansdale, F. Paul Wilson, Jonathan Maberry, Ramsey Campbell, Lisa Morton, Owl Goingback, Richard Christian Matheson, Seanan McGuire, Maurice Broaddus, Dacre Stoker, Linda D. Addison, Alessandro Manzetti, Tim Waggoner, John Palisano, Mercedes M. Yardley, Lucy A. Snyder, Gary A. Braunbeck, Rena Mason, and Monique Snyman. And monstrously illustrated by Colton Worley and Mister Sam Shearon.
It makes us jump. It makes us scream. It haunts our nightmares. So why do we watch horror? Why do we play it? What could possibly appealing about a genre that tries to terrify us? Why would we subject ourselves to shriek-inducing shocks, or spend dozens of hours watching a television show about grotesque flesh-eating monsters? Monstrous Forms offers a theory of horror that works through the genre across a broad range of contemporary moving-image media: film, television, video games, YouTube, gifs, streaming, virtual reality. This book analyzes our experience of and engagement with horror by focusing on its form, paying special attention to the common ground, the styles and forms that move between mediums. It looks at the ways that moving-image horror addresses its audiences, the ways that it elicits, or demands, responses from its viewers, players, browsers. Camera movement (or "camera" movement), jump scares, offscreen monsters-horror innovates and perfects styles that directly provoke and stimulate the bodies in front of the screen. Analyzing films including Paranormal Activity, It Follows, and Get Out, video games including Amnesia: The Dark Descent, Layers of Fear, and Until Dawn, and TV shows including The Walking Dead and American Horror Story, Monstrous Forms argues for understanding horror through its sensational address, and dissects the forms that make that address so effective.
In this unique volume, a number of scholars spanning diverse areas and backgrounds offer fresh insight into how perceived concepts of horror and dark subject matter influence cultures and societies around the world. The contributions here explore how topics considered disturbing, mysterious, or fascinating are found not only in works of fiction and entertainment, but also in the cultural fabrics, belief systems, artistic creations, and even governmental structures of societies. Topics discussed in this book include witchcraft, voodoo, zombies, spiritualism, serial killers, monsters, cemeteries, pop culture entertainment, and the sublime in transcendental experiences. As the academic study of horror becomes more mainstream, collections such as this are instrumental in realizing just how much it impacts our lives—past, present, future, and imaginary. Thus, this volume of intriguing and profound topics offers scholars, students, and lovers of learning a much-needed fresh and innovative intellectual exploration of the horror genre and the cultural fascination with the mysterious unknown.
Montreal is steeped in history and culture. But there are dark tales, eerie stories, and ghostly spectres that come alive once the sun goes down.
Monsters are here to stay.--Christopher James Blythe "Journal of Religion and Popular Culture"