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Martha is now in her thirties. She has long shaken off the shackles of Jackser and her mother. Following a shotgun wedding at 18, she was separated and a single mother by 22. Now her daughter has left home to continue her studies in England and Martha is alone, in bad health, lonely and vulnerable.
Sixteen-year-old Martha's luck is finally changing. Taken in by a kind young priest, Father Ralph Fitzgerald, and his wealthy mother, she gets a taste of "how the other half lives" and resolves to make a better life for herself once and for all. Soon she's off to school to become a secretary: her ticket to a respectable middle-class existence. But even as her fortune improves--she has a roof over her head, food in her belly, and the freedom to do as she pleases--the love and community she has sought since she was a child continue to elude her. Her friendship with Father Ralph, the first person to make her feel truly special, may hold the key to her happiness. However, as their friendship becomes something more, Martha discovers that love can heal--but it can also hurt, deeply. In Ma, Now I'm Goin Up in the World, Martha navigates 1960s Ireland with her trademark compassion, optimism, and fiery strength. But will these traits be enough to see her through the greatest challenge of her life thus far?
After a failed suicide attempt and recovery in the mad house, Martha is heading for France to be reunited with the one true love of her life. Father Ralph Fitzgerald rescued her from the streets when she was sixteen and was the first person to show Martha true love and affection. But their relationship threatened his vocation and he eventually fled to Africa to take up missionary work. Martha never got over losing him and now, after nearly twenty years, he has made contact again. She sets off on a mission to find him and uncover his motives for getting in touch. Does he still love her? Has he left the priesthood? Is he now free to marry her? She needs to know what the future is going to hold.
On hearing that Jackser, her childhood abuser, is seriously ill, Martha is elated, thinking that finally she will be able to watch him suffer. But in the hospital she sees a frightened, lonely old man and realises with a shock that he seems to regret his earlier actions. During her vigil, she is joined by Charlie, her little brother, then her ma and some of her other siblings. But as she sits with Jackser during his dying days, other memories come back to Martha - fleeting moments of concern and kindness, and a sense of closeness as he recalls his own tormented past in one of Ireland's industrial schools.
Lilly and Ceily Carney are only seven and twelve when their mother is cruelly taken from them, leaving them at the mercy of the Church and the authorities. This is a terrifying prospect in 1950s Dublin, where it is likely that the girls will end up in one of Ireland’s notorious Magdalen laundries – a fate they are determined to escape. When Father Flitters and the ‘Cruelty’ people arrive to take the children into care, Lilly and Ceily resist, and a riot breaks out. The girls are helped by kind Mister Mullins and his daughter Delia, but events lead to further tragedy and Lilly is left to fend for herself on the dangerous streets. Heartbroken, hungry and vulnerable, she looks like easy prey and it seems there will be no safe haven for her to find.
Aged thirteen, Martha is rescued by the courts from the clutches of her evil stepfather, Jackser, and her feckless mother, Sally. After numerous arrests for shoplifting, a judge rules that she is to be sent to a convent school with the instruction that she is to get an education. Her initial relief at escaping the abuse and neglect she suffered at home is, however, short-lived, as she soon realises that there are many forms of cruelty in this life. As she says, 'You can have a full belly, but your heart can be very empty.' Ostracised by the other children for being a 'street kid' and put to back-breaking work by the nuns, she leads a lonely existence, her only joy coming from the books she devours and her mischievous sense of humour. Desperate for love and a little place where she feels she belongs, despite all that she has suffered Martha retains her compassion for others and still continues to hope for a brighter future when she will be free to make her own way in life.
Acclaimed author Karen Hesse's Newbery Medal-winning novel-in-verse explores the life of fourteen-year-old Billie Jo growing up in the dust bowls of Oklahoma. Out of the Dust joins the Scholastic Gold line, which features award-winning and beloved novels. Includes exclusive bonus content!"Dust piles up like snow across the prairie. . . ."A terrible accident has transformed Billie Jo's life, scarring her inside and out. Her mother is gone. Her father can't talk about it. And the one thing that might make her feel better -- playing the piano -- is impossible with her wounded hands.To make matters worse, dust storms are devastating the family farm and all the farms nearby. While others flee from the dust bowl, Billie Jo is left to find peace in the bleak landscape of Oklahoma -- and in the surprising landscape of her own heart.
Kidnapped as a teenage girl, Ma has been locked inside a purpose built room in her captor's garden for seven years. Her five year old son, Jack, has no concept of the world outside and happily exists inside Room with the help of Ma's games and his vivid imagination where objects like Rug, Lamp and TV are his only friends. But for Ma the time has come to escape and face their biggest challenge to date: the world outside Room.
The next installment of the Ma books—all bestsellers in Ireland and the UK—brings readers on the journey of Martha's first months of freedom in Dublin after leaving the convent where she spent her early adolescence. In the latest chapter of Martha Long's autobiographical series, Martha is for the first time on her own: discharged from the convent, she's finally 16, the age she'd long dreamed of as the doorway to her freedom from the whims of cruel adults. "Life is a bowl of cherries!" she reasons as she sets out to blend in with the middle classes and find love, acceptance, and respect therein. But this is also Dublin in the 1960s, where class aspirations ain't so easy for the likes of Martha. As one job and bedsit is found (and lost), another soon comes along with its own foibles and dangers . . . but with her signature spirit and true grit, Martha makes the best of every situation and manages to offer compassion even to the most downtrodden of characters who cross her path. Chance meetings with old friends from the convent and a fortuitous (yet brief) reunion with two of her brothers remind Martha of all she has experienced (and survived) and serves as the impetus for her to keep going . . . even when homelessness is all but certain. As with her previous books, Ma, It's a Cold Aul Night an I'm Lookin for a Bed has us cheering for Martha. This time she doesn't have any nuns or abusive stepfathers preventing her from making progress . . . but life does still get in the way, and that bowl of cherries sometimes proves to be a bit more sour than Martha would hope.
An unforgettable novel from the New York Times bestseller Gordon Korman Link, Michael, and Dana live in a quiet town. But it's woken up very quickly when someone sneaks into school and vandalizes it with a swastika. Nobody can believe it. How could such a symbol of hate end up in the middle of their school? Who would do such a thing? Because Michael was the first person to see it, he's the first suspect. Because Link is one of the most popular guys in school, everyone's looking to him to figure it out. And because Dana's the only Jewish girl in the whole town, everyone's treating her more like an outsider than ever. The mystery deepens as more swastikas begin to appear. Some students decide to fight back and start a project to bring people together instead of dividing them further. The closer Link, Michael, and Dana get to the truth, the more there is to face-not just the crimes of the present, but the crimes of the past. With Linked, Gordon Korman, the author of the acclaimed novel Restart, poses a mystery for all readers where the who did it? isn't nearly as important as the why?