Download Free Lyric Powers Book in PDF and EPUB Free Download. You can read online Lyric Powers and write the review.

The authority of poetry varies from one period to another, from one culture to another. For Robert von Hallberg, the authority of lyric poetry has three sources: religious affirmation, the social institutions of those who speak the idioms from which particular poems are made, and the extraordinary cognition generated by the formal and musical resources of poems. Lyric Powers helps students, poets, and general readers to recognize the pleasures and understand the ambitions of lyric poetry. To explain why a reader might prefer one kind of poem to another, von Hallberg analyzes—beyond the political and intellectual significance of poems—the musicality of both lyric poetry and popular song, including that of Tin Pan Alley and doo-wop. He shows that poets have distinctive intellectual resources—not just rhetorical resources—for examining their subjects, and that the power of poetic language to generalize, not particularize, is what justly deserves a critic’s attention. The first book in more than a decade from this respected critic, Lyric Powers will be celebrated as a genuine event by readers of poetry and literary criticism.
Folk riddles, emblems, charms, and chants are a few of the traditional forms examined by Andrew Welsh to discover the means by which poetic language achieves its powerful effects. His book shows how the roots of lyric are embodied in primitive verse forms, how they are raised to higher powers in poetry from the Renaissance to the twentieth century, and how an awareness of them can illuminate our reading of the poetry of any age. Andrew Welsh is Associate Professor of English at Rutgers University. Originally published in 1978. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Lyric poetry has long been regarded as the intensely private, emotional expression of individuals, powerful precisely because it draws readers into personal worlds. But who, exactly, is the "I" in a lyric poem, and how is it created? In Lyric Poetry, Mutlu Blasing argues that the individual in a lyric is only a virtual entity and that lyric poetry takes its power from the public, emotional power of language itself. In the first major new theory of the lyric to be put forward in decades, Blasing proposes that lyric poetry is a public discourse deeply rooted in the mother tongue. She looks to poetic, linguistic, and psychoanalytic theory to help unravel the intricate historical processes that generate speaking subjects, and concludes that lyric forms convey both personal and communal emotional histories in language. Focusing on the work of such diverse twentieth-century American poets as T. S. Eliot, Ezra Pound, Wallace Stevens, and Anne Sexton, Blasing demonstrates the ways that the lyric "I" speaks, from first to last, as a creation of poetic language.
"Nathanson addresses with renewed insight a problem that has vexed Whitman scholars at least since James E. Miller, Jr.'s A Critical Guide to Leaves of Grass turned Whitman into a respectable academic subject; that is, the unusual status of Whitman's poetic voice. . . . The overall result is the finest articulation of Whitman's project in existence." —Donald Pease, Department of English, Dartmouth College "What enables Nathanson to perform a feat no other critic has accomplished depends as much on his awareness of a range of thinkers from Wittgenstein to J.L. Austin and Derrida as on his sense of the qualities of poetry: he gives the term presence a cultural as well as poetic significance which opens out to cultural history, and makes Whitman as much a representative presence in the culture as our unequalled poet. I see this as a central book about our literature." —Quentin Anderson, J.C. Levi Professor in the Humanities Emeritus, Columbia University
The thirty-four essays in this volume follow the particular interests of Leonard van der Kuijp, whose groundbreaking research in Tibetan intellectual and cultural history imbued his students with an abiding sense of curiosity and discovery. As part of Leonard van der Kuijp’s research in Tibetan history, as he patiently and expertly revealed treasures of the Tibetan intellectual tradition in fourteenth-century Tsang, or seventeenth-century Lhasa, or eighteenth-century Amdo, he developed an international community of colleagues and students. The thirty-four essays in this volume follow the particular interests of the honoree and express the comprehensive research that his international cohort have engaged in alongside his generous tutelage over the course of forty years. He imbued his students with the abiding sense of curiosity and discovery that can be experienced through every one of his writings, and that can be found as well in these new essays in intellectual, cultural, and institutional history by Christopher Beckwith, the late Hubert Decleer, Franz-Karl Ehrhard, Jörg Heimbel and David Jackson, Isabelle Henrion-Dourcy, Nathan Hill, Matthew Kapstein, Kurtis Schaeffer, Michael Witzel, Allison Aitken, Yael Bentor, Pieter Verhagen, Todd Lewis, William McGrath, Peter Schwieger, Gray Tuttle, and others.
Modern Ecopoetry: Reading the Palimpsest of the More-Than-Human World explores the fruitful dialogue between poetry and the more-than-human world from various critical standpoints in modern English-writing poets from diverse backgrounds such as the USA, the UK, Canada, India, and Pakistan.
This box set includes all three books in the Reaper’s Hollow series! Ruin’s Lot—Book 1 Someone is killing unmarked souls, and Ru Roberts is the only one that can stop them. That's a bit of a problem, though, since she has no idea she's a Keeper. Adopted as a small child, Ru knows next to nothing about her birth parents. Her new mom insists she was given up because she "ruins everything." Hence, her name-Ruin. Yet, Ru has managed to make a life for herself in the small town of Reaper's Hollow, working as a fourth grade teacher, which she loves. If it wasn't for her inability to touch anything electrical without starting a fire, she'd be the happiest girl in Upstate New York. That is, until the charming and devastatingly handsome Cutter Michaels moves into the classroom across the hallway and starts filling her head with all sorts of unbelievable fantasies. He claims she is the lost Keeper, the daughter of a half-angel and a half-demon, and she is the only one who can help him locate three portals the Reapers, as in Grim Reaper, are using to ferry souls away to the Underworld. Ru knows he's lost his mind, and yet she finds herself being sucked into his delusions more and more each day. The fact that he can shoot blue fire out of his hands might have something to do with that. Once she begins having strange dreams where she comes face to face with Thanatos, the most powerful Reaper of all, Ru begins to think there might be more to Cutter's story than she's been giving him credit for. Will joining Cutter lead her to find her biological parents and discover the powers coursing through her veins, or will Thanatos claim her for his own? Ruin’s Promise—Book 2 To prove herself to the other Keepers, Ru must close three portals to Hell…. Ruin Roberts is just coming to grips with the idea that she is actually a Keeper, a half-angel charged with keeping Grim Reapers from claiming unmarked souls, when she is tasked with closing the remaining portals to Hell. She’s made a promise to her friend Cutter that she’ll complete her mission, no matter the cost. Luckily, she has a team of experienced Keepers to help her. If she can find her missing mother, who may hold the map to the portals, in time, Ru may be able to complete her task before Thanatos hunts her down. Will Ru find her mom and the portals before Thanatos finds her, or will Ru lose everything to the half-demons stalking the citizens of Reaper’s Hollow? Ruin’s Legacy—Book 3 The time has come, and Ru must fulfill her destiny. Now that Ru Roberts has come to accept that she’s a Keeper, a half-angel charged with sending Grim Reapers back to Hell, she’s been charged with a difficult task: close the remaining three portals to Hell, trapping the Reapers on Earth where they can be destroyed. But first, she has to find the portals. And then—she’ll have to actually close them, a task that takes incredible power, and she has no idea if she’s up to the challenge. Not only is Ruin uncertain how to locate the portals, she also knows she must defeat Thanatos, the most powerful Reaper of all. When he tells her he also has a mission—and that involves killing her—Ru’s task becomes even more complicated. She knows the son of Azrael, the demon who commands all the Reapers, will stop at nothing when it comes to hunting her down and putting an end to Ru’s undertaking—and her life. Will Ru locate the portals and close them before Thanatos finds her?
Written in the shadow of the approaching millennium, American literature in the 1990s was beset by bleak announcements of the end of books, the end of postmodernism, and even the end of literature. Yet, as conservative critics marked the century's twilight hours by launching elegies for the conventional canon, American writers proved the continuing vitality of their literature by reinvigorating inherited forms, by adopting and adapting emerging technologies to narrative ends, and by finding new voices that had remained outside that canon for too long. By reading 1990s literature in a sequence of shifting contexts - from independent presses to the AIDS crisis, and from angelology to virtual reality - American Literature in Transition, 1990–2000 provides the fullest map yet of the changing shape of a rich and diverse decade's literary production. It offers new perspectives on the period's well-known landmarks, Toni Morrison, Thomas Pynchon, David Foster Wallace, but also overdue recognition to writers such as Ana Castillo, Evan Dara, Steve Erickson, and Carole Maso.