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"This book is rather like a Mardi Gras parade -- a series of impressions. Each chapter is like a decorated car which tells a story. Some of the stories are brave and courageous, others are informative, or amusing, or bizarre, or fantastic. or cruel; but they are all interlocking stories--a pageant of a city...I have not attempted to write history in its strict sense although the main events of the French, Spanish and American Dominations are outlined and several chapters on the new New Orleans have been added."-- from Introduction.
A fascinating volume, Old Louisiana chronicles much of the state's history. Vignettes depict the early French settlers, the later Spanish rulers, and the rise and collapse of the great plantation era. Bringing to light old diaries, letters, and other rare sources, Saxon creates a sensitive and realistic portrait of this charming, colorful state and its people. The reader meets daring pioneers, hot-tempered duellists, aristocratic planters, rough-hewn river men, and Creole beauties. Both of these classic works include E. H. Suydam's haunting, detailed illus-trations, which bring Saxon's prose to life. Lyle Saxon (1891-1946) is renowned as one of Louisiana's foremost authors. He was the central figure in the state's literary community during the 1920s and 1930s, and was well-known as a raconteur and bon vivant. He divided his time between his house in New Orleans and a cottage on the Melrose Plantation near Nachitoches. Among his other works are Father Mississippi, Lafitte the Pirate, Children of Strangers, and Joe Gilmore and His Friends . He collaborated with Edward Dreyer and Robert Tallant on the perennial favorite Gumbo Ya-Ya . During the 1930s he headed the Louisiana WPA Writers Project, which produced the WPA Guide to Louisiana and the WPA Guide to New Orleans.
Proud mulatto colony ostracizes girl, who sacrifices everything for her white child.
A biography of the legendary early-twentieth-century New Orleans writer who directed the Federal Writers’ Project WPA guide to Louisiana. Here is the first full biography of the legendary writer known as Mr. Louisiana and Mr. New Orleans. Lyle Saxon’s life was colorful, busy, and full of contrasts. He presented himself as the perfect Southern gentleman, but he grew up fatherless in modest circumstances. As host of a French Quarter salon, Saxon dispensed drinks, anecdotes, loans, and advice to many friends, including William Faulkner, Oliver La Farge, and Sherwood Anderson, yet he was often lonely and retreated to his solitary cabin at Melrose plantation. While Saxon was ambivalent toward his work with the WPA Writers’ Project, begrudging the time it took from his own writing, the Louisiana division was, under his direction, the most productive in the United States. Though Saxon’s history books bought him fame and a place in New York literary circles, he was deeply insecure about his talent and mourned his inability to write novels. A Southern-literature scholar and a longtime fan of Lyle Saxon, Professor Harvey has researched the facts behind Saxon myths and presents the reality behind his legend. This volume also contains excerpts from Saxon’s correspondence with family and friends, including letters from Grace King, William Spratling, and Sherwood Anderson. Praise for The Life and Selected Letters of Lyle Saxon “[Harvey’s] use of Saxon’s letters . . . provide a unique and objective way of analyzing this fascinating individual while allowing Saxon to speak for himself.” —Louisiana Libraries “Pays him the respect he deserves and uncovers the essential loneliness of the most convivial of men.” —New Orleans Times-Picayune “Saxon’s life makes an interesting story and Harvey’s prose brings it fully to life.” —Brookhaven Daily Leader
Jean Lafitte, the famous buccaneer, terrorized the Gulf of Mexico during the early 1800s from his hidden base in Louisiana's swamps at Barataria Bay. His battles with the law were legendary: when Governor William Claiborne of Louisiana offered a reward for Lafitte's capture, the pirate offered an even larger reward for the governor! But when the British approached Lafitte during the War of 1812, asking for his help in their invasion of Louisiana, the pirate instead joined forces with Andrew Jackson and helped rout the enemy at the Battle of New Orleans. Lyle Saxon chronicles Lafitte's colorful life and examines some puzzling questions about the famous rogue. Where was Jean Lafitte born? Did he really participate in the French Revolution? What was his part in the plot to rescue Napoleon? And where is his treasure hidden? Separating fact from legend, Saxon paints an entertaining and realistic portrait of a truly remarkable figure in American history. Book jacket.
A National Historic Landmark with a complex and remarkable two-hundred-year history, Melrose Plantation near Natchitoches, Louisiana, was home to many notable women, including freedwoman and entrepreneur Marie Thérèse Coincoin and artist Clementine Hunter. Among that influential group, Cammie Henry, the mistress of Melrose during the first half of the twentieth century, stands out as someone who influenced the plantation’s legacy in dramatic and memorable ways. In Cane River Bohemia, Patricia Austin Becker provides a vivid biography of this fascinating figure. Born on a sugar plantation in south Louisiana in 1871, Cammie Henry moved with her husband to Melrose in 1899 and immediately set to work restoring the property. She extended her impact on Melrose, the surrounding community, and the region when she began to host an artist colony in the 1920s and 1930s. Writers and painters visiting the bucolic setting could focus on their creative pursuits and find encouragement for their efforts. The most frequent visitors—considered by Cammie to be her circle of “congenial souls”—included writer/journalist Lyle Saxon, naturalist Caroline Dormon, author Ada Jack Carver, and painter Alberta Kinsey. Artists and artisans such as Harnett Kane, Roark Bradford, William Spratling, Doris Ulmann, and Sherwood Anderson also found their way to Melrose. In addition to hosting well-known guests, Henry began a collection of history books, nineteenth-century manuscripts, and scrapbooks of clippings and memorabilia that later brought her attention from the wider world. Researchers and writers contacted Henry frequently as the reputation of her library grew, and today the Cammie G. Henry Research Center at Northwestern State University houses this impressive collection that serves as a lasting tribute to Henry’s passion for the preservation of words as well as for the South’s material culture, including quilting, spinning, and gardening.
Excerpt from A Southern Woman's War Time Reminiscences City, and I, with my two eldest children, ac companied him. It seems but yesterday that we strolled together through the old historic precincts of New York. I used to sit in Trinity churchyard for hours while my children played among the tombs, scratching the moss from the letters, and I wrote or studied, surrounded by the noise and clamor of trade, but as much alone as if in the heart of a forest. There, during the earlier part of our residence, I wrote my press letters and read. Later we moved up town, in the very heart of the city, where we were living when the events preceding the war begun to shape them selves into such ominous foreshadowings. Our summers were spent in the city, our winters in the South. In 1858 we had for our companion much of the time a most beautiful Boston girl, whose father had spent all his life in Mexico. He had come on to Boston and was carrying his daughter to Mexico to make a trade in a silver mine, she to be a part of the stock in trade, as wife of Don Josie Patillo, 59 years old. The whole party was stopping at our hotel. A gallant black-haired friend of ours fell desperately in love with her, and carried off this lily of loveliness right in the face of the swearing old pirate, her father, and Don Josie. The excitement over the matter in our hotel was about equal to two fires and a murder, and I was pounced upon for helping it on. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.