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Lycanthropy in German Literature argues that as a symbol of both power and parasitism, the human wolf of the Germanic Middle Ages is iconic to the representation of the persecution of undesirables in the German cultural imagination from the early modern age to the post-war literary scene.
Lycanthropy in German Literature argues that as a symbol of both power and parasitism, the human wolf of the Germanic Middle Ages is iconic to the representation of the persecution of undesirables in the German cultural imagination from the early modern age to the post-war literary scene.
First published in 1951, Man into Wolf attempts to suggest the possibility of historical, or rather prehistorical, evolutionist derivation of all crimes of violence, from the individual attack on life known as murder or manslaughter to the collective organized killing which we call war. The author has tried to show that the evidence from prehistory can be made intelligible on the theory of Jung’s archetypes surviving in the collective conscience and revealing themselves all over the world in legends, myths and rites. He discusses, in the notes on the lecture, every possible aspect of the subject ranging from the perverseness of the Marquis de Sade to the Grecian Bacchantes, and from the Green Men and the agricultural ceremonies to a case study of John George Haigh. This book will be of interest to students of anthropology, gender studies, and psychology.
The first definitive work on werewolfery incorporates an extensive range of historical documentation and folklore. Written in a Gothic style by a venerable author of occult studies, it's rich in fascinating examples and anecdotes and offers compelling fare for lovers of the esoteric.
Werewolf Histories is the first academic book in English to address European werewolf history and folklore from antiquity to the twentieth century. It covers the most important werewolf territories, ranging from Scandinavia to Germany, France and Italy, and from Croatia to Estonia.
The Coloniality of Animal Monstrous Othering in Children’s Books, Films, and Toys examines how the portrayal of animals as physically distorted, behaviorally depraved, and intellectually defective serves to justify their debasement, violation, and destruction in materials directed toward young consumers. The author argues that this animal monstrous Othering arises from the Eurocentric belief in humans’ natural superiority over animals and the right to categorize animals in accordance with a scale of worthiness that parallels the subjugation of racialized persons. The chapters examine a variety of canonical figures like the dissolute wolf of Red Riding Hood stories and the disfigured titular character of the Wonky Donkey picture book alongside non-canonical animals including reprobate pigs, degenerate sharks, self-centered flamingos, and wicked piranhas. To counter this animal debasement, Varga juxtaposes these readings with an examination of materials that articulate harmonious animal-human interrelationships without dependence on styles of anthropomorphism that diminish animality.
It's not easy living in a small town where everyone knows your high school sweetheart disappeared and your husband died in a boating accident. That's what Catherine Mercy, star of this new novel, faces every time she goes on a date.But the small-town bakery owner is drawn to Greg Byron, a sexy movie star in town to film the story of Wereville's werewolf legend, and gets closer to him when she's cast to replace the female lead who vanishes. Fate steps in, however, and the legend becomes more than just a story.Although Catherine had just about given up on love, Greg makes his way into her heart, despite some deception when they first meet. Just when the two realize their feelings, a wolf bites Greg.Suddenly Greg, Catherine and friend Steve, a werewolf legend buff, must figure out if the town's legend is real. Should that be the case, Greg will turn into a werewolf when the moon becomes full, and someone's destined to die. Catherine must decide if she has the courage to help Greg once and for all, even if it ruins her last chance for true love.In Werewolf Nights, author Mari Hamill blends fantasy, intrigue and passion to create a chilling, unique story.
“A dense and scholarly book about . . . the relationship between the Nazi party and the occult . . . reveals stranger-than-fiction truths on every page.”—Daily Telegraph The Nazi fascination with the occult is legendary, yet today it is often dismissed as Himmler’s personal obsession or wildly overstated for its novelty. Preposterous though it was, however, supernatural thinking was inextricable from the Nazi project. The regime enlisted astrology and the paranormal, paganism, Indo-Aryan mythology, witchcraft, miracle weapons, and the lost kingdom of Atlantis in reimagining German politics and society and recasting German science and religion. In this eye-opening history, Eric Kurlander reveals how the Third Reich’s relationship to the supernatural was far from straightforward. Even as popular occultism and superstition were intermittently rooted out, suppressed, and outlawed, the Nazis drew upon a wide variety of occult practices and esoteric sciences to gain power, shape propaganda and policy, and pursue their dreams of racial utopia and empire. “[Kurlander] shows how swiftly irrational ideas can take hold, even in an age before social media.”—The Washington Post “Deeply researched, convincingly authenticated, this extraordinary study of the magical and supernatural at the highest levels of Nazi Germany will astonish.”—The Spectator “A trustworthy [book] on an extraordinary subject.”—The Times “A fascinating look at a little-understood aspect of fascism.”—Kirkus Reviews “Kurlander provides a careful, clear-headed, and exhaustive examination of a subject so lurid that it has probably scared away some of the serious research it merits.”—National Review
Whether a secularized morality, biblical worldview, or unstated set of mores, the Victorian period can and always will be distinguished from those before and after for its pervasive sense of the "proper way" of thinking, speaking, doing, and acting. Animals in literature taught Victorian children how to be behave. If you are a postmodern posthumanist, you might argue, "But the animals in literature did not write their own accounts." Animal characters may be the creations of writers’ imagination, but animals did and do exist in their own right, as did and do humans. The original essays in Animals and Their Children in Victorian explore the representation of animals in children’s literature by resisting an anthropomorphized perception of them. Instead of focusing on the domestication of animals, this book analyzes how animals in literature "civilize" children, teaching them how to get along with fellow creatures—both human and nonhuman.