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These three stories are set in the slums of Angola's capital, Luanda, during the 1940s and 1950s. Originally published in Portuguese, this book won the Writers' Society's Grand Prize for Fiction in 1965.
Literary History: Towards a Global Perspective is a research project funded by the Swedish Research Council (Vetenskapsrådet). Initiated in 1996 and launched in 1999, it aims at finding suitable methods and approaches for studying and analysing literature globally, emphasizing the comparative and intercultural aspect. Even though we nowadays have fast and easy access to any kind of information on literature and literary history, we encounter, more than ever, the difficulty of finding a credible overall perspective on world literary history. Until today, literary cultures and traditions have usually been studied separately, each field using its own principles and methods. Even the conceptual basis itself varies from section to section and the genre concepts employed are not mutually compatible. As a consequence, it is very difficult, if not impossible, for the interested layperson as well as for the professional student, to gain a clear and fair perspective both on the literary traditions of other peoples and on one's own traditions. The project can be considered as a contribution to gradually removing this problem and helping to gain a better understanding of literature and literary history by means of a concerted empirical research and deeper conceptual reflection. The contributions to the four volumes are written in English by specialists from a large number of disciplines, primarily from the fields of comparative literature, Oriental studies and African studies in Sweden. All of the literary texts discussed in the articles are in the original language. Each one of the four volumes is devoted to a special research topic.
Alongside the impact of his early novels and plays, and his more recent memoirs, these essays give new insights into Ngugi's and other writers' responses to colonialism - there is new material here for students of literature, politics and culture. Renowned worldwide, as novelist and dramatist, Ngugi wa Thiongo's contributions to the body of critical writing on African literature, politics and society have been highly significant. His best known critical work is Decolonising the Mind, which since publication in 1986 has profoundly influenced other writers, critics, scholars and students. These latest essays reflect Ngugi's continuing interests and enthusiasms. His choice of writers is original. He makes us look again at their novels to address his lifelong concerns with the ways to independence, the meanings of colonialism and the takeover by neo-colonialism, and the functions of literature in political as well asliterary terms. They will appeal not only to his international band of supporters. They will also introduce his views to young people discovering African and Caribbean literature. Ngugi wa Thiong'o is Distinguished Professor of English and Comparative Literature at the University of California, Irvine. Ngugi is renowned for his essays, including the seminal Decolonising the Mind (James Currey 1986); his plays, which led to his detentionin Kenya; his novels - the most recent works being The Wizard of the Crow (2007, translated into English from Gikuyu) and his memoirs Dreams in a Time of War and In the House of the Interpreter East Africa [Kenya, Tanzania, Uganda and Rwanda]: EAEP
Voices From an Empire was first published in 1975. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The literature of the various regions of Lusophone Africa has received relatively little critical attention compared with that which has been focused on the work of writers in the English- and French- speaking countries of Africa. With the profound changes which are occurring in the social and political structures of Lusophone Africa, there is particular need for the comprehensive look at Afro-Protuguese literature which this account provides. Professor Hamilton traces the development of this literature in the broad perspective of it social, cultural, and aesthetic context. He discusses the whole of the Afro-Portuguese literary phenomenon, as it occurs on the Cape Verde archipelago, in Guinea-Bissau, on the Guinea Gulf islands of Sao Tome and Principe, in Angola, and in Mozambique. In an introduction he discusses some basic questions about Afro-Protuguese literature, among them, the matter of a definition of this body of writing, the implications of the concept of negritude, the role of Portugal and Brazil in Afro-Portuguese literature, and the social and cultural significance of the dominant literary themes found in the various regions of Lusophone Africa. Because he sees the regionalist movement in Angola as the most significant in terms of a neo-African orientation, he begins the book with an extensive study of the literature of that country. Many examples of afro-Portuguese poetry are given, both in the original language and in the English translation. There is a bibliography, and a map shows the African regions of study.
The Caribbean imagination as framed within a Dutch historical setting has deep Portuguese-African roots. The Seven Provinces were the first European power, in the first half of the 17th century, to challenge the Iberian countries directly for a share in the slave trade. This book analyzes the philosophy underlying this transoceanic link, when contacts with Africa started to be developed. The ambiguous morality of the `air of liberty? governing the Afro-Portuguese past had its impact on the creole cultures (white, black, Jewish) of the Dutch territories of Suriname and Curacao. Although this influence is gradually disappearing, it is astonishing to witness the engagement with which writers and visual artists have interpreted this heritage in their different ways. Recent narratives from Angola and Brazil offer an appropriate starting-point for an examination of strategies of self-representation and national consolidation in works by authors from the Dutch Caribbean. In order to reveal this complex historical pattern, the (formerly) Dutch-related port communities are conceived of as cultural agents whose `lettered cities? (Angel Rama) have engaged in critical dialogue with the heritage of the South Atlantic trade in human lives.Artists and writers discussed include (colonial period): Caspar Barlaeus, David Nassy, Frans Post, and John Gabriel Stedman; (modern period): Frank Martinus Arion, Cola Debrot, Gabriel Garcia Marquez, Albert Helman, Francisco Herrera Luque, Boeli van Leeuwen, Tip Marugg, Alberto Mussa, Pepetela, Julio Perrenal, and Mario Pinto de Andrade.'This is a notable achievement, for it both draws attention to the region and challenges critics and historians to engage in cross-regional and `trans-disciplinary' research and analysis? ? Saul Sosnowski.
Annotation The Scribner Writers Series has set the standard for literary reference for more than 25 years. In addition to addressing the lives and careers of important writers, the articles discuss the themes and styles of major works and place them in pertinent historical, social and political contexts for today's readers. Novelists, playwrights, essayists, poets, short story writers, and more recently, genre writers in science fiction and mystery, are all expertly discussed in the more than 16 sets comprising this series. Two volumes of original essays present 65 African writers from 17 countries writing in English, French, Portuguese, Arabic and indigenous languages. Subjects span the late 19th century to the present. Included are Najib Mahfuz, Andre Brink, Wole Soyinka, Nadine Gordimer, Alan Paton and many more.
The full story of modernism is yet to be written. This collection of essays provides an important page in this complex and inconclusive story of fluidities and hybridities by rendering problematical the linear sequence from modernism to postmodernism. This book explores the many facets of modernism in a variety of essays written by an international group of scholars. It deals with and puts in question the western literary tradition in many of its transcontinental and trans-hemispheric encounters. Criticism of 'high modernism' is put in perspective by discussions of German 'reactionary modernism', American 'social modernism' and 'minor arts', mid-twentieth-century 'Baudelairean modernity' and unprecedented expansions of the concepts of modernity and modernism themselves. Engaging in dialogue with the newest geographical, transnational, and global enlargements of the concept of modernism in time and space (from the 'Middle Passage' to emergent cultures of the twenty-first century, from Europe to America, Africa and Asia), the volume covers a wide range of translocal and transtemporal literary, artistic, cultural, and social fields and perspectives.
From the charming city of Bath, featured in Jane Austen's Persuasion, to the Amazon of Mario Vargas Llosa's La Casa Verde, this unique travel guide brings you to the places you've only read about. Whether you want to learn more about a destination or follow in the footsteps of a favorite character, Reading on Location helps you make the most of your trip.
This volume is a result of the need to reflect upon Portugal’s position from the viewpoint of the literary assets imported and exported through translation. It brings together a number of scholars working in the field of Translation Studies directly concerned with the Portuguese cultural system in order to analyse this question from various theoretical perspectives and from case studies of translation flows and movements in Portuguese culture. By Translating Portugal Back and Forth, the articles discuss issues such as: how can one draw the borderline between a peripheral and a semi-peripheral system? Is this borderline useful or necessary? How peripheral is the Portuguese cultural system as far as translation transfers are concerned? How stable or pacific has this positioning been? Does the economic and historical perception of Portugal as peripheral entail that, from the viewpoint of translation, it would behave similarly? By addressing some of these questions, and as shown by the (second) subtitle – Essays in Honour of João Ferreira Duarte –, the volume pays homage to one of the most prominent Translation Studies scholars in Portugal, who has extensively reflected on the binary discourse on translation, its metaphors and images.