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Thoroughly researched and faithfully translated, the Luther's Works series consists of Martin Luther's Bible commentaries, sermons, prefaces, postils, disputations, letters, theology, and polemics, translated and published in English for the first time. In Luther's Works, Volume 25 (Lectures on Romans), Luther shares with his students the great find of his life, "that place in Paul which was for me truly the gate of Paradise."
Paul, in seeking to bring unity and understanding between Jews and Gentiles in Rome, sets forth in Romans his most profound explication of the gospel and its meaning for the church. The letter's relevance is as great today as it was in the first century. Throughout this commentary, Grant R. Osborne explains what the letter meant to its original hearers and its application for us today.
Paul’s Letter to the Romans has proven to be a particular challenge for commentators, with its many highly significant interpretive issues often leading to tortuous convolutions and even “dead ends” in their understanding of the letter. Here, Richard N. Longenecker takes a comprehensive look at the complex backdrop of Paul’s letter and carefully unpacks a number of critical issues, including: * Authorship, integrity, occasion, date, addressees, and purpose * Important recent interpretive approaches * Greco-Roman oral, rhetorical, and epistolary conventions * Jewish and Jewish Christian thematic and rhetorical features * The establishing of the letter’s Greek text * The letter’s main focus, structure, and argument
A fresh analysis of the Book of Romans for scholars, pastors, and students that blends scholarly depth with readability.
A fresh analysis of the Book of Romans for scholars, pastors, and students that blends scholarly depth with readability.
In the first of a three-volume work, Daniel Patte presents three very different critical exegeses of Romans 1, arguing that all are equally legitimate and hermeneutically plausible. By expanding upon and respecting the exegeses of many erudite scholars of the last two centuries, Patte concludes that three families of vastly different critical interpretations are fully justified: traditional philological and epistolary studies; rhetorical and sociocultural studies; and figurative studies of the “coherence” of Paul's teaching. Arising from a long-standing interdisciplinary investigation of many receptions of Romans in light of recent diversification of exegetical methodologies, Patte concludes that the interpretation of a scriptural text necessarily involves making a choice among equally legitimate and plausible alternatives; and second, that this choice is always contextual and ethical. When these points are denied (by failing to respect the interpretations of others and absolutizing one's interpretation), instead of being a scriptural blessing, Romans becomes a deadly weapon against others – heretics, Jews (Shoah), and many others. The result is a threefold commentary of Romans 1 that is unique in its scope and thorough-going exegesis.
This highly anticipated commentary on the Greek text of Romans by veteran New Testament scholar Richard Longenecker provides solid scholarship and innovative solutions to long-standing interpretive problems. Critical, exegetical, and constructive, yet pastoral in its application, Longenecker’s monumental work on Romans sets a course for the future that will promote a better understanding of this most famous of Paul’s letters and a more relevant contextualization of its message.
This book asks what theological messages theologically educated Catholics in late-eighteenth-century Prague might have perceived in Mozart’s late opera seria La clemenza di Tito. The book’s thesis is two-fold: first, that Catholics might have heard the opera’s advocacy of enlightened absolutism as a celebration of a distinctly Catholic understanding of political governance; and second, that they might have found in the opera a metaphor for the relationship between a gracious God and humanity caught up in sin, expressed as sexual concupiscence, pride, and lust for power. The book develops its interpretation of the opera through narrative character analyses of the main protagonists, an examination of their dramatic development, and by paying attention to the biblical and theological associations they may have evoked in a Catholic audience. The book is geared towards academic readers interested in opera, theologians, historians, and those who work at the intersection of theology and the arts. It contributes to a better understanding of the theological implications of Mozart’s operatic work.
This series is designed for those who know biblical languages. It is written primarily for the pastor and Bible teacher, not for the scholar. That is, the aim is not to review and offer a critique of every possible interpretation that has ever been given to a passage, but to exegete each passage of Scripture succinctly in its grammatical and historical context. Each passage is interpreted in the light of its biblical setting, with a view to grammatical detail, literary context, flow of biblical argument, and historical setting. While the focus will not be on application, it is expected that the authors will offer suggestions as to the direction in which application can flow.