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Magic Words: A Dictionary is a oneofakind resource for armchair linguists, popculture enthusiasts, Pagans, Wiccans, magicians, and trivia nuts alike. Brimming with the most intriguing magic words and phrases from around the world and illustrated throughout with magical symbols and icons, Magic Words is a dictionary like no other. More than sevenhundred essay style entries describe the origins of magical words as well as historical and popular variations and fascinating trivia. With sources ranging from ancient Medieval alchemists to modern stage magicians, necromancers, and wizards of legend to miracle workers throughout time, Magic Words is a must have for any scholar of magic, language, history, and culture.
Includes information on John Berendt, Wendell Berry, Rick Bragg, James Lee Burke, Olive Ann Burns, Truman Capote, Kate Chopin, Andrei Codrescu, Pat Conroy, Vicki Covington, Dave Robicheaux, William Faulkner, F. Scott Fitzgerald, Zelda Sayre Fitzgerald, Fannie Flagg, Shelby Foote, Forrest Gump, John Grisham, Allan Gurganus, Alex Haley, Ernest Hemingway, Carl Hiaasen, Zora Neale Hurston, Jan Karon, Jack Kerouac, Harper Lee, Nancy Lemann, Bobbie Ann Mason, Margaret Mitchell, Flannery OʼConnor, Walker Percy, Edgfar Allan Poe, Reynolds Price, Marjorie Kinnan Rawlings, Rhett Butler, Anne Rice, Carl Sandburg, Scarlett OʼHara, Anne Rivers Siddons, Lee Smith, John Kennedy Toole, Mark Twain, Robert Penn Warren, Eudora Welty, Tennessee Williams Thomas Wolfe, Tom Wolfe, etc.
An Amazon Best Book of 2016 A celebration of the writing and editing life, as well as a look behind the scenes at some of the most influential magazines in America (and the writers who made them what they are). You might not know Terry McDonell, but you certainly know his work. Among the magazines he has top-edited: Outside, Rolling Stone, Esquire, and Sports Illustrated. In this revealing memoir, McDonell talks about what really happens when editors and writers work with deadlines ticking (or drinks on the bar). His stories about the people and personalities he’s known are both heartbreaking and bitingly funny—playing “acid golf” with Hunter S. Thompson, practicing brinksmanship with David Carr and Steve Jobs, working the European fashion scene with Liz Tilberis, pitching TV pilots with Richard Price. Here, too, is an expert’s practical advice on how to recruit—and keep—high-profile talent; what makes a compelling lede; how to grow online traffic that translates into dollars; and how, in whatever format, on whatever platform, a good editor really works, and what it takes to write well. Taking us from the raucous days of New Journalism to today’s digital landscape, McDonell argues that the need for clear storytelling from trustworthy news sources has never been stronger. Says Jeffrey Eugenides: “Every time I run into Terry, I think how great it would be to have dinner with him. Hear about the writers he's known and edited over the years, what the magazine business was like back then, how it's changed and where it's going, inside info about Edward Abbey, Jim Harrison, Annie Proulx, old New York, and the Swimsuit issue. That dinner is this book.”
"The biography recounts Rosenberg's full story for the first time. Art critic for The New Yorker from 1962 until 1978, Rosenberg, together with Clement Greenberg, radically reshaped the interpretation of art in the post-World-War-II period by promoting and examining abstract expression. But Rosenberg was also a social and literary critic-writing about art was just one aspect of his work. Harold Rosenberg: A Critic's Life weaves together Rosenberg's life and literary production, cast against the dynamic intellectual and social ferment of his time. Rosenberg's mid-century linking of the New York School with the art establishment, together with his observations on the commodification of the artwork and the evisceration of the "self" in favor of celebrity (especially in his often-cited essay "The Herd of Independent Minds") make this book especially topical"--
I'm not going to tell you the story you want to hear. I'm not going to tell you the story filled with lovey-dovey sparkle love shit. You all enjoy a good love story, don't you? Filled with romance and mystery?That's not my story...at least, that's not what I had planned on doing when I crossed over from the Dominion Plain in Hell to Earth. Everyone knows that sex demons are incapable of...well...save for the incubus King Keegan and Eris...Lust, sin, violence...oh, let's not forget seducing, my loves! Yes, you could consider me a one-night stand type of guy, just here to fuck and take your energy.Let's hope I don't get too carried away, otherwise, I might accidentally take that irresistible soul of yours...who am I kidding? I'd do it on purpose in a heartbeat.Speaking of which, who's big idea was it to give me an angel as a soulmate? I'm laughing so hard...can't you tell?Now really...an evil fucking demonic being with a sweet...okay...prude guardian angel as their mate.Really?Come on now...are you trying to wash away my sins?Or...shall she indulge in mine?Let's find out which one it is, shall we?
- Excerpts from and citations to reviews of more than 8,000 books each year, from 109 publications. - Electronic version with expanded coverage, and retrospective version available, see p. 5 and p. 31. - Pricing: Service Basis-Books.
This book is the culmination of many years spent addressing two questions: Why did Christ come when He did? And what happened as a result? The first question has exercised the minds of countless theologians, philosophers, and historians, those who assume through faith that the Son of God could determine whence He appeared among humans. Why during the Roman Empire? Why during the reign of Herod the Great or his successor Herod Archelaus? Why not centuries earlier, or centuries later? Why at this particular time, two thousand years ago? Such answers as have been proposed—that He arrived as the Messiah to fulfill God's promise to the Jews; that He arrived when the Pax Romana provided the stability and continuity necessary for the spread of Christianity throughout the Mediterranean region; that He arrived when humans needed Him most—are sufficient, if not wholly satisfactory, answers to the question. One way to approach the question, Why did Christ come when He did?, is to ask the corollary, And what happened as a result?, which provides a host of new possibilities. He came to establish the Church; He came to replace the Old Testament Law, the old covenant, with a new covenant; He came to inaugurate the Great Commission, to spread His Word throughout the world; He came to save the world; He inaugurated the greatest revolution in thought, culture, and society, the world has ever seen before and since. Which one is true? What is the answer?