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Originally presented as the author's thesis (doctoral)--University of Zeurich, 2003.
Luo Ping is one of the most distinguished artists of later Chinese painting. The exhibition is the first comprehensive show devoted to this artist. It explores not only the art, but also the life of Luo Ping and how his teacher, his family and the cities of Yangzhou and Bejing shaped his life and career.
Small people also had the opportunity to traverse the city. Here, there was a different life in the city. There was also the chance to reverse the flow of life. Beautiful women surrounded the scenery around them. When minor characters are angry, the ancient martial arts are close to the body, the foreign world, the city freely shuttles back and forth. "Hey, what are you daydreaming for? Is the report not ready? " "CEO doesn't want it, I will continue to work hard!" Hu Yang worked hard, while the Ice Mountain female CEO cried out ...
Spiritual Health and Healing means using spiritual concepts of different traditions to reveal the true purpose of life. As human beings, we live in the world with a sense of duty and responsibility to society, and at the same time we experience the ultimate spiritual beings within our physical bodies. When we are in harmony with the mother earth, father sky, and the entire cosmos, we experience the right relationship with all that exists in the universe and we then reside in peace, joy, love and compassion. There is no more suffering or struggle. Even when suffering or struggles do exist, they solely serve to remind us that we are human beings with a purpose to live and experience the beauty and love beyond everyday experiences. Spiritual healing is nothing magical or superficial. It is rooted in our everyday lives and an everyday, living philosophy. In life we experience suffering in many different ways. Spiritual healing teaches us the ways to connect to the cosmos and divinity through our body and experiences. These connecting agents serve the same function, and they are neither superior nor inferior to one another. The lessons in Spiritual Health and Healing are derived from different traditions and serve to bring us harmony within the human race, as well as to bring peace to everyone and to every place.
Stories Old and New is the first complete translation of Feng Menglong’s Gujin xiaoshuo (also known as Yushi mingyan, Illustrious Words to Instruct the World), a collection of 40 short stories first published in 1620 in China. This is considered the best of Feng’s three such collections and was a pivotal work in the development of vernacular fiction. The stories are valuable as examples of early fiction and for their detailed depiction of daily life among a broad range of social classes. The stories are populated by scholars and courtesans, spirits and ghosts, Buddhist monks and nuns, pirates and emperors, and officials both virtuous and corrupt. The streets and abodes of late-Ming China come alive in Shuhui Yang and Yunqin Yang’s smooth and colorful translation of these entertaining tales. Stories Old and New has long been popular in China and has been published there in numerous editions. Although some of the stories have appeared in English translations in journals and anthologies, they have not previously been presented sequentially in thematic pairs as arranged by Feng Menglong. This unabridged translation, illustrated with a selection of woodcuts from the original Ming dynasty edition and including Feng’s interlinear notes and marginal comments, as well as all of the verse woven throughout the text, allows the modern reader to experience the text as did its first audience nearly four centuries ago. For other titles in the collection go to http://www.washington.edu/uwpress/books/ming.html
Finalist for the 2019 Jazz Journalists Association Book of the Year About Jazz, Jazz Awards for Journalism "Is there jazz in China?" This is the question that sent author Eugene Marlow on his quest to uncover the history of jazz in China. Marlow traces China's introduction to jazz in the early 1920s, its interruption by Chinese leadership under Mao in 1949, and its rejuvenation in the early 1980s with the start of China's opening to the world under Premier Deng Xiaoping. Covering a span of almost one hundred years, Marlow focuses on a variety of subjects--the musicians who initiated jazz performances in China, the means by which jazz was incorporated into Chinese culture, and the musicians and venues that now present jazz performances. Featuring unique, face-to-face interviews with leading indigenous jazz musicians in Beijing and Shanghai, plus interviews with club owners, promoters, expatriates, and even diplomats, Marlow marks the evolution of jazz in China as it parallels China's social, economic, and political evolution through the twentieth and into the twenty-first century. Also featured is an interview with one of the extant members of the Jimmy King Big Band of the 1940s, one of the first major all-Chinese jazz big bands in Shanghai. Ultimately, Jazz in China: From Dance Hall Music to Individual Freedom of Expression is a cultural history that reveals the inexorable evolution of a democratic form of music in a Communist state.
I went to Rio to watch the Olympics, but unexpectedly, I met with a plane crash and landed on a deserted island. At the same time, I landed on a desert island with a few beautiful celebrities ...
The first comprehensive English-language study of literary trends in the fiction of Taiwan over the last forty years, this pioneering work explores a rich tradition of literary Modernism in its shifting relationship with Chinese politics and culture. Situating her subject in its historical context, Sung-sheng Yvonne Chang traces the connection between Taiwan's Modernists and the liberal scholars of pre-Communist China. She discusses the Modernists' ambivalent relationship with contemporary Taiwan's conservative culture, and provides a detailed critical survey of the strife between the Modernists and the socialistically inclined, anti-Western Nativists. Chang's approach is comprehensive, combining Chinese and comparative perspectives. Employing the critical insights of Raymond Williams, Peter Burger, M. M. Bahktin, and Fredric Jameson, she investigates the complex issues involved in Chinese writers' appropriation of avant-gardism, aestheticism, and various other Western literary concepts and techniques. Within this framework, Chang offers original, challenging interpretations of major works by the best-known Chinese Modernists from Taiwan. As an intensive introduction to a literature of considerable quality and impact, and as a case study of the global spread of Western literary Modernism, this book will be of great interest to students of Chinese and comparative literature, and to those who wish to understand the broad patterns of twentieth-century literary history.
The first comprehensive analysis of anti-drug crusades in twentieth-century China, this book chronicles the evolution of ChinaOs anti-narcotics movement from its shaky but enthusiastic beginnings in 1906, through its dramatic success in the early years of the communist regime, to its continuance today in the face of resurgent opium and heroin use. Especially valuable is the authorOs detailed description of the CCPOs successful opium eradication campaigns in the early 1950s, which includes previously unavailable archival information and personal interviews. This rich and multifaceted story will be essential reading for Asia scholars and narcotics researchers alike.