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More than a memoir, Lumpen: The Autobiography of Ed Mead takes the reader on a tour of America's underbelly. From Iowa to Compton to Venice Beach to Fairbanks, Alaska, Mead introduces you to poor America just trying to get by--and barely making it. When a thirteen-year-old Mead ends up in the Utah State Industrial School, a prison for boys, it is the first step in a story of oppression and revolt that will ultimately lead to the foundation of the George Jackson Brigade, a Seattle-based urban guerrilla group, and to Mead's re-incarceration as a fully engaged revolutionary, well-placed and prepared to take on both his captors and the predators amongst his fellow prisoners. Through his work organizing against conditions in solitary confinement, and then with queer prisoners in the legendary Men Against Sexism, followed by his exile from Washington to the dungeons at Marion, Brushy Mountain, and Florence, Ed Mead's practice stands as a rebuke to the inhumanity and indifference which surround the world's largest prison system. As the late Black Liberation Army soldier Safiya Bukhari observed, "we must at least write our history and point out the truth of what we did--the good, the bad, and the ugly." Ed Mead has done that here, recounting his life's story with unflinching honesty, providing a model of personal integrity and revolutionary creativity and determination for us all.
'Now I am a mother and a married woman, but not long ago I led a life of crime' So begins Bianca’s tale of growing up the hard way. Orphaned overnight as a teenager, she drops out of school and drifts into the bad company of two criminals her brother brings home. As the four of them plot a fantastical crime, Bianca learns she can drift even lower... Electric and tense with foreboding, A Little Lumpen Novelita - one of the last novellas Roberto Bolaño published – delivers a fractured fairy tale of taking control of one's fate. TRANSLATED BY NATASHA WIMMER ‘Bolaño has proven that literature can do everything’ The New York Times ‘The man was a flat-out genius, one of the greatest writers of our time’ Paul Auster
Dieter Lumpen is a man of the world, an adventurer who wants no part of adventure. Nonetheless, he is swept along to exotic locations from Turkey to the Caribbean, from China to Venice. He is not quite so hard-boiled as the typical adventure hero.
Connecting the black music tradition with the black activist tradition, Party Music brings both into greater focus than ever before and reveals just how strongly the black power movement was felt on the streets of black America. Interviews reveal the never-before-heard story of the Black Panthers' R&B band the Lumpen and how five rank-and-file members performed popular music for revolutionaries. Beyond the mainstream civil rights movement that is typically discussed are the stories of the Black Panthers, the Black Arts Movement, the antiwar activism, and other radical movements that were central to the impulse that transformed black popular music—and created soul music.
First Published in 1986. Routledge is an imprint of Taylor & Francis, an informa company.
Introduction: a theory of abuse -- Intimate apartheid -- Falling in love -- A community of addicted bodies -- Childhoods -- Making money -- Parenting -- Male love -- Everyday addicts -- Treatment -- Conclusion: critically applied public anthropology.
This new collection of essays, contributed by scholars and former Panthers, is a ground-breaking work that offers thought-provoking and pertinent observations about the many facets of the Party. By placing the perspectives of participants and scholars side by side, Dr. Jones presents an insider view and initiates a vital dialogue that is absent from most historical studies.
These five astonishing stories, along with two compelling essays, show Bolano as a magician, pulling bloodthirsty rabbits out of his hat. The stories in The Insufferable Gaucho — unpredictable and daring, highly controlled yet somehow haywire — might concern a stalwart rat police detective investigating terrible rodent crimes, or an elusive plagiarist, or an elderly Argentine lawyer giving up city life for an improbable return to the familye state on the Pampas, now gone to wrack and ruin. These five astonishing stories, along with two compelling essays, show Bolano as a magician, pulling bloodthirsty rabbits out of his hat.
This is a history of the California prison movement from 1950 to 1980, focusing on the San Francisco Bay Area's San Quentin State Prison and highlighting the role that prison reading and writing played in the creation of radical inmate ideology in those years. The book begins with the Caryl Chessman years (1948-60) and closes with the trial of the San Quentin Six (1975-76) and the passage of California's Determinate Sentencing Law (1977). This was an extraordinary era in the California prisons, one that saw the emergence of a highly developed radical convict resistance movement inside prison walls. This inmate groundswell was fueled at times by remarkable individual prisoners, at other times by groups like the Black Muslims or the San Quentin chapter of the Black Panther Party. But most often resistance grew from much wider sources and in quiet corners: from dozens of political study groups throughout the prison; from an underground San Quentin newspaper; and from covert attempts to organize a prisoners' union. The book traces the rise and fall of the prisoners' movement, ending with the inevitably bloody confrontation between prisoners and the state and the subsequent prison administration crackdown. The author examines the efforts of prison staff to augment other methods of inmate management by attempting to modify convict ideology by means of "bibliotherapy" and communication control, and describes convict resistance to these attempts as control. He also discusses how Bay Area political activists became intensely involved in San Quentin and how such writings as Chessman's Cell 2455, Cleaver's Soul on Ice, and Jackson's Soledad Brother reached far beyond prison walls to influence opinion, events, and policy.