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International multi-award winning architect, Romaldo Giurgoila (b. Rome, 1920) is best known in Australia as the principal architect of the New Parliament House in Canberra. His latest major work is St. Patricks Cathedral, Parramatta, a new Cathedral complex which incorporates the old 1857 building which was destroyed by fire in 1996. The opening of the new Cathedral was celebrated on 29 November 2003. For Romaldo Giurgola this project provided an opportunity to reflect on his lifes work and toincorporate in the buildings, and the art works which were specially commissioned for them, the architectural principles he values most. These have been developed over many decades from the time of his education in Italy through to academic post and architectural projects undertaken in the USA, Europe, Australia and Asia. He regards architecture as a symbolic expression of peoples cultural identities and aspirations. With this in mind, he has created in Parramatta a singular masterpiece characterised by its simplicity, serenity and contemplative character. This beautifully written and illustrated publication provides eloquent insights into the art of architecture and Romaldo Giurgolas spatial philosophy.
Since its original publication in France in 1963, Pierre Hadot's lively philosophical portrait of Plotinus remains the preeminent introduction to the man and his thought. Michael Chase's lucid translation—complete with a useful chronology and analytical bibliography—at last makes this book available to the English-speaking world. Hadot carefully examines Plotinus's views on the self, existence, love, virtue, gentleness, and solitude. He shows that Plotinus, like other philosophers of his day, believed that Plato and Aristotle had already articulated the essential truths; for him, the purpose of practicing philosophy was not to profess new truths but to engage in spiritual exercises so as to live philosophically. Seen in this light, Plotinus's counsel against fixation on the body and all earthly matters stemmed not from disgust or fear, but rather from his awareness of the negative effect that bodily preoccupation and material concern could have on spiritual exercises.
The secrets of light — Your pathway to a state of presence Seeking a state of presence: The most important things in life are our health and happiness. Yet most of us are neither healthy nor happy. We have been led to believe that if we think ahead and make the right choices, we can manifest our dreams. Yet despite our best efforts, we still have more disease and discontent than ever before. Is it possible that our essential ideas about life are flawed? Can we learn how to get into the zone or a flow state? Is light the key to finding a state of presence? Living in the light: We are all aware of the impact of sunlight on a plant’s growth and development. But few of us realize that a plant actually “sees” where light is emanating from and positions itself to be in optimal alignment with it. This phenomenon, however, is not just occurring in the plant kingdom — humans are also fundamentally directed by light. The intersection of science and spirituality: In Luminous Life, Dr. Jacob Israel Liberman integrates scientific research, clinical practice, and direct experience to demonstrate how the luminous intelligence we call light effortlessly guides us toward health, contentment, and a life filled with purpose. If you have read Barbara Brennan’s Hands of Light or Light Emerging, you’re going to love Jacob Liberman’s Luminous Life.
In this book, Lucifer presents himself as the bearer of knowledge that has long been hidden and distorted by the dominant narratives. It proposes to address one of the deepest and most debated themes of human existence: the origin of the universe and the creation of the human being. This subject, which has been a constant source of unrest throughout the ages, has been interpreted and retold in countless ways through the various mythologies that permeate human cultures. Each civilization, with its cosmogony, has tried to explain the mystery of the beginning of everything, but there has always been something missing, a gap that the answers offered have not been able to completely fill. Science, in turn, with all its advancement and rigor, has tried to unravel this mystery through theories based on observations and experiments. However, despite all the scientific effort, the answers are still shrouded in uncertainties, hypotheses and theories that, however robust they may be, lack definitive certainty. Meanwhile, religious traditions, especially the Bible, provide accounts that are widely accepted by many, but which, over the centuries, have generated numerous interpretations and debates. With each new translation, with each attempt to preserve the original content, the sacred texts were changed, and with that, the true original meaning was lost. What was supposed to be a clear and straightforward explanation of divine creation eventually turned into a web of interpretations that often confuse more than they clarify. It is in this context that Lucifer emerges as a revealing figure. He does not come to completely contest traditions, but to illuminate the parts that have been obscured over time. According to him, biblical texts, despite their antiquity and value, have lost the clarity they once had. The constant revisions and adaptations for different audiences and times have made the essence of the explanations become wrong, distancing seekers from truth from true understanding. Lucifer, whose name literally means "light-bearer," sets out to bring that light to a subject that is of paramount importance to all those who seek answers to the great questions of existence. He argues that the time of new revelations has come, and that those whose hearts are afflicted, seeking answers, will at last find rest in the simplicity of divine truth. According to Lucifer, true wisdom does not lie in fancy explanations or complex theories that demand almost blind acceptance. On the contrary, he maintains that when an explanation is overly complicated, strange, or out of the ordinary, there is a high chance that it will not be true. Divine truth, according to him, is inherently simple. Simplicity is the hallmark of divine creation, and correct and true explanations must therefore be equally simple and accessible. This book, then, is a journey through the layers of complexity that humanity has built around the creation of the universe and existence itself. Lucifer not only challenges established notions, but also offers a fresh perspective that promises to be both revealing and comforting. For him, true understanding of creation does not require an extravagant narrative, but rather a clear and simple vision, which anyone, regardless of their prior knowledge, can understand. It is this clarity, this luminous simplicity, that he offers in this book, inviting everyone to question, reflect and, finally, find peace in the answers they have sought so much.
Seventeenth-century Europe swirled with conjectures and debates over what was real and what constituted 'nature', currents that would soon gather force to form modern science. Natural Light deliberates on the eras uncertainties, as distilled in the work of painter Adam Elsheimer a short-lived, tragic German artist who has always been something of a cult secret. Elsheimers diminutive, intense and mysterious narrative compositions related figures to landscape in new ways, projecting unfamiliar visions of space at a time when Caravaggio was polarizing audiences with his radical altarpieces and circles of natural philosophers early modern scientists were starting to turn to the new world system of Galileo. Julian Bell transports us to the spirited Rome of the 1600s, where Elsheimer and other young Northern immigrants notably his friend Peter Paul Rubens swapped pictorial and poetic reference points. Focusing on some of Elsheimer's most haunting compositions, Bell drives at the anxieties that underlie them a puzzling over existential questions that still have relevance today. Traditional themes for imagery are expressed with fresh urgency, most of all in Elsheimer's final painting, a vision of the night sky of unprecedented poetic power that was completed at a time of ferment in astronomy. Circulated through prints, Elsheimers pictorial inventions affected imaginations as disparate as Rembrandt, Lorrain and Poussin. They even reached artists in Mughal India, whose equally impassioned miniatures expand our sense of what 'nature' might be. As we home in on artworks of microscopic finesse, the whole of the 17th-century globe and its perplexities starts to open out around us.
Nobel laureate poet Czeslaw Milosz personal selection of 300 of the world's greatest poems written throughout the ages and around the world.
A FINALIST FOR THE PEN/WEST TRANSLATION AWARD The 100th Anniversary Edition of a global classic, containing beautiful translations along with the original German text. While visiting Russia in his twenties, Rainer Maria Rilke, one of the twentieth century's greatest poets, was moved by a spirituality he encountered there. Inspired, Rilke returned to Germany and put down on paper what he felt were spontaneously received prayers. Rilke's Book of Hours is the invigorating vision of spiritual practice for the secular world, and a work that seems remarkably prescient today, one hundred years after it was written. Rilke's Book of Hours shares with the reader a new kind of intimacy with God, or the divine—a reciprocal relationship between the divine and the ordinary in which God needs us as much as we need God. Rilke influenced generations of writers with his Letters to a Young Poet, and now Rilke's Book of Hours tells us that our role in the world is to love it and thereby love God into being. These fresh translations rendered by Joanna Macy, a mystic and spiritual teacher, and Anita Barrows, a skilled poet, capture Rilke's spirit as no one has done before.