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Poems on those "who are not often heard from:" salmon, trees, edible roots, berries, deer. In Cricket, she writes: "Brilliant, he bristles as an undercover militant. / Hand winging in the air, / running the current of his backward hair. / Dogged, he insists on an argument." By the author of Hand into Stone.
Seven Hands, Seven Hearts includes the entirety of Elizabeth Woody's highly acclaimed first book of poems, Hand into Stone - winner of the American Book Award - as well as new poems, stories, and essays. The work is united by common themes: a rootedness in the Northwest landscape, the histories of her ancestors, and the ongoing struggle to define what it means to be a tribal member, an American, and a woman at the end of the twentieth century.
Although American Indian poetry is widely read and discussed, few resources have been available that focus on it critically. This book is the first collection of essays on the genre, bringing poetry out from under the shadow of fiction in the study of Native American literature. Highlighting various aspects of poetry written by American Indians since the 1960s, it is a wide-ranging collection that balances the insights of Natives and non-Natives, men and women, old and new voices.
Here First is an important new collection of essays by Native American writers compiled by Arnold Krupat and Brian Swann, the editors of I Tell You Now: Autobiographical Essays by Native American Writers. In Here First, authors such as Sherman Alexie, Greg Sarris, and Elizabeth Woody tell the stories of their lives and their art. Each essay demonstrates the breadth of experience of twenty-seven individuals united in the creative expression of a Native American heritage. Each has a different relation to that heritage, and in describing it through personal and family history, with verse and in anecdotes, the writers give a strong image of the different cultures that have shaped them. This is living history and the kind of collective memoir that makes for fascinating and rewarding reading--one of the most vivid and diverse portraits of Native American culture available today.
A Broken Flute: The Native Experience in Books for Children is a companion to its predecessor published by Oyate, Through Indian Eyes: The Native Experience in Books for Children. A compilation of work by Native parents, children, educators, poets and writers, A Broken Flute contains, from a Native perspective, 'living stories,' essays, poetry, and hundreds of reviews of 'children's books about Indians.' It's an indispensable volume for anyone interested in presenting honest materials by and about indigenous peoples to children.
American Indians have produced some of the most powerful and lyrical literature ever written in North America. Encyclopedia of American Indian Literature covers the field from the earliest recorded works to some of today's most exciting writers. Th
An unprecedented gathering of more than 300 Native writers was held in Norman, Oklahoma, in 1992. The Returning the Gift Festival brought more Native writers together in one place than at any other time in history. "Returning the Gift," observes co-organizer Joseph Bruchac, "both demonstrated and validated our literature and our devotion to it, not just to the public, but to ourselves." In compiling this volume, Bruchac invited every writer who attended the festival to submit new, unpublished work; he then selected the best of the more than 200 submissions to create a collection that includes established writers like Duane Niatum, Simon Ortiz, Lance Henson, Elizabeth Woody, Linda Hogan, and Jeanette Armstrong, and also introduces such lesser-known or new voices as Tracy Bonneau, Jeanetta Calhoun, Kim Blaeser, and Chris Fleet. The anthology includes works from every corner of the continent, representing a wide range of tribal affiliations, languages, and cultures. By taking their peoples' literature back to them in the form of stories and songs, these writers see themselves as returning the gift of storytelling, culture, and continuance to the source from which it came. In addition to contributions by 92 writers are two introductory chapters: Joseph Bruchac comments on the current state of Native literature and the significance of the festival, and Geary Hobson traces the evolution of the event itself.
"Writers rarely share their unedited journals with others. On these most private of pages - or on odd scraps of paper - they jot down bits and pieces of their lives and thoughts. This unique anthology presents excerpts from the journals of forty of today's most noted writers, and editor Sheila Bender asked the authors to comment on the role of journal-keeping in creating their art." "As a guide to creating a journal of your own, or simply as a riveting collection of never-before-published pieces from our finest contemporary talents. The Writer's Journal is a superb work - a classic on the creative process no serious reader, or writer, should miss."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Pots and Other Living Beings is made up of poems with paired photographs, each describing an aspect of living in the postmodern, neoliberal age, with its promised and failed utopia, ruin, and dispossessions. The work comes from a series of 4000 photographs and binders full of notes, created during a research trip to the American southwest regarding the founding, making, dreaming, and proliferation of the nuclear bomb; thinking of the food, family farms, arts, schools, hospitals, we could have had, if our resources, imagination, time, and energy had been directed towards life, in all of his/her forms.
To many people, the words ‘leader’ and ‘humble’ are not natural bedfellows. Yet once they have grasped the definition most employees desire a humble leader, while a majority of managers believe they already are one. What appears deceptively simple is trickier than expected. Narcissism, lack of perception, fixed mindsets, and neuronal default settings are only a few of the stumbling blocks on the path to humility. What exactly is this sought-after humility? Humility consists of four key elements: 1) Seeing one’s own strength and weaknesses and revealing them where needed for the bigger picture; 2) Appreciating others for what they are, do now and can do; 3) Being open and willing to learn; 4) Understanding that we are all only a small part of a larger picture, easily replaceable and favored by luck and circumstance. Therefore, humility has nothing to do with being weak or hiding the light under the bushel. Instead, it is about clarity, taking a step back from one’s ego and thus being able to serve the greater picture. The author’s own research with more than 2,000 managers contributes to the canon of positive effects of humility that have been measured by dozens of researchers during the last decade. Humility benefits employees (ranging from better performance, more innovation, stronger resilience to better client relations, and stronger morals), the organization (ranging from better ambidextrous strategies, a better culture to fewer sunk costs) and the managers themselves (ranging from more seen leadership potential to less stress and better relationships with employees). Dozens of case studies, quotes from more than 150 interviews with top managers, lively storytelling of real-life examples, and solid research with actionable take-aways, plus personal assessments, make this an eminently readable and practical book for managers worldwide.