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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
In this quiet and spacious landscape lies the story of some of Chapel Hill's rich cultural and natural history. When University of North Carolina botany professor William chambers Coker purchased the hilly area now known as Coker Hills, he bought it with a keen eye for the flora and the dramatic rises. Author Jill Blackburn is a graduate of UNC, with a M.Ed. and PhD. Her family moved into the area many years ago. She and the other residents appreciate the feel of "living in the woods" while being close to amenities.
Have you ever been intrigued by a beautiful building and wondered when it was built? Identifying American Architecture provides the answer to such questions in a concise handbook perfect for preservationists, architects, students, and tourists alike. With 214 photographs, it allows readers to associate real buildings with architectural styles, elements, and orders. Identifying American Architecture was designed to be used--carried about and kept handy for frequent reference. Every photograph is keyed to an explanatory legend pointing out characteristic features of each building's style. Trade bookstores order from W.W. Norton, NY
Wilson, North Carolina was formed in 1849 when the villages of Toisnot and Hickory Grove merged together. Named for Mexican War hero Gen. Louis D. Wilson, the new town came to be known for agriculture and education. The Wilson of today holds fast to its roots, offering antique shops laden with treasures from all walks of life and nationally recognized historic districts brimming with remarkable structures, significant styles of architecture, and numerous locations to taste the famed Eastern North Carolina style of barbecue. Historic Wilson in Vintage Postcards is a priceless collection of images that depict, among other views, the Wilson Depot from the late 1800s, local businesses, street scenes, churches, cotton and tobacco, and residential areas. The volume also affords readers postcards of Nash Street when it was considered "one of the most beautiful streets in America," tobacco scenes when Wilson was "the world's largest tobacco market," and the infamous 1911 trial of the Lewis West gang.
Elias Fort was born before 1646 and died in 1677/1678.
After Lee and Grant met at Appomatox Court House in 1865 to sign the document ending the long and bloody Civil War, the South at last had to face defeat as the dream of a Confederate nation melted into the Lost Cause. Through an examination of memoirs, personal papers, and postwar Confederate rituals such as memorial day observances, monument unveilings, and veterans' reunions, Ghosts of the Confederacy probes into how white southerners adjusted to and interpreted their defeat and explores the cultural implications of a central event in American history. Foster argues that, contrary to southern folklore, southerners actually accepted their loss, rapidly embraced both reunion and a New South, and helped to foster sectional reconciliation and an emerging social order. He traces southerners' fascination with the Lost Cause--showing that it was rooted as much in social tensions resulting from rapid change as it was in the legacy of defeat--and demonstrates that the public celebration of the war helped to make the South a deferential and conservative society. Although the ghosts of the Confederacy still haunted the New South, Foster concludes that they did little to shape behavior in it--white southerners, in celebrating the war, ultimately trivialized its memory, reduced its cultural power, and failed to derive any special wisdom from defeat.